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609

Article: Race and Jazz

Jazz vs Racism

Read "Jazz vs Racism" reviewed by Greg Thomas


Jazz saved me from becoming a racist. Back in the early to mid-1980s, while attending Hamilton College in central New York, I learned details about the transatlantic slave trade that sickened and angered me. I read about the history of the abolitionist movement in the 1800s, and the civil rights movements of last ...

358

Article: Album Review

Eric Reed: The Dancing Monk

Read "The Dancing Monk" reviewed by Greg Simmons


Every jazz pianist stands somewhere in the shadow of Thelonious Monk (1917-1982), and Eric Reed has embraced that shadow, with The Dancing Monk. Interpreting the near-mythic pianist/composer's music--let alone making an entire album of his tunes--poses significant challenges to any modern musician, and especially for a pianist. First, Monk's compositions are, indeed, challenging, in ...

201

Article: Album Review

Toots Thielemans: European Quartet Live

Read "European Quartet Live" reviewed by Raul d'Gama Rose


Miles Davis never liked the use of the term “legend," to describe a living musician, but perhaps an exception ought to be made in the case of Toots Thielemans, who ranks with the great Larry Adler as one of the greatest harmonica players, one for whom music has specially been composed. On ˂em˃Live˂/em˃, together with his ...

287

Article: Live Review

Fred Hersch Trio + 2: New York City, March 5, 2011

Read "Fred Hersch Trio + 2: New York City, March 5, 2011" reviewed by Victor L. Schermer


Fred Hersch Trio + 2Jazz Standard,New York CIty, NYMarch 5, 2011 Fred Hersch is one of today's most prominent jazz pianists, extending the limits of the jazz idiom with rare finesse and a sense of meaning and implication in every note he plays. This was one of five consecutive evenings ...

173

Article: Album Review

Benjamin Drazen: Inner Flights

Read "Inner Flights" reviewed by Bruce Lindsay


Benjamin Drazen has been on the New York scene for over 15 years, working with established players including Lew Soloff, George Garzone and Rashied Ali. The saxophonist cannot be accused of being in a hurry to get his name on a CD cover: a 15-year wait to release a debut is a lifetime in today's scene, ...

90

Article: Live Review

Blue Chunks and Friends: Oceanside, CA, February 26, 2011

Read "Blue Chunks and Friends: Oceanside, CA, February 26, 2011" reviewed by Dan McClenaghan


The Blue Chunks and FriendsAn Evening of Performing and Visual ArtsSunshine Brooks TheaterOceanside, CAFebruary 26, 2011 The Sunshine Brooks Theater hosted a stirred-up gumbo of entertainment, main ingredient jazz, on Saturday, February 26, in the old movie house that sits in the historical heart of the city of ...

153

Article: New York Beat

February Forays

Read "February Forays" reviewed by Nick Catalano


February is one of those months when this New York Beat column could expand into a full periodical because of the plethora of jazz activity occurring in Gotham. I began my trek early in the month, when the city was buried in crystal mounds of snow from winter storms that had pounded the ...

220

Article: Live Review

Chick Corea / Gary Burton: San Diego, USA, March 1, 2011

Read "Chick Corea / Gary Burton: San Diego, USA, March 1, 2011" reviewed by Robert Bush


Chick Corea / Gary BurtonAnthology,San Diego, CAMarch 1, 2011 Pianist Chick Corea and vibraphonist Gary Burton first met in the late 1960s, as Burton was leaving, and Corea was joining saxophonist Stan Getz's band. Together, they released one of the most astonishing records of the 1970s, Crystal Silence (ECM, 1973). ...

162

Article: Album Review

Benjamin Drazen: Inner Flights

Read "Inner Flights" reviewed by A. Lienhard


Alto saxophonist Benjamin Drazen has been plying his trade around Manhattan's network of small jazz bars--places like 55 Bar, Smalls, and The Garage--for over a decade. At long last, the New York native unveils his debut outing, Inner Flights. In a program of mostly original music, Drazen consistently delivers strong post-Coltrane fire, with a sound that ...

320

Article: Album Review

Joel Harrison String Choir: The Music of Paul Motian

Read "The Music of Paul Motian" reviewed by John Kelman


Joel Harrison has stretched the boundaries of form and freedom for over fifteen years, but Urban Myths (HighNote, 2009) and, in particular, the ambitious The Wheel (Innova, 2008), have represented significant evolutionary leaps. The Wheel married a conventional horn-led jazz quintet with a classical string quartet, its collection of Harrison originals pushing the limits of cross-pollination ...


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