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Take Five With Guy Gardiner
by AAJ Staff
Meet Guy Gardner: I studied contemporary music at Dartington College of Arts. I always loved jazz, from the first time I heard this strange mumbling man and his amazing piano, but only later realizing this was Errol Garner. I recorded my first album in 2003 and have continued working in the UK and Europe ...
Romain Collin: Unearthing A Sound
by Ian Patterson
The environment one grows up in is undoubtedly hugely influential in a person's life. Pianist Romain Collins grew up just stone's throw from the site of the Antibes Jazz Festival, and his exposure to some of the greats of jazz there as a youngster may have had a lot to do with his later decision to ...
Allan Harris & Takana Miyamoto: Convergence
by Dan Bilawsky
The eternal bond between piano and voice in jazz was cemented long before pianist Bill Evans and vocalist Tony Bennett ever took to the studio together, but they elevated this union of sounds to artistic heights ne'er before attained. Bennett and Evans erased the notions of vocals on top and pianist-as-mere-accompanist with The Tony Bennett/Bill Evans ...
Dan Cray: Meridies
by C. Michael Bailey
There is nothing iconoclastic about pianist Dan Cray. He derives his piano style more from Tommy Flanagan and Hank Jones than Matthew Shipp or Ran Blake. He has been driving a trio through four previous recordings: Who Cares (Cray Sounds, 2001); No One (Blujazz productions, 2003); Save Us! (Blujazz productions, 2005); and Over Here Over Heard ...
Eri Yamamoto Trio: The Next Page
by John Sharpe
It is arguable whether a bar is the right venue for jazz in the 21st century. On any given night most of the punters are there for a chat with friends over drinks, maybe to pick someone up, and just perhaps to appreciate the music. For the last decade, Japanese pianist Eri Yamamoto and her trio ...
Billy Hart: All Our Reasons
by John Kelman
In a career spanning work with saxophonist Pharoah Sanders and trumpeter Miles Davis to pianists Tommy Flanagan and Marian McPartland, drummer Billy Hart has pretty much seen it all, from the most centrist mainstream to the outer reaches of free playing and beyond. But as he approaches 72 later in 2012, there's one thing Hart hasn't ...
Ehud Asherie with Harry Allen: Upper West Side
by Raul d'Gama Rose
Upper West Side is as fine a duet album as has been made by a pianist with another instrumentalist. This declaration may very possibly include the albums made by Hank Jones with Tommy Flanagan and Oscar Peterson with Dizzy Gillespie. It is a credit to pianist Ehud Asherie that he made this album at such a ...
Jazz Musician of the Day: Tommy Flanagan
All About Jazz is celebrating Tommy Flanagan's birthday today! Rarely has such unanimously unstinting praise been bestowed on a less self-congratulatory recipient. As genial and matter-of-fact off the stand as he is fiercely individual at the keys, Tommy Flanagan handles his world class ranking with an equanimity, a modesty, an easy friendliness not always associated with ...
Kenny Burrell: Every Note Swings
by Chris M. Slawecki
Kenny Burrell has appeared on so many essential jazz recordings that jazz history and his story seem irretrievably intertwined. Billie Holiday's valedictory rumination Lady Sings the Blues (Verve, 1956)? Jimmy Smith's epochal funk throwdown Back at the Chicken Shack (Blue Note, 1960)? Tony Bennett's Carnegie Hall debut? Kenny Burrell played guitar for them all. Even Jimi ...
Two Losses to Detroit Jazz: Bess Bonnier and Brad Felt
One of the great and unusual combinations of jazz voices hereabouts was the big-horn/little- horn thing that Steve Wood|| and {{Brad Felt had going at least since the '80s, with Steve on sax (especially the relatively small soprano) and Brad on tuba or euphonium, romping through tunes like “Second Balcony Jump," a Jerry Valentine composition from ...
