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380

Article: Album Review

Joe Henderson: The Joe Henderson Big Band

Read "The Joe Henderson Big Band" reviewed by Joel Roberts


Throughout the 1960s, Joe Henderson was the busiest tenor saxophonist at Blue Note, releasing several outstanding albums as a leader and appearing often as a highly-regarded sideman with most of the label's talented and innovative stable of jazz artists. ( Henderson's ubiquity makes his box set The Blue Note Years probably the best ...

258

Article: Album Review

Van Morrison: Tell Me Something: The Songs of Mose Allison

Read "Tell Me Something: The Songs of Mose Allison" reviewed by Joel Roberts


From his earliest recordings in the mid '60s with the British invasion rock group Them, Van Morrison's music has always been firmly rooted in the blues. Unlike many of his rock contemporaries, who merely borrowed -- or, depending on one's mood and generosity, stole -- riffs and affectations from older blues artists, Morrison ...

428

Article: Album Review

The Tony Williams Lifetime: Spectrum: The Anthology

Read "Spectrum: The Anthology" reviewed by Douglas Payne


Tony Williams's pioneering electric trio Lifetime made two stunning, yet imperfect records in the early 1970s in Emergency! and Turn It Over. A reflection of the turbulence of its times and the new attitudes that were being shaped, Lifetime began life as one of jazz's first all-star power trios: the brilliant Larry Young on organ, the ...

310

Article: Album Review

Howard Johnson's Gravity: Gravity!!!

Read "Gravity!!!" reviewed by Jim Santella


Howard Johnson started his first tuba ensemble in New York City in 1968, named it Gravity a few years later, and recently released this, Gravity's first recording. Why the long delay? Because the tuba has its place in music: the rhythm, the pulse, the bottom harmony. But in the hands of 55-year-old Johnson and his five ...

329

Article: Album Review

Jimmy Smith: Got My Mojo Workin/Hoochie Coochie Man

Read "Got My Mojo Workin/Hoochie Coochie Man" reviewed by Douglas Payne


When compared to his Blue Note catalog, Jimmy Smith's Verve records have a reputation for being commercial. Despite artistic triumphs like Hobo Flats (1963), The Cat (1964), Peter & The Wolf (1966) and Bluesmith (1972), it could hardly get more commercial than these two albums, Got My Mojo Workin' from 1965 and Hoochie Coochie Man from ...

162

Article: Album Review

Various: Red Hot in Rio

Read "Red Hot in Rio" reviewed by AAJ Staff


If you love the bossa sound as I do, then I will not have to say anything else about “Red Hot in Rio" other than the list of stunning musicians on this one album is awesome. What about Astrud Gilberto, George Michael, Incognito, Everything but the girl, Tom Jobim, Sting, Herbie Mann, Anna Caram, Flora Purim, ...

359

Article: Album Review

Betty Carter: I'm Yours, You're Mine

Read "I'm Yours, You're Mine" reviewed by Tom Storer


Coming up in the shadow of Sarah Vaughan and Ella Fitzgerald, Betty Carter realized early on there was no point competing on that terrain, and slowly but surely eked out one of her own. Carter's vocal world has been one of ferocious scat and luxuriously slow ballads, of relentless swing and angular melodic lines unafraid to ...

265

Article: Album Review

Sergio Mendes: Oceano

Read "Oceano" reviewed by AAJ Staff


Sergio Mendes seems to one of those artists who has been around forever with his wonderful bands Brazil '66, '74, '77, each depicting an era of evolution in the world of popular Brazilian music. Sergio fans will remember the classic Lennon and McCartney “Fool on the hill" performed on a number of his earlier albums with ...


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