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Lauren Lee: On Being Uncool
by Suzanne Lorge
Lauren Lee is one of a new breed of singer-songwriter. She has all the bona fides of a traditional jazz singer and pianist, but she needs to do things her own way. As a singer and composer, she gives her imprimatur to cross-cultural experimentation and off-the-beaten-track forms of vocal expression, never straying far from the post-bop ...
Mike Clark & Delbert Bump: Retro Report
by Kevin Press
Go ahead. Judge this album by its cover. That 1970-something Ford grill tells you everything you need to know. It's big, funky and stamped Made In USA. These 11 cuts are Hammond-organ groovy. Which is to say Delbert Bump groovy. And the only thing better than a Bump groove is one paired with former ...
Vuma Levin: Musical Painting
by Seton Hawkins
South African guitarist and composer Vuma Levin has been receiving significant accolades in local and international circles, and it's easy to see why. A thoughtful, intelligent improviser and bandleader, Levin is also a highly thought-provoking composer, one intent on exploring the music's role in commenting on and shaping societal discourse. Indeed, with last year's ...
Nylon Strings and Other Things: Albums by Jean Chaumont and Kreisberg/Veras
by Patrick Burnette
Nylon-string acoustic guitars don't crop up in jazz all that often, but when they do the results can be delightful. Below I discuss two very different albums which incorporate that distinctive sound. The Beauty of Differences Misfitme 2018 Jean Chaumont's album The Beauty of Differences bogs down in ...
Scott Reeves Jazz Orchestra: Without A Trace
by Jack Bowers
Grudging good wishes to New Yorkers who are able to see and hear the world-class Scott Reeves Jazz Orchestra on a fairly regular basis. Everyone else must make do with the occasional recording (Without a Trace is only the second by the ten-year-old ensemble which made its debut in 2008). That's not nearly enough, of course, ...
Dan Kinzelman: Stream of Consciousness
by Neri Pollastri
U.S. born saxophonist and clarinetist Dan Kinzelman first moved to Italy in 2005 and over the last decade has grown to become an ever-present figure in Italy's flowering underground jazz scene thanks to his central role in some of the country's most interesting and original projects: leader of Dan Kinzelman's Ghost, co-founder of collective trio Hobby ...
Miles Davis, John Coltrane: The Final Tour: The Bootleg Series, Vol. 6
by Maurizio Comandini
Quante volte avete sentito qualche appassionato affermare che Kind of Blue di Miles Davis è il miglior disco da consigliare ad un amico che vuole iniziare ad ascoltare il jazz? Bene, il consiglio è certamente pertinente, anche se ci sono ovviamente altri mille dischi che possono fungere da entry point. Con questo cofanetto di quattro CD ...
Lionel Loueke Trio al Parco della Musica di Roma
by Mario Calvitti
Lionel Loueke Trio Parco della Musica Roma 28.02.2018 Avevamo già avuto modo di apprezzare il chitarrista del Benin Lionel Loueke sui palcoscenici dell'Auditorium romano lo scorso novembre, in occasione del concerto del sestetto di Chick Corea e Steve Gadd, ma in quella circostanza non era stato molto lo spazio lasciatogli ...
Dan Kinzelman: flusso di coscienza
by Neri Pollastri
Dan Kinzelman, sassofonista e clarinettista statunitense da oltre un decennio residente in Italia, è ormai parte del panorama jazzistico nazionale ed è anche tra i suoi artisti più apprezzati, vuoi per le eclettiche e sorprendenti doti di strumentista, vuoi perché anima alcune delle più interessanti proposte del nostro jazz, dal trio collettivo Hobby Horse al suo ...
Michael Feinberg: Whatever Possessed Me
by Don Phipps
Tribute bands are glowingly appreciated by fans of great rock acts; perhaps it's time jazz fans got with it! Michael Feinberg's Whatever Possessed Me is a dedication to the works and sound of John Coltrane and his classic quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones. The performances on this album are so good, one ...
