Home » Search Center » Results: The Beatles
Results for "The Beatles"
Interpreting the Lennon/McCartney Songbook, Part 3: Sgt. Pepper
by Larry Slater
It's really no surprise that the tunes from The Beatles still attract jazz musicians, much as the music of Gershwin, Kern or Cole Porter does. Sgt Pepper's Lonely Hearts Club was a defining musical moment of the 1960s. Released in 1967, the album is one of a kind and included songs that have appealed to jazz ...
Interpreting the Lennon/ McCartney Songbook: Part 2, Rubber Soul and Revolver
by Larry Slater
The songwriting team of John Lennon and Paul McCartney became increasingly sophisticated by the mid 1960s. McCartney was the more knowledgeable musically, as he played piano and understood harmony (though he never did learn to read music). Much of John Lennon's writing had a harder edge, and he had a way with lyrics. The albums Rubber ...
Interpreting The Lennon/Mccartney Songbook: Part 1, Early Songs
by Larry Slater
Since its earliest days, Jazz musicians have used popular songs as springboards for creative interpretation, reimagining these tunes through the art of improvisation.. The great American songbooks of Irving Berlin, Cole Porter, and George Gershwin, have long been a staple of the jazz repertoire. Do John Lennon and Paul McCartney belong in this exalted company? I ...
Brian Wilson Jazzed: Ten Essential Wilson Covers
by Ian Patterson
Brian Wilson is widely hailed as one of the most significant songwriters of the 20th century--the master craftsman behind The Beach Boys' music. Inspired by rock 'n' roll, doo-wop, George Gershwin, vocal quartet The Four Freshmen and Burt Bacharach, he developed sophisticated harmonies and a signature sound that sold millions of records. His singular ...
Enrique Thompson & Revirado Project: Song for Someone - Canción para Alguien
by La-Faithia White
Enrique Thompson is a saxophonist, composer and producer whose music bridges jazz, tango and global influences. His early exposure to classical music, Argentine folk traditions, Latin American sounds and artists like The Beatles and Joan Manuel Serrat shaped his eclectic musical identity. Born in the Argentine countryside, at 10 years old he began playing saxophone and, ...
Miguel Zenon and Luis Perdomo at Harlem Stage Gatehouse
by Paul Reynolds
Miguel Zenon and Luis Perdomo Harlem Stage Gatehouse Carnegie Hall Citywide New York, NY May 3, 2025 The duets between alto saxophonist Miguel Zenon and pianist Luis Perdomo are among the most affecting jazz collaborations of recent years, and the most acclaimed. The first of the duo albums they've recorded ...
Helio Alves: Samba Of Sorts
by Kyle Simpler
It is not uncommon for people in the United States to discuss the British Invasion of the 1960s, when groups like The Beatles, The Rolling Stones, and The Yardbirds became staples of American radio. But alongside this, another invasion was becoming part of the American music scene: bossa nova. “The Girl from Ipanema" (Verve 1964) topped ...
Various Artists: A New Awakening: Adventures in British Jazz 1966-1971
by Peter Jones
Throughout the 1950s (and beyond), modernist British jazz musicians were in thrall to the American bebop stars they had been trying to emulate since the late 1940s. It was the pinnacle to which they aspired, and gradually their efforts lifted the overall standard of UK jazz. But by the early 1960s, the international success ...
How Creedence Clearwater Revival Saved Jazz
by Kyle Simpler
By 1970, Creedence Clearwater Revival was arguably the biggest rock and roll group in America--if not the world. Songs like “Proud Mary" (Fantasy 1969), “Green River" (Fantasy 1969) and “Born on the Bayou" (Fantasy 1969) dominated both Top 40 and album-oriented radio, and their music continues to thrive decades later, becoming a staple of classic rock ...
Larry Goldings: I Will
by Joshua Weiner
Larry Goldings is best known as an organist with a particular gift for bass lines, as exhibited on high-profile releases such as the Grammy-winning Trio Beyond--Saudades with Jack DeJohnette and John Scofield (ECM, 2007). Nevertheless, he trained as a classical pianist and has stuck to the 88's for several recordings, including well-regarded work with Jim Hall ...
