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Bill Mays and the Inventions Trio Live at the Rubin Museum - NYC - March 28th, 2008
The Inventions Trio is: Bill Mays - piano Marvin Stamm - trumpet Alisa Horn - cello Rubin Museum of Art 150 West 17th Street New York, NY 10011 For Info Call: 212-620-5000 March 28th, 2008- Showtime- 7:00 PM Tickets $18/$20 Bill Mays ...
Ted Kooshian Releases Standard Orbit Quartet on Summit Records
Pianist/Composer Ted Kooshian releases new CD, “Ted Kooshian's Standard Orbit Quartet" On Summit Records ...plenty of surprises in store, while keeping the listener hooked with imaginative arrangements...Ted Kooshian's Standard Orbit Quartet is out of this world! -All Music Guide “Serious musicianship with a tongue in cheek approach - Great Music!" - Christopher Lams - Jazz Improv ...
Two for the Show Media Celebrates Another Year!
Publicity & Media firm Two for the Show Media is proud announce another year in the books servicing the top names in the jazz industry. This past year, Two for the Show Media has been privileged to work with such jazz labels & greats as: John Abercrombie, Peter Erskine, Jeff “Tain" Watts, Wycliffe Gordon, Cindy Blackman, ...
Gary Peacock, Marc Copland, Bill Stewart Trio @ Birdland NYC - March 19-22nd, 2008
Gary Peacock, Marc Copland, & Bill Stewart Trio Gary Peacock- bass Marc Copland- piano Bill Stewart - drums Birdland Jazz Club 315 West 44th Street Broadway New York, NY March 19th-22nd 2008 Set Times are 8:30 PM & 11:00 PM $30 general ...
Jacintha: Jacintha Goes to Hollywood
by Michael P. Gladstone
Singer Jacintha (Abisheganaden) was born in Singapore to Chinese/Sri Lankan parents in 1957. She eventually began recording, and established a reputation as both a singer and actor in Southeast Asia. Signing a contract with Groove Note Records in 1999, she became a more familiar musical name to North American listeners for the first time.. ...
Hans Glawischnig: Panorama
by Jerry D'Souza
Bassist Hans Glawischnig has several positive factors working for him on his second recording as leader. He writes with a fine focus, even though he goes across several styles. Melody is inherent in his compositions and so is room for improvisation. He is not averse to letting a tune blossom into something different from the stem ...
James Silberstein: Express Lane
by Woodrow Wilkins
The way “From This Moment On begins, you might think you're in store for some high-spirited big band jazz. However, the small horn ensemble make up just part of the support for guitarist James Silberstein's Express Lane. A fixture on the New York jazz scene, Silberstein has a long list of distinguished artists with ...
Jon Zeeman: Zeeland
by Woodrow Wilkins
There's a little rock, a little roll and plenty of good sounds in guitarist Jon Zeeman's Zeeland. Throw in some blues, funk and jazz, and you've got quite a recipe. Add to that the fact that Zeeman studied classical piano and decided to play professionally when he was just 13. After studying music at Ithaca College ...
Nathan Eklund Group: The Crooked Line
by Michael P. Gladstone
Trumpeterr/flugelhornist Nathan Eklund's The Crooked Line offers a pretty good measure of his quintet's capabilities. Anyone hearing much of this album, without any prior identification, would likely tab this to be straight out of the hallowed Blue Note era of the early-to-mid 1960s. The title track is an attractive post-bop vehicle; the ...
Peter Erskine / Tim Hagans / The Norrbotten Big Band: Worth the Wait
by Woodrow Wilkins
To say that Peter Erskine is the greatest drummer ever to play jazz would be a stretch. Max Roach, Gene Krupa and Buddy Rich are among those who would have to be considered for that honor. However, over the past 30 years or so, Erskine certainly has established himself as part of an elite class that ...
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