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Mark Weinstein: Jazz Brasil
by Jerry D'Souza
Mark Weinstein had a long journey across the trail of music instruments before he settled on the flute. He first played the piano when he was six. He then tried the clarinet and the drums before gravitating to the trombone and string bass in high school. The trombone was the mainstay for quite a while, and ...
Marcus Miller: The Perfect Balance
by Esther Berlanga-Ryan
Marcus Miller is a master musician of calm wisdom and impeccable taste, whose talent has been exposed to the elements under different kinds of light through the years, only to magnify the evident supremacy he so gently seems to hold over the bass guitar in recent years. As a multi-instrumentalist of deep musical curiosity, he has ...
Bassist Matthew Garrison Interviewed at AAJ...and More!
Bassist/composer Matthew Garrison is, without a doubt, one of the most technically gifted musicians of his generation. Over the last two decades he has been employed by such high-caliber leaders as [pianist-keyboardists] Joe Zawinul, Herbie Hancock and Geri Allen; [saxophonists] Wayne Shorter, Michael Brecker and Steve Coleman; [guitarists] John McLaughlin, Pat Metheny, John Scofield; [drummers] Jack ...
Matthew Garrison: Core Matter
by Ian Patterson
Bassist/composer Matthew Garrison is, without a doubt, one of the most technically gifted musicians of his generation. Over the last two decades he has been employed by such high-caliber leaders as [pianist-keyboardists] Joe Zawinul, Herbie Hancock and Geri Allen; [saxophonists] Wayne Shorter, Michael Brecker and Steve Coleman; [guitarists] John McLaughlin, Pat Metheny, John Scofield; [drummers] Jack ...
Patty Cronheim: Days Like These
by C. Michael Bailey
Livia Devereux's Night Winds Whisper (Self Produced, 2010) sported a very jazzy “Walking After Midnight" , proving that well-written music can survive in any genre climate. Patty Cronheim proves the same on Days Like These, a disc also populated with lesser-known standards and forays outside of the typical jazz realm. Stevie Wonder's “Superstition" ...
Mark Weinstein: Jazz Brasil
by Dan Bilawsky
Jazz Brasil continues flautist Mark Weinstein's odyssey through the world of Latin jazz. The former trombonist-turned-philosophy-professor-turned-flute-phenom has delivered a steady stream of Latin jazz releases that highlight material from well-known Latin American composers, deal with original material, and deliver Latin-ized takes on jazz classics. His previous release, Timbasa (Jazzheads Records, 2010), tackled Cuba with percussion-heavy gusto, ...
Donny McCaslin: Perpetual Motion
by C. Michael Bailey
Donny McCaslin's Perpetual Motion is an embarrassment of riches, employing a lineup populated by the edgiest, most progressive-thinking jazz musicians currently composing. Alto saxophonist David Binney (who also produces the disc), pianist Uri Caine, bassist Tim Lefebvre and drummer Antonio Sanchez have been producing music that has positively expanded jazz music for the past decade. McCaslin ...
Walter Smith III: Redefining a New Era in Jazz
The rich airy transparent sound is what identifies rising modern tenor saxophonist Walter Smith III. His music explores the many different avenues in jazz and introduces a new melodic perspective. When he plays, his creativity is made apparent through his ability to incorporate new musical ideas and undercover a unique relationship between harmonic and rhythmic composition. ...
Dave Liebman: A New York Story
by John Kelman
A few months shy of 65, saxophonist Dave Liebman may be having the busiest time of his career, now in its fifth decade. In the past 12 months, nearly a dozen releases have demonstrated the tremendous stylistic breadth of a musical oeuvre that kicked into high gear early, when, in the short span of three years, ...
Winter Jazzfest, New York City, Day 1: January 7, 2011
by Daniel Lehner
Day 1 | Day 2 Winter JazzfestNew York, NYJanuary 7-8, 2011 Since the informal move of jazz to the cities in the 1930s, the lore and legend of jazz compositions have lain in streets and places. The most common ones were the clubs, where innovations in jazz were ...
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