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James Clay: Texas Tenor, Second Generation
by David Perrine
The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...
Take Five With Noah Haidu
by Noah Haidu
Meet Noah Haidu: Pianist and composer Noah Haidu is evidence that 21st century jazz can be adventurous, fresh and swing hard; that an exciting, modern pianist can play memorable melodies and soulful grooves. His powerful Posi-Tone Records CDs Slipstream and Momentum garnered an impressive response: write-ups included All About Jazz, JazzTimes, The Financial Times, ...
Jovan Alexandre’s Debut Album Collective Consciousness Out February 24
“Jovan Alexandre is one of the most exciting new voices to emerge on the tenor saxophone—conceptually—in a long time. A gifted composer, his personal sound can seem variously molten and sharp-cornered within the same tune, sometimes almost within the same phrase. There’s an understated, almost implied, restlessness in his solos… He has that rare originality everyone ...
Eric Revis: Trajectory From The Tradition
by R.J. DeLuke
The development of an individual voice on the contrabass is important to Eric Revis, one of the strongest players on the scene. His power and musicianship has endeared him to some of the finer musicians, and bands, in jazz. But Revis isn't content to let things lie there. Not that he has to be ...
T.K. Blue: A Warm Embrace
by Hrayr Attarian
Saxophonist and flutist T.K Blue's tenth album A Warm Embrace is an enchanting and elegant work with richly textured harmonies and captivating melodies. Even though not all of the tracks are strictly speaking ballads there is a sublime sense of poetry that runs throughout the record and is its prevailing and cohesive motif.The solemn ...
Frank Wess: Magic 201
by Jack Bowers
The cover of the late Frank Wess' final album, Magic 201, closely resembles that of its predecessor, Magic 101--so much so that a reviewer who didn't look closely enough might assume he'd been sent a second copy of the earlier album by mistake. (Oops!) Wess recorded Magic 201 in September 2011, two months after Magic 101 ...
Frank Wess: Magic 201
by C. Michael Bailey
IPO Records has become the jazz destination for seasoned jazz veterans. Saxophonist James Moody (1925--2010) recorded his last two releases for the label: Moody 4A (2009) and Moody 4B (2010). Hard on Moody's heels is saxophonist Frank Wess (1922- -2013) who followed his Magic 101 (2013) with the predictable titled Magic 201. Pianist Kenny Barron and ...
T.K. Blue: A Warm Embrace
by Dan Bilawsky
What do you do after you've already toured the world with jazz legends, helmed a successful college jazz program and recorded everything from bluesy fare to world-meets-jazz music to Latin-ized takes on Charlie Parker? If you're saxophonist T.K. Blue, you turn to the soft(er) and the subtle, delivering an album that's texturally rich yet wholly transparent. ...
Frank Wess: Magic 101
by Hrayr Attarian
In 2007, saxophonist and flutist Frank Wess was named NEA Jazz Master, and Magic 101 amply demonstrates why. This mellow session covers six standards and a Wess original, with a candid and unadorned style that is nevertheless powerful in its apparent simplicity.Like a wise raconteur, the 89 year-old (at the time of the recording) ...
Frank Wess: Magic 101
by Dan Bilawsky
Most musicians can't escape the ravages of time, but a select few seem to have taken a sip from the musical fountain of youth. The late Hank Jones, for example, played with brilliance and class until the day he died at the age of 91, and octogenarian drummer Roy Haynes continues to snap and crackle in ...
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