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Vic Rawlings

Vic Rawlings (Boston- amplifier/ prepared cello, speaker elements/ exposed circuitry) employs a still and unstable sound language that traverses from the visceral excess of the Laurence Cook Disaster Unit to the extreme austerity of undr quartet. He has designed and built 2 separate instruments to realize this aesthetic, including extensive and invasive cello preparations- some directly based on obscure baroque instrumentation. The amplified cello is used as a resonant wooden microphone. He also continually develops an electronic instrument from the exposed circuit boards of sound processors, effectively producing an analog synthesizer with a highly unstable interface. This electronic instrument is realized by a flexible array of exposed speaker elements, chosen for their often unpredictable and idiosyncratic acoustic qualities

ARTICLE: INTERVIEW

Lou Cohen: Opening the Door

Read "Lou Cohen: Opening the Door" reviewed by Gordon Marshall

In his cushy, classy, elegant two-story home just outside of Central Square in Cambridge, MA, Lou Cohen introduces his Symphony 5: from a laptop, jammed together fragments of elegant new music unfold, spaced out so that breath can enter in the interstices... Then the sound of roiling, rolling violins getting impacted: all is mellow and peaceful ...

By My Side; I Am Your's

Label: Not On Label (Vic Vogel Self-released)
Released: 2010

Whereupon There Is Not There Is Also Another That

Label: Not On Label (Vic Vogel Self-released)
Released: 2010

Truck Krone

Label: Not On Label (Vic Vogel Self-released)
Released: 2010

ARTICLE: INTERVIEW

Ryan McGuire: Metal Reasoning

Read "Ryan McGuire: Metal Reasoning" reviewed by Gordon Marshall

Bassist Ryan McGuire, a master of classical composition, uses this skill as a strategist in the metal underground. His band Ehnahre is quite unlike any other in that field, baffling committed rock fans with its advanced theory and unstructured time signatures. In another way, he throws off jazz and improvisation aficionados with his part ...

NEWS: INTERVIEW

Multi-Reedist Steve Norton Interviewed at AAJ

Multi-Reedist Steve Norton Interviewed at AAJ

Multi-reedist Steve Norton is best known for his work with the 1990s Boston-based band Debris. Debris was an ambitious, exuberant, puzzling band that puzzled together serialism, free jazz and funk. Their music is in equal measure exhilarating and exhausting. It was the combination, in part, that burned Norton out about ten years ago, as well as ...

ARTICLE: INTERVIEW

Steve Norton: Debris and Beyond

Read "Steve Norton: Debris and Beyond" reviewed by Gordon Marshall

Multi-reedist Steve Norton is best known for his work with the 1990s Boston-based band Debris. Debris was an ambitious, exuberant, puzzling band that puzzled together serialism, free jazz and funk. Their music is in equal measure exhilarating and exhausting. It was the combination, in part, that burned Norton out about ten years ago, as ...

ARTICLE: INTERVIEW

Skinny Vinny: The Answer to Everything

Read "Skinny Vinny: The Answer to Everything" reviewed by Gordon Marshall

Andrew Eisenberg is the percussionist for the Boston, Mass. duo Skinny Vinny--and a conceptual mastermind. Equally adept with hammer, saw, trash can, pots and pans, or what have you, he can make you think, or muse, by knocking together a table, or banging a stick against a window. An early piece, a big white room with ...

ARTICLE: INTERVIEW

Vic Rawlings: Hardball

Read "Vic Rawlings: Hardball" reviewed by Gordon Marshall

On a June night in 2009, Vic Rawlings was spinning 1950s LPs at a local record store in Central Square in Cambridge, Massachusetts. At his side, the “sound fountain"--a true period piece of a hi-fi tower (mono, of course). Buddy Holly started the party, segueing into Doris Day and The Ink Spots. Sometimes the records skipped ...


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