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Guinness Cork Jazz Festival 2013
by Ian Patterson
Guinness Cork Jazz Festival Various Venues Cork Ireland October 25-28, 2013 Whether it was chance or fate is debatable but the fact is that had it not been for a cancelled bridge tournament the first Cork Jazz Festival might never have got off the ground. The 35th Guinness Cork Jazz ...
Annie Ross: Billie Holiday, Lady in Satin
by William Ellis
She was my hero, she was my mentor, she was my idol. I got to know her very very well and I was very proud that I did, because she was a real buddy of mine. I think there's a whole life in this voice for her to sing the songs that she sings; ...
Al Jarreau: Les Double Six, Les Double Six
by William Ellis
Double Six--when I was in college in my first year, I formed a singing group patterned along the lines of Lambert, Hendricks & Ross--and Double Six. Double Six changed my life; I listened to them instead of going to class--I think they almost sent me home! Very important music to me, I ...
Marcus Miller: Miles Davis, Milestones
by William Ellis
Miles at his height in the '50s before jazz took another turn, Milestones (Columbia, 1958) was--along with the other Miles records of this period--really at the height of the elegant era of jazz. Then it went somewhere else that was equally amazing. But I really love the combination of soulfulness and intelligence with which ...
Rhythm Changes: Rethinking Jazz Cultures
by Ian Patterson
Rhythm Changes Media City UK, Salford Rethinking Jazz Cultures Conference Manchester, UK April 11-14, 2013 The study of jazz in academic institutions may be a relatively modern trend, but the presence of over a hundred academics from South Africa to Russia and from America to Portugal at the Rhythm Changes: ...
Christian Scott: Clifford Brown, The Beginning of the End
by William Ellis
I choose a Clifford Brown album called The Beginning and the End (Columbia, 1973). It chronicles this guy's experience from the beginning of his musical career until a recording the day before he actually died. It's strange, because when I first got the record I didn't really know what the record was about or ...
Terence Blanchard: Miles Davis, Four & More
by William Ellis
Terence Blanchard: Old Fruitmarket, Glasgow, 30 June 2011 It's Miles Davis Four and More and the reason why it's so special for me [is] because I remember the first time I heard it as a kid. Listening to that live performance blew me way because you know I had been listening to ...
Robert Glasper: Slum Village, Fantastic Vol. 2
by William Ellis
Robert Glasper: Glasgow Jazz Festival, 28th June 2012 The reason this album is special to me is because the producer of the album--J Dilla is my favorite hip hop producer and I got the privilege to actually work with him before he passed away in 2006. To work with him--watch him make ...
William Ellis: Music On A Chink Of Light
by Ian Patterson
[ Editor's Note: Music On A Chink Of Light" was originally published on August 4, 2010. This encore presentation coincides with William Ellis's new column One LP. ]Black and white photographs of jazz legends taken by the likes of Herman Leonard, William P. Gottlieb and William Claxton have gained iconic status over the years. ...
Photographer William Ellis Interviewed at All About Jazz
Black and white photographs of jazz legends taken by the likes of Leonard Feather, William P. Gottlieb and William Claxton have gained iconic status over the years. Decades on, their photographs of Charlie Parker, Dexter Gordon, Billie Holiday, John Coltrane, Chet Baker and Miles Davis adorn countless walls of jazz aficionados around the world. These photographs ...


