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Jorge Sylvester Ace Collective: Spirit Driven
by Florence Wetzel
In a 1967 interview with Jazz & Pop magazine, John Coltrane stated: “I know that there are bad forces, forces put here that bring suffering to others and misery to the world, but I want to be the force which is truly for the good." In his lifetime and beyond, Coltrane has inspired artists to infuse ...
Trio 3 + Jason Moran: Refraction - Breakin' Glass
by John Sharpe
If ever there was a threesome that hankered after being a quartet, it's Trio 3. Though working as a self-contained unit since 1986, pianists have often supplemented the core triumvirate, and in fact one has augmented each of the group's previous three recordings. Now Jason Moran fills the piano stool on Refraction--Breakin' Glass, adding to an ...
Anthony Braxton: Sax Quintet (New York) 1998
by John Sharpe
Saxophone agglomerations are not without precedent in reedman/composer Anthony Braxton's copious playbook. Indeed, his “Composition 37" for four saxophones on New York, Fall 1974 (Arista, 1975) could be said to have launched the genre, bringing together as it did three of the founder members of the pioneering World Saxophone Quartet two years before their eventual formation. ...
Oliver Lake / Christian Weber / Dieter Ulrich: All Decks
by John Sharpe
So successful was the off-the-cuff meeting that produced For A Little Dancin' (Intakt, 2010) that American reedman Oliver Lake once again renewed acquaintance with the Swiss pairing of drummer Dieter Ulrich and bassist Christian Weber at Zurich's unerhört Festival. But this time out they rang the changes by adding German trombonist Nils Wogram. So far so ...
Special Edition
by John Kelman
With drummer/keyboardist Jack DeJohnette entering his eighth decade on planet earth, he's managed to accomplish what few other drummers have. Recipient of the 2012 NEA Jazz Masters Award, there are few jazz drummer s alive today who can cite as many recordings as the Chicago-born DeJohnette can, nor are there many who have been on such ...
Dom Minasi Septet: The Bird, the Girl and the Donkey II
by Eyal Hareuveni
Following the successful realization of the powerful, free jazz collective headed by Dom Minasi on The Bird, The Girl And The Donkey (Re:konstruKt, 2010), the guitarist decided to expand his collective from a quintet to a septet. He kept the same attitude: intense, muscular and fiery playing from the first second till the last, but with ...
Montreal Jazz Festival: Montreal, Canada, June 28-July 7, 2012
by Greg Thomas
Festival International de Jazz de MontréalMontréal, CanadaJune 28-July 7, 2012From the time of the airplane's descent to the airport in Montréal, I knew something was different and perhaps special about this place. Instead of a square or rectangular grid style of suburban housing plots, from my window I saw circular formations of housing, ...
Julius Hemphill / Peter Kowald: Live at Kassiopeia
by John Sharpe
Julius Hemphill / Peter KowaldLive at KassiopeiaNo Business Records2011 Out of the blue comes this double disc set featuring two distinguished alumni, both sadly now departed, of two parallel streams of musical pioneering. German bassist Peter Kowald was one of the authors of European free improvisation. Though initially ...
Marty Ehrlich's Rites Quartet: Frog Leg Logic
by Troy Collins
The premier of Marty Ehrlich's Rites Quartet, Things Have Got To Change (Clean Feed, 2009), featured the venerable multi-instrumentalist's engaging originals bolstered by a handful of previously unrecorded pieces by his mentor, the late Julius Hemphill (1938-1995). Drawing on Hemphill's seminal work in the St Louis-based Black Artists' Group (BAG), and his innovative writing for the ...
Dead Cat Bounce: Chance Episodes
by Dave Wayne
Combining a supremely agile multi-reed quartet with a lithe rhythm section, Dead Cat Bounce is anything but moribund on its Cuneiform debut, Chance Episodes. The title is a bit of a misnomer as well, as the highly developed compositions--all written and arranged by saxophonist/woodwind multi-instrumentalist Matt Steckler--leave little to chance. Originally commissioned by Chamber Music America ...
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