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Louis Stewart & Martin Taylor: Acoustic Guitar Duets
by Ian Patterson
Jazz is littered with examples of starry duos aligning in one-off recording projects that do not quite match expectations. Often the lack of real spark comes down to too much deference being shown. When such duos do come off, however, say as with the collaborations between Bill Evans and Jim Hall, to cite one outstanding example, ...
Quincy Jones: An Evening With A Legend
by Solomon J. LeFlore
This article was first published on All About Jazz on October 31, 2014. I love jazz! I love everything about it... the improvisation, syncopation, the forceful rhythm, and the fact that it is truly America's original art form. Its unique and innovative use of brass and woodwind instruments and the piano is jazz. And, ...
A Brief Guide To Lebanese Jazz
by Ian Patterson
Lebanon is known for many things--its lush valleys, a fertile coastal plain and a 170 km-long mountain range carpeted with cedar, oak and pine. Beirut, Tripoli, Sidon, Tyre, Byblos and Baalbek--its cities' names resonate with history's vibrations. These are cities that have borne more history than most. It is a country renowned for its ...
Music Soup: Upbeat Mood
by Nicholas F. Mondello
Upbeat Mood from Music Soup, comprised of Athens, Greece-based guitarist Nestor Dimopoulos, Hammond B-3 organist Evgenia Karlafti and drummer Vagelis Kotzabasis, delivers eight enjoyable and upbeat swinging selections. Seven are originals from either Dimopoulos, Karlafti alone, or co-written. There is intelligent playing and fine soloing throughout. “Korean Apartment" opens things and is a ...
Bill Banfield: Take Time To Listen
by Nicholas F. Mondello
A prolific composer, educator, author and guitarist, Bill Banfield's Take Time to Listen is a bravura in-concert solo performance, comprised of 16 pop and rock classics, and thoughtful Banfield originals. The session is a display of virtuosity, taste and improvisational ability. “This Time," the opener, is an extended rhapsody over a droning ostinato. ...
Melvin Rhyne: Classmasters
by C. Andrew Hovan
While it's an easy task to designate any number of Hammond B-3 organ players who have quickly fallen under the spell of innovator Jimmy Smith, it's not as simple to inventory the few individuals who've avoided Smith's overpowering influence to develop a sound and manner of their own. Melvin Rhyne is one who managed to carve ...
Jimbo Ross: Jazz Passion & Satin Latin
by Nicholas F. Mondello
Jazz Passion & Satin Latin from elite viola player Jimbo Ross offers a dozen selections drawn across a wide array of resources. From tried-and-true GASsers, to more obscure, but, fascinating, jazz compositions, all seasoned with Latin flavorings, Ross and his compadres deliver an invigorating session. The album opens auspiciously with Ross in viola-guitar ...
Jeremy Monteiro Organ Quartet: Live Upon Nassim Hill
by Ian Patterson
Singaporean Jeremy Monteiro is primarily known as a pianist, having played with James Moody, Jimmy Cobb, Carmen Bradford, Charlie Haden and Ernie Watts, no less. But he is also a fine organist, an instrument he taught many moons ago. Monteiro returned to those roots with the trio Organamix, whose energy was captured on the live Kuala ...
Russell Malone: Guitar Master
by R.J. DeLuke
This article was first published on All About Jazz on February 29, 2016. “People make too big of a deal about being self taught. Because nobody is completely self taught," ruminates Russell Malone, one of the best loved jazz guitarists by both fans and critics. His sound is full and rich; his fingers fleet,the ...
Remembering Russell Malone: Black Butterfly
by Ian Patterson
Russell Malone (November 8, 1963-August 23, 2024) was a tasteful guitarist of the Wes Montgomery school who made his start in the band of organist Jimmy Smith in 1988. Born in Albany, Georgia, Malone was influenced by the gospel, country and blues that surrounded him. Best known for his 25-year association with Diana Krall, Malone also ...
