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243

Article: Album Review

Ken Fowser & Behn Gillece: Little Echo

Read "Little Echo" reviewed by Raul d'Gama Rose


If Marc Free, Nick O'Toole and the team at Posi-Tone Records continue producing albums in the same manner as they have been since the inception of the label in 1994, they will surely be further along the path to emulating the legacy of the Blue Note label, which has produced some of the finest music of ...

137

Article: Album Review

Ken Fowser & Behn Gillece: Little Echo

Read "Little Echo" reviewed by Bruce Lindsay


Little Echo is a delightful collection of bop-influenced tunes--contemporary, but with the authentic sound of a classic late-'50s or early-'60s ensemble. The quintet sounds like it brings many decades of experience to the recording yet the co-leaders and composers, saxophonist Ken Fowser and vibes player Behn Gillece, are still only in their late-20s. This is their ...

384

Article: Album Review

Ken Fowser / Behn Gillece: Little Echo

Read "Little Echo" reviewed by John Barron


Tenor saxophonist Ken Fowser and vibraphonist Behn Gillece have been performing together since the 1990s as teenagers growing up outside of Philadelphia. Now residents of New York City, the two host a weekly jam session at Smalls Jazz Club where they've had the opportunity to perform with an A-list of jazz performers. Little Echo, the follow ...

246

Article: Album Review

Ken Fowser & Behn Gillece: Little Echo

Read "Little Echo" reviewed by Dan Bilawsky


Tenor saxophone and vibraphone frontlines--while not as commonplace as two horn teams--have their place in history. Lionel Hampton and Stan Getz had a marvelous meeting in the studio and Milt Jackson recorded with Sonny Rollins, Coleman Hawkins and John Coltrane, on different occasions. Bobby Hutcherson added to this legacy, working with Dexter Gordon and maintaining a ...

464

Article: Album Review

Tom Harrell: Tom Harrell: Roman Nights

Read "Tom Harrell: Roman Nights" reviewed by Tom Greenland


Roman Nights, trumpeter Tom Harrell's third release with his hardworking quintet of saxophonist Wayne Escoffery, pianist Danny Grissett, bassist Ugonna Okegwo and drummer Johnathan Blake, is an all-original set that maintains the highest standards of composition, small-group arranging and improvisation. Harrell is a paragon of restraint, each note carefully chosen, each phrase finely balanced, seducing with ...

227

Article: Album Review

Tom Harrell: Roman Nights

Read "Roman Nights" reviewed by Robert Dugan


Since signing with the HighNote label in 2006, Tom Harrell has released the most significant CDs in his three decades-plus of recording. It's no coincidence that, for this same period, he has been leading a true dream band of younger players. His previous output for RCA was of the highest quality, particularly Paradise (2001), a unique ...

424

Article: Album Review

Tom Harrell: Roman Nights

Read "Roman Nights" reviewed by John Kelman


Since coming back from hiatus following the superb Wise Children (Bluebird, 2003), Tom Harrell's been on a roll. On a new label (HighNote) and with a new working quartet, the trumpeter has gone from success to success, from the undeniably fine Light On (2007), to the even better Prana Dance (2009). Whether Roman Dances is even ...

119

Article: Album Review

Tobias Gebb and Unit 7: free at last

Read "free at last" reviewed by Woodrow Wilkins


Like a bird uncaged, drummer Tobias Gebb expresses himself without restraint on free at last, recorded with Unit 7. The collection is a mix of original songs and covers. Gebb is a freelance musician on the New York scene. Having appeared on recordings with Lenny Kravitz and Donald Fagen, Gebb has also served as ...

517

Article: Live Review

Tom Harrell Quintet at Dazzle Nightclub in Denver

Read "Tom Harrell Quintet at Dazzle Nightclub in Denver" reviewed by Geoff Anderson


Tom Harrell Quintet Dazzle Nightclub Denver, CO February 11, 2010 (First Set) My wife arrived early for the show, before me. Most of the nearly sold out crowd had yet to arrive. The maître'd offered her a table in the front. She declined stating, “No thanks, since this is ...

650

Article: Interview

Joanne Brackeen: Phenomenal Capacity

Read "Joanne Brackeen: Phenomenal Capacity" reviewed by Russ Musto


One of the most heralded pianists of her era, JoAnne Brackeen came to New York in 1965 after cutting her chops jamming with the likes of Teddy Edwards, Harold Land, Charles Lloyd and Dexter Gordon during the waning days of the Central Avenue scene in her native California. After a few dues-paying years here, she landed ...


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