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261

Article: Album Review

Billy Gibson: The Billy Gibson Band

Read "The Billy Gibson Band" reviewed by Woodrow Wilkins


If anyone thinks the blues is a dead genre, they're badly mistaken. The Billy Gibson Band rocks from the first note of its new self-titled album. The first song, “Down Home, sets the tone early, with the bandleader on harmonica and lead vocals, singing, “Let's go down, down home, where I play the blues... on my ...

237

Article: Album Review

Rez Abbasi: Snake Charmer

Read "Snake Charmer" reviewed by Woodrow Wilkins


A native of India who migrated to Los Angeles and later New York, Rez Abbasi marries elements from both sides of the world on Snake Charmer, the guitarist's fourth album as a bandleader. He's accompanied by a small ensemble: Gary Versace on organ, Danny Weiss on drums and tabla, Dave Liebman on soprano saxophone, and Kiran ...

221

Article: Album Review

Veronica Martell: The Art of Intimacy

Read "The Art of Intimacy" reviewed by Woodrow Wilkins


The cover of Veronica Martell's The Art of Intimacy says it all. A lovely woman indeed, her portrait exudes an air of mystery and seduction. When her voice comes over the speaker, the process is complete. The aptly named CD title is a collection of elegant ballads that exhibit different sides of this brilliant singer.

155

Article: Album Review

Ada Rovatti: Airbop

Read "Airbop" reviewed by Woodrow Wilkins


Jazz may be indigenous to America, but it's a worldwide experience. Artists from Europe, Africa, and Asia have adopted this art form and created music that's so pure and gimmick-free, it's as if they were born with it. One of these is Ada Rovatti, originally from Pavia, Italy. A pianist in her youth, Rovatti took a ...

106

Article: Album Review

Clairdee: Music Moves

Read "Music Moves" reviewed by Woodrow Wilkins


One thing that makes live music great is the way artists feed off an audience's energy. San Francisco-based vocalist Clairdee makes that point clear on the opening notes of “Yes Sir, That's My Baby, the first song on Music Moves. As the audience applauds the introduction, Clairdee says that's the reaction she wants to hear, “even ...

340

Article: Album Review

Gerald Veasley: At the Jazz Base!

Read "At the Jazz Base!" reviewed by Woodrow Wilkins


Make it funky! That's the first impression you get on “Shango, the opening track of Gerald Veasley's new recording, which sets the tone for an enjoyable hour of music that's a little bit smooth, a little bit funk, and a lot of groove. With a supporting cast that includes saxophonist Chris Farr, drummer Eric Greene, and ...

176

Article: Album Review

Clayton-Hamilton Jazz Orchestra: Live at MCG

Read "Live at MCG" reviewed by Woodrow Wilkins


It's not easy to top a live performance by a big band at the Manchester's Craftsman's Guild. The Clayton-Hamilton Jazz Orchestra continues the tradition of creating some of the grooviest, swinging jazz to hit the CD racks in recent memory. And that says a lot, considering what's out there. With Live at MCG, the band celebrates ...

101

Article: Album Review

Various Artists: The Colors of Latin Jazz

Read "The Colors of Latin Jazz " reviewed by Woodrow Wilkins


The title of this compilation may be a bit misleading, or at least incomplete. Certainly, the music fits into the Latin jazz category. However, once it starts, The Colors of Latin Jazz '- Soul Cookin' sounds like a smorgasbord of sounds one might expect at an African-American or Hispanic family barbecue. This collection of party music ...

208

Article: Album Review

Various Artists: Afro-Latin Party

Read "Afro-Latin Party" reviewed by Woodrow Wilkins


Some of the most straightforward music comes from the islands of the Caribbean. Whether inspired by raw emotion or a simple desire to groove, no gimmicks are needed to deliver a sound that makes you want to dance or simply bob your head to the rhythm. In recognizing this, Putumayo has packaged an excellent collection of ...

194

Article: Album Review

Keith Newton: Feelin' Groovy

Read "Feelin' Groovy" reviewed by Woodrow Wilkins


As a genre, smooth jazz often gets a bad rap. Sometimes that's deserved: much of what gets played on radio or promoted heavily elsewhere is more about the business than the artistry of music. Creativity takes a back seat to the idea that one has to fit into the mold. Once in a while an artist ...


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