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Danilo Perez-Claus Ogerman Collaboration Due from Emarcy August 26
In his work with the Wayne Shorter Quartet and with his own trio, Grammy-winning pianist Danilo Perez has been acclaimed for his Pan-American originality and musical fearlessness. On his new orchestral CD “Across the Crystal Sea," which was arranged and conducted by Claus Ogerman, Perez draws deeply on his lyrical gifts. Produced by Tommy LiPuma, with ...
Ed Reed: The Song Is You
by Elliott Simon
Ed Reed is a storyteller, one who pours both his heart and nearly 80 years of life experiences--which include vocal studies with Charles Mingus, time in the army and a drug addiction that landed Reed in prison on four separate occasions--into a phrase. On his recent first recording, Love Stories (2007), he debuted a lush tone ...
Festival International de Jazz de Montreal 2008: Days 9-11
by John Kelman
Days 1-3 | Days 4-5 | Days 6-8 | Days 9-11Cassandra Wilson/Christian Scott Sextet James Carter Quintet/Jean Vanasse and Miroslav Vitous Mory Kanté Festival International de Jazz de Montréal Montréal, Quebec, Canada July 4-6, 2008 With the demise of one of Montreal's most famous clubs, Le Spectrum, ...
James Carter: Present Tense
by Greg Camphire
Multi-reedist James Carter has been steadily chugging along as a master of many instruments and styles since his auspicious recording debut in the early '90s, often operating under the radar while maintaining a consistent commitment to quality performances. With the release of Present Tense, Carter lets us know exactly where he's at ...
Art Pepper: Art Pepper: Unreleased Art, Vol. III; The Croydon Concert, May 14, 1981
by C. Michael Bailey
Laurie Pepper, widow of alto saxophonist Art Pepper, has single-handedly made the most significant contribution to her late husband's legacy in the last decade with the release of Unreleased Art, Volume 1: The Complete Abashiri Concert November 22, 1981 and Unreleased Art, Volume 2: The Last Concert May 30, 1982. Both were released in 2007 on ...
James Carter: Present Tense
by Joel Roberts
Detroit-born James Carter burst on the New York jazz scene in the early 1990s and quickly established himself as a force to be reckoned with on the tenor saxophone and a host of other reed instruments. A technically advanced player with more than a touch of hip hop swagger, Carter stood apart from fellow Neo-traditionalist newcomers ...
New Singing Things
by Chris M. Slawecki
There seem to be as many different forms and functions for our voices as there are musical styles for our instruments. Whether recorded in live performance, recorded in the studio, or chopped and looped into a preexisting mix, several recent releases spotlight the human voice. Andy Bey Ain't Necessarily So ...
James Carter: Present Tense
by Frederick Bernas
James Carter may not yet be forty, but he possesses a degree of instrumental mastery which could easily be a lifetime's work. At different stages of this record, the versatile multi-instrumentalist plays tenor, soprano and baritone saxophones as well as flute and bass clarinet, all with equal power and precision. This diverse approach to instrumental voicing ...
Widow's Taste to Release New Art Pepper 2-CD Set May 30
Art Pepper: The Croydon Concert, Volume III of Unreleased Art Series, To Be Released by Widow's Taste Label on May 30 2-Disc Set Features Art's “Comeback Band": Milcho Leviev, Bob Magnusson, Carl Burnett At Fairfield Hall, Croydon, England, in May of 1981, Art Pepper appeared with the quartet that had returned him to music. Together, they ...
James Carter: Present Tense
by Troy Collins
Omnipresent in the late 1990s, James Carter's output has been erratic ever since Atlantic Records (his former label) dissolved their jazz department in 2000. A pleasing return to form, Present Tense is the poll-winning multi-instrumentalist's first recording in three years, ably produced by the renowned Michael Cuscuna, whose goal was to “capture the breadth of James' ...
