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John Sharpe's Best Releases Of 2016

by John Sharpe
Here are ten new releases, reviewed at All About Jazz, which stood out among those I heard this year. Wadada Leo Smith America's National Parks (Cuneiform Records) While the title might conjure up a string of luminous tone poems, the reality of trumpeter Wadada Leo Smith's magisterial collection goes ...
Generations Quartet: Oliver Lake/Joe Fonda/Michael Jefrys Stevens/Emil Gross: Flow

by Karl Ackermann
As the name would imply, the Generations Quartet spans the ages of its personnel. An off-shoot (of sorts) from the Trio Generations group, it's a semantic difference as saxophone legend Oliver Lake was a guest in the lineup that performed in 2015. From that same tour, we get Flow, a festive exercise of freedom and comradery ...
Do Tell: Hotend - Do Tell Plays the Music of Julius Hemphill

by Alberto Bazzurro
Una delle prime cose che colpiscono, prendendo in mano questo CD dedicato al songbook di Julius Hemphill, è la brevità quasi lacyana dei titoli. Mettendo poi l'oggetto nel lettore (ma anche già scorrendo la formazione), ecco che un secondo elemento salta all'occhio (o all'orecchio): il fatto che un repertorio squisitamente sassofonistico sia interamente riletto da un ...
Chicago Reed Quartet: Western Automatic

by John Sharpe
After a heyday in the late 1970s which saw the World Saxophone Quartet, ROVA and the 29th Street Saxophone Quartet, to list but three of the more celebrated, strutting their stuff, the format has undergone a hiatus more recently. However it remains firmly established as an instrumental configuration and perhaps the only surprise is that it ...
Oliver Lake / William Parker: To Roy

by John Sharpe
Bassist William Parker has formed productive liaisons with some wonderfully expressive alto saxophone players in the past--Rob Brown and Jemeel Moondoc both spring to mind. But To Roy represents his first time on record with Oliver Lake, best known as a third of Trio 3 and a quarter of the World Saxophone Quartet. They recorded their ...
PRISM Quartet: Heritage/Evolution, Volume 1

by Karl Ackermann
Not quite as well-known as the World Saxophone Quartet or the Rova Saxophone Quartet, the PRISM Quartet practices a unique approach to this category of ensemble playing. In part, PRISM takes a more direct aim on improvisation as opposed to the more blended method of WSQ or the openly free style of Rova. More idiosyncratic is ...
Jorge Sylvester Ace Collective: Spirit Driven

by Florence Wetzel
In a 1967 interview with Jazz & Pop magazine, John Coltrane stated: I know that there are bad forces, forces put here that bring suffering to others and misery to the world, but I want to be the force which is truly for the good." In his lifetime and beyond, Coltrane has inspired artists to infuse ...
Trio 3 + Jason Moran: Refraction - Breakin' Glass

by John Sharpe
If ever there was a threesome that hankered after being a quartet, it's Trio 3. Though working as a self-contained unit since 1986, pianists have often supplemented the core triumvirate, and in fact one has augmented each of the group's previous three recordings. Now Jason Moran fills the piano stool on Refraction--Breakin' Glass, adding to an ...
Anthony Braxton: Sax Quintet (New York) 1998

by John Sharpe
Saxophone agglomerations are not without precedent in reedman/composer Anthony Braxton's copious playbook. Indeed, his Composition 37" for four saxophones on New York, Fall 1974 (Arista, 1975) could be said to have launched the genre, bringing together as it did three of the founder members of the pioneering World Saxophone Quartet two years before their eventual formation. ...
Oliver Lake / Christian Weber / Dieter Ulrich: All Decks

by John Sharpe
So successful was the off-the-cuff meeting that produced For A Little Dancin' (Intakt, 2010) that American reedman Oliver Lake once again renewed acquaintance with the Swiss pairing of drummer Dieter Ulrich and bassist Christian Weber at Zurich's unerhört Festival. But this time out they rang the changes by adding German trombonist Nils Wogram. So far so ...