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Four Artists Of The Jazz Clarinet Renaissance
by Dan Bilawsky
Since the jazz clarinet never really died, renaissance--or rebirth--may not be the term that best describes what's happening to the instrument in the twenty-first century jazz universe; it is, however, a pretty good one word synopsis. The licorice stick was there at or near the start, tooting along next to the trumpet and ...
Jazz Musician of the Day: Tony Scott
All About Jazz is celebrating Tony Scott's birthday today! Tony Scott, a distinguished jazz clarinetist who in the 1950s helped steer his instrument out of the swing era and into the sax-infested waters of bebop. With Buddy DeFranco, Mr. Scott was considered one of the leading bebop clarinetists. (The two men were often described as the ...
Mort Weiss: I'll Be Seeing You
by C. Michael Bailey
Clarinetist Mort Weiss is a character. That much is readily evident by reading his All About Jazz column, The Mort Report. He is opinionated and passionate, both driving forces that easily season his playing in such a way that when Weiss plays, he's readily recognizable. Since returning to recording in 2001 after nearly 30 years away, ...
Jazz Musician of the Day: Tony Scott
All About Jazz is celebrating Tony Scott's birthday today! Tony Scott, a distinguished jazz clarinetist who in the 1950s helped steer his instrument out of the swing era and into the sax-infested waters of bebop. With Buddy DeFranco, Mr. Scott was considered one of the leading bebop clarinetists. (The two men were often described as the ...
Tony Scott: New York, 1953
Tony Scott is an acquired taste, much like squid-ink pasta or amaro. At first, the sound of his clarinet will seem uneven, as though you're listening to someone who just started to play the instrument. If you're used to hearing the well-paced, round sounds of Benny Goodman, Artie Shaw and Buddy De Franco, then Scott's lurching, ...
George Russell: The Story of an American Composer
by Duncan Heining
This article, adapted by the author, appears in Chapter 4 of George Russell: The Story of an American Composer, by Duncan Heining (Scarecrow Press, 2010). New York, NY It was May 1945, the war was still on, Bebop was at its height in New York and George Russell and his two ...
NEA Jazz Masters Program Morphs into Museum of Jazz Masters
By Fradley Garner It's happened every year since 1982, but it won't again after 2012, when the honors- loaded gravy train arrives at its 30th and last stop. The National Endowment for the Arts' Jazz Master Awards, America's highest honor in its own music genre, then goes the way of the space shuttle. For three decades, ...
Jazz Musician of the Day: Tony Scott
All About Jazz is celebrating Tony Scott's birthday today! Tony Scott, a distinguished jazz clarinetist who in the 1950s helped steer his instrument out of the swing era and into the sax-infested waters of bebop. With Buddy DeFranco, Mr. Scott was considered one of the leading bebop clarinetists. (The two men were often described as the ...
Mort Weiss: Mort Weiss Meets Bill Cunliffe
by C. Michael Bailey
If it is a Mort Weiss recording, bebop cannot be very far away. Competent bop clarinetists are as scarce as hen's teeth, the most critically accepted being Tony Scott, Buddy Defranco and Weiss. Weiss' most recent recordings, Mort Weiss Meets Sam Most (SMS Jazz, 2006) and B3 and Me (SMS Jazz, 2006), reflect his solid bop ...
Tony Scott at Bop's Dawn
Clarinetist Tony Scott didn't make many friends. A good number of jazz musicians who knew him recall an egoist who was abrasively competitive and made less and less musical sense as the years wore on. Personally, I find Scott a mixed bag, in some cases producing lovely swinging music and in other cases using a purposefully ...
