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Thomas Marriott: Romance Language
by Dan McClenaghan
Trumpeter Thomas Marriott moved back to Seattle after the requisite New York stint, where he worked with Maynard Ferguson's Big Bop Nouveau band, the Chico O'Farrill Orchestra, and vibraphonist Joe Locke. Back on west coast home ground, he connected with the Seattle-based Origin Records, where he released ten top-notch albums as a leader, including Individuation (2005), ...
Johnaye Kendrick: Flying
by Paul Rauch
Once, maybe twice in a generation, a singer enters the world of jazz and captivates the genre so dominated by jazz instrumentalists. There are qualities in the voice, delivery, the exquisite phrasing, and inexhaustible ability to deliver a narrative in such a way that expresses the jazz and blues tradition in a special and personal way. ...
Origin Records: Creating Opportunities and Community
by Jakob Baekgaard
Being a jazz musician sometimes seems like a life ruled by jungle law. Everyone fights for gigs and puts out music on “labels" with only one artist. However, it doesn't have to be this way. Origin Records is an example of a modern artist driven label that has grown through collaboration and community. As Matt Jorgensen, ...
Sidney Hauser: Justice and Jubilation
by Paul Rauch
The hiring of young saxophonist Sidney Hauser, to fill the second alto saxophone chair with the prestigious Seattle Repertory Jazz Orchestra may seem like a musical sidenote to the history of this 17 piece ensemble that was formed in 1995. But considering the marginalization of women instrumentalists in jazz over the course of the genre's history, ...
Dawn Clement: Here In The Moment
by Paul Rauch
Dawn Clement is like a primal force of nature. From being the mother of three young children, to her professorship at Cornish College of the Arts, to her performing career as a touring and recording artist, she maintains a musical standard of excellence achieved by very few. Her piano style is strong and versatile, whether she ...
Bill Anschell: Curiosity and Invention
by Paul Rauch
Bill Anschell strikes me as a man with boundless curiosity. You perceive this in conversation, in his sense of humor, the patient manner in which he listens on and off the bandstand. You sense it in his inventive compositions, the rhythmic complexity, and the musical conception that lyrically imprints an authentic sense of melody. His work ...
Tarik Abouzied: Happy Orchestra: Baba
by Paul Rauch
Go ahead, laugh it up. After all, how could you possibly take seriously a band called Happy Orchestra, that uses the classic yellow happy face as a logo in this visceral world of jazz we inhabit? How could this leader, a drummer in fact, produce music that is both danceable, and satisfying to the elite jazz ...
Carmen Rothwell: The Art of Intuition
by Paul Rauch
Seattle, a city synonymous with alternative rock, has long sustained a provincial jazz culture, without a signature sound, but with an openness to innovative, progressive invention. To outside jazz partisans, the city is known for phenomenal high school talent that usually flies the coop, heading east for conservatory training and to pursue professional ambitions.
Bren Plummer: Moldy Figs
by Paul Rauch
Bassist/Composer Bren Plummer has been walking that fine line between classical music and modern jazz since he first introduced himself to the jazz world via piano trio with his debut recording, Nocturnal (Bren Plummer Music, 2015). His musical energies have been directed into two respected orchestras in Washington state, the Yakima Symphony, and Symphony Tacoma. His ...
Jared Hall: Hallways
by Paul Rauch
It has been a long road for trumpeter/composer Jared Hall. That road has been a path cloistered in jazz education, starting in his native Spokane, WA studying with Dan Keberle at Whitworth University, to his masters completion at Indiana University under David Baker. At that point, Hall had a decision to make, in terms ...
