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Album

Romance Language

By Thomas Marriott

Label: Origin Records
Released: 2018
Track listing: Dexter's Tune; Forgiveness; I Remember Sky; Piggyback; Always And Forever; Kampala Moon; Ghost In This House; Now; Alibi Room; Somewhere Over The Rainbow.

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Song of the Day

Forgiveness

Album: Romance Language
By Thomas Marriott
Label: Origin Records
Released: 2018
Duration: 4:49

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Article: Album Review

Thomas Marriott: Romance Language

Read "Romance Language" reviewed by Paul Rauch

by Paul Rauch

Trumpeter Thomas Marriott has established his jazz credentials over the years through a collection of beautifully inspired and well received albums on the Origin Records label. His formidable chops, extensive vocabulary, respect for tradition and penchant for musical adventurism has put him into the conversation concerning the top practitioners of his instrument in modern times. Marriott ...

4

Article: Album Review

Thomas Marriott: Romance Language

Read "Romance Language" reviewed by Dan McClenaghan

by Dan McClenaghan

Trumpeter Thomas Marriott moved back to Seattle after the requisite New York stint, where he worked with Maynard Ferguson's Big Bop Nouveau band, the Chico O'Farrill Orchestra, and vibraphonist Joe Locke. Back on west coast home ground, he connected with the Seattle-based Origin Records, where he released ten top-notch albums as a leader, including Individuation (2005), ...

4

Article: Album Review

Johnaye Kendrick: Flying

Read "Flying" reviewed by Paul Rauch

by Paul Rauch

Once, maybe twice in a generation, a singer enters the world of jazz and captivates the genre so dominated by jazz instrumentalists. There are qualities in the voice, delivery, the exquisite phrasing, and inexhaustible ability to deliver a narrative in such a way that expresses the jazz and blues tradition in a special and personal way. ...

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Article: Record Label Profile

Origin Records: Creating Opportunities and Community

Read "Origin Records: Creating Opportunities and Community" reviewed by Jakob Baekgaard

by Jakob Baekgaard

Being a jazz musician sometimes seems like a life ruled by jungle law. Everyone fights for gigs and puts out music on “labels" with only one artist. However, it doesn't have to be this way. Origin Records is an example of a modern artist driven label that has grown through collaboration and community. As Matt Jorgensen, ...

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Article: Interview

Sidney Hauser: Justice and Jubilation

Read "Sidney Hauser:  Justice and Jubilation" reviewed by Paul Rauch

by Paul Rauch

The hiring of young saxophonist Sidney Hauser, to fill the second alto saxophone chair with the prestigious Seattle Repertory Jazz Orchestra may seem like a musical sidenote to the history of this 17 piece ensemble that was formed in 1995. But considering the marginalization of women instrumentalists in jazz over the course of the genre's history, ...

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Article: Interview

Dawn Clement: Here In The Moment

Read "Dawn Clement: Here In The Moment" reviewed by Paul Rauch

by Paul Rauch

Dawn Clement is like a primal force of nature. From being the mother of three young children, to her professorship at Cornish College of the Arts, to her performing career as a touring and recording artist, she maintains a musical standard of excellence achieved by very few. Her piano style is strong and versatile, whether she ...

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Article: Interview

Bill Anschell: Curiosity and Invention

Read "Bill Anschell: Curiosity and Invention" reviewed by Paul Rauch

by Paul Rauch

Bill Anschell strikes me as a man with boundless curiosity. You perceive this in conversation, in his sense of humor, the patient manner in which he listens on and off the bandstand. You sense it in his inventive compositions, the rhythmic complexity, and the musical conception that lyrically imprints an authentic sense of melody. His work ...

12

Article: Album Review

Tarik Abouzied: Happy Orchestra: Baba

Read "Happy Orchestra: Baba" reviewed by Paul Rauch

by Paul Rauch

Go ahead, laugh it up. After all, how could you possibly take seriously a band called Happy Orchestra, that uses the classic yellow happy face as a logo in this visceral world of jazz we inhabit? How could this leader, a drummer in fact, produce music that is both danceable, and satisfying to the elite jazz ...


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