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Toshinori Kondo

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Toshinori Kondo is an avant-garde jazz and jazz fusion trumpeter. He has lived in Japan, New York City, and Amsterdam. In college he was a member of the band "Funky Beaters" and by 1976 he was a member of an ensemble which gained some notice in his native Japan. His early influences were Charlie Parker, Dizzy Gillespie, and Miles Davis. That said, his style is quite distinct from theirs and influenced by his religious studies, among other things. In the mid-1970s his career gained new momentum on moving to NYC, where he worked with members of the 'Downtown' scene, including Bill Laswell and John Zorn; his first solo album coming out in 1979

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Article: Album Review

Derek Bailey / Mototeru Takagi: Live at FarOut, Atsugi 1987

Read "Live at FarOut, Atsugi 1987" reviewed by Mark Corroto


To listen to Live at FarOut, Atsugi 1987 is to apply the field of evolutionary biogeography to the world of jazz. Consider the unique evolutionary paths of the creatures on the isolated Galapagos islands and you have the basics of biogeography and its study of the distribution of species and ecosystems. Then there is another type ...

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Article: Under the Radar

Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously

Read "Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously" reviewed by Karl Ackermann


In the first two parts of this series we looked at the origins of jazz in Japan and its adherence to the American style of composing, arranging and playing. Though jazz has been popular in Japan from the earliest days, it was--as in the United States--hardly met with unanimous approval in a country that prized classical ...

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Article: Album Review

Arthur Williams: Forgiveness Suite

Read "Forgiveness Suite" reviewed by John Sharpe


Forgiveness Suite belatedly constitutes trumpeter Arthur Williams' first leadership date. A mysterious and troubled soul who flew below the radar, even within free jazz circles, Williams surfaced on a handful of albums in the 1970s and 80s before dropping from view not long after. His most notable appearances are documented on saxophonist Frank Lowe's Lowe And ...

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Article: Album Review

Peter Kuhn: No Coming, No Going – The Music of Peter Kuhn 1978-1979

Read "No Coming, No Going – The Music of Peter Kuhn 1978-1979" reviewed by John Sharpe


In No Coming No Going, the Lithuanian NoBusiness imprint has unearthed a real gem, as part of its continuing exhumation of the New York 1970s loft scene. Reedman Peter Kuhn was a minor presence during the latter half of the decade, releasing three discs under his own leadership, and appearing on dates by Frank Lowe and ...

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Article: Multiple Reviews

Three New Releases from Peter Kuhn

Read "Three New Releases from Peter Kuhn" reviewed by Dave Wayne


Clarinetist Peter Kuhn came up in the 1970s. In those days, one could count the number of modern jazz clarinet specialists on one hand: John Carter, Perry Robinson, Theo Jorgensmann, Alvin Batiste and—if you include the bass clarinet—Michel Pilz. So, one hand and a finger. Still associated with Benny Goodman, Dixieland and Swing, the clarinet was ...

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Article: Album Review

The Process: The Process

Read "The Process" reviewed by Chris M. Slawecki


The Process is like a radioactive atom that centers and orbits around the futuristic power trio of bassist Bill Laswell, Red Hot Chili Peppers drummer Chad Smith and Jon Batiste, the latest in his family's longstanding line of New Orleans keyboard visionaries. “The original idea was to film unfamiliar musicians playing together in a ...

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Article: From the Inside Out

Checking in from Global Outposts

Read "Checking in from Global Outposts" reviewed by Chris M. Slawecki


Atlas Maior Palindrome Self Produced 2014 Open the package for Atlas Maior's debut CD and here's the first line you read: “Palindrome was completely improvised and recorded live with no overdubs." How you respond to these words will greatly shape how you respond to this music. A ...

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Article: Album Review

Karl Latham / Ryan Carniaux / Mark Egan: Constellations

Read "Constellations" reviewed by Fiona Ord-Shrimpton


If you happened to be in vitro fed Isao Tomita during your pre-personage, you're going to recognise Karl Latham's Constellations electronica subliminally--regardless any jazz/Bjork connections. 70's Japanese synth/horn, space music trembling has that tendency to unhinge a certain primeval magic. Space music in the 21st Century has less artefacts than the 70s first steppers, and more ...

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Article: Album Review

Søren Bebe / Jakob Buchanan / Kasper Tagel: Gone

Read "Gone" reviewed by Fiona Ord-Shrimpton


It would be good if more non-jazzers under the age of 90 could also appreciate how little hardship there is in being totally absorbed by original music from a group like BeBuTa. Gone , from pianist Søren Bebe's trio plus guests is a real swell of reactions and contemplations that makes life feel a little less ...


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