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Time Is A Blind Guide

by John Kelman
Over the past couple of decades, Thomas Strønen has become, perhaps, best-known for his unfettered improvisational forays in electro-centric contexts: sometimes freewheeling and frenetic, as in Humcrush, the drummer/percussionist/electronics wizard's hardcore duo with his similarly inclined Norwegian partner, keyboardist Ståle Storløkken (and occasional guest, singer Sidsel Endresen); other times more spaciously ambient in the atmospheric Anglo/Norwegian ...
Ian Brighton: Now And Then

by Roger Farbey
Ian Brighton's first album Marsh Gas was released on Bead Records in 1977. This, his second album, is released nearly forty years later. Marsh Gas is now, sadly, a rare and virtually unobtainable artefact (other than the availability of some tracks via YouTube) so it's significant that Brighton's Now And Then has been released to coincide ...
Barry Guy: A Prophet is Not without Honour (Part 2)

by Duncan Heining
Part 1 | Part 2 | Part 3 Barry Guy has been the artistic director and main composer of the London Jazz Composers' Orchestra throughout its now forty-five year history. Recordings and performances since Ode in 1972 have been sporadic but those forty-five years have resulted in eleven albums (including one with Anthony Braxton) ...
Howard Riley: Reinventing the Jazz Piano Trio

by Duncan Heining
Even allowing for journalistic hyperbole, the phrase reinventing the jazz piano trio" was a doozy. It all seemed a bit Emperor's new clothes" or, as my late mother used to put it, new coat and no knickers." For a time in the noughties, British critics variously applied the phrase to Esbjorn Svensson, Brad Mehldau, The Necks, ...
Michael Gibbs: Still Pushing The Envelope

by Ian Patterson
In a career spanning well over fifty years, veteran composer/arranger Michael Gibbs has chalked up a truly impressive range of credits, from Mahavishnu Orchestra to Jaco Pastorius, from Gary Burton to John Scofield and from Kenny Wheeler to Norma Winstone. The Zimbabwe-born maestro has worked with the very best jazz musicians on both sides of the ...
Turtle Records: Pioneering British Jazz 1970-1971

by Roger Farbey
This extended analysis discusses the celebratory release of the Turtle Records story, a clamshell box set containing a fifty page, 17,000 word booklet written by John McLaughlin biographer Colin Harper which includes rare photographs and new interviews. Crucially, it also includes the only three recordings to be issued on the label. The albums, originally released in ...
Enrico Rava Quartet with Gianluca Petrella: Wild Dance

by Karl Ackermann
The senior statesman, and easily the most recognizable name in Italian jazz, trumpeter Enrico Rava returns with a revised quintet line up on Wild Dance. Rava, who early in his career worked with saxophonist Steve Lacy, pianist Mal Waldron and trombonist Roswell Rudd, later went on to team with drummer Tony Oxley and sit in with ...
Dre Hocevar Trio: Coding Of Evidentiality

by John Sharpe
Slovenian-born, New York based drummer Dre Hocevar may not be a familiar name to many but that will likely change after Coding Of Evidentiality. Hocevar has convened a trio which sits comfortably in the lineage of the Portuguese Red Trio (who can be heard to good effect on Empire (No Business, 2011, Stem (Clean Feed, 2012) ...
The Tapestry Of Delights Expanded Two Volume Edition

by Roger Farbey
The Tapestry Of Delights Expanded Two Volume Edition: The Ultimate Guide to UK Rock & Pop Of The Beat, R&B, Psychedelic and Progressive Eras 1963-1976 Vernon Joynson 2,080 Pages ISBN: 1-899855-19-3 Borderline Productions 2014 The word cornucopia" could have been invented just for this immense two volume set. ...
Tomasz Stanko: Leosia

by Budd Kopman
Recorded in 1996 and released in 1997, Leosia is not only one of the high points of trumpeter Tomasz Stanko's forty-year career, but one of the absolute gems in the ECM catalogue, twenty years removed from his first ECM recording, Balladyna. The album itself is one of those things that just seems perfect from ...