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Lewis Nash All-Star Quintet: Phoenix, AZ, October 3, 2012
by Patricia Myers
Lewis Nash All-Star QuintetThe NashPhoenix, AZOctober 3, 2012Drummer Lewis Nash led a quintet of New York-based musicians in two concerts to mark the grand opening of The Nash, a new jazz educational and performance center in Phoenix, Arizona, operated by Jazz in Arizona Inc. and named for the city's native son, ...
LSD: Trio Colossus
by James Pearse
The stark, somewhat austere cover art of Trio Colossus, from Swedish saxophonist Fredrik Lindborg's LSD trio, belies the warm, rich music it houses.The sultry opening bars of “It Ain't Necessarily So" set the mood for this impressive recording, which features four Lindborg originals and carefully chosen pieces by Duke Ellington, Billy Strayhorn and Swedish ...
Marcus Belgrave: Preserver of Jazz
by Shannon J. Effinger
If you trace the careers of many of today's jazz artists, you'll discover that they all converge around one man--trumpeter Marcus Belgrave. He gave Karriem Riggins his very first drum set. Ray Parker, Jr. got his first gig thanks to him. He even took a then 15- year-old James Carter to Europe for the first time. ...
Newport Jazz Festival: Newport, RI, August 5, 2012
by Timothy J. O'Keefe
Newport Jazz FestivalFort Adams State ParkNewport, RIAugust 4-5, 2012Trumpeter Jeremy Pelt belted a splitting note that hooked and reeled in the ear of fellow hornster Avashai Cohen. As soon as Cohen heard the sound, he stopped strolling through the Newport crowd, and jerked his head toward the stage. Cupping a hand ...
Take Five With Guy Gardiner
by AAJ Staff
Meet Guy Gardner: I studied contemporary music at Dartington College of Arts. I always loved jazz, from the first time I heard this strange mumbling man and his amazing piano, but only later realizing this was Errol Garner. I recorded my first album in 2003 and have continued working in the UK and Europe ...
Romain Collin: Unearthing A Sound
by Ian Patterson
The environment one grows up in is undoubtedly hugely influential in a person's life. Pianist Romain Collins grew up just stone's throw from the site of the Antibes Jazz Festival, and his exposure to some of the greats of jazz there as a youngster may have had a lot to do with his later decision to ...
Allan Harris & Takana Miyamoto: Convergence
by Dan Bilawsky
The eternal bond between piano and voice in jazz was cemented long before pianist Bill Evans and vocalist Tony Bennett ever took to the studio together, but they elevated this union of sounds to artistic heights ne'er before attained. Bennett and Evans erased the notions of vocals on top and pianist-as-mere-accompanist with The Tony Bennett/Bill Evans ...
Dan Cray: Meridies
by C. Michael Bailey
There is nothing iconoclastic about pianist Dan Cray. He derives his piano style more from Tommy Flanagan and Hank Jones than Matthew Shipp or Ran Blake. He has been driving a trio through four previous recordings: Who Cares (Cray Sounds, 2001); No One (Blujazz productions, 2003); Save Us! (Blujazz productions, 2005); and Over Here Over Heard ...
Eri Yamamoto Trio: The Next Page
by John Sharpe
It is arguable whether a bar is the right venue for jazz in the 21st century. On any given night most of the punters are there for a chat with friends over drinks, maybe to pick someone up, and just perhaps to appreciate the music. For the last decade, Japanese pianist Eri Yamamoto and her trio ...
Billy Hart: All Our Reasons
by John Kelman
In a career spanning work with saxophonist Pharoah Sanders and trumpeter Miles Davis to pianists Tommy Flanagan and Marian McPartland, drummer Billy Hart has pretty much seen it all, from the most centrist mainstream to the outer reaches of free playing and beyond. But as he approaches 72 later in 2012, there's one thing Hart hasn't ...
