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"Why Stop Now ... Ubuntu," 12th CD By Tenor Saxophonist Michael Pedicin, Due Sept. 24
A passionately soulful improviser, tenor saxophonist Michael Pedicin is in the midst of an impressive creative surge clearly reflected in his prolific work as a recording artist and composer. His new CD, Why Stop Now...Ubuntu, is his 12th as a leader—and 5th in the last six years. Scheduled for release on September 24 by his GroundBlue ...
"Five And More," 3rd CD By The Fiveplay Jazz Quintet, To Be Released Sept. 17 By Auraline Records
Mainstays of the San Francisco Bay Area jazz scene since the 1980s, the members of the adventurous quintet FivePlay share a long musical history stretching back to their student days at Berklee in Boston. Co-led by husband and wife Tony Corman (guitar) and Laura Klein (piano) and also including reedman Dave Tidball, bassist Paul Smith, and ...
Nashville Trumpeter/Composer Imer Santiago Debuts With "Hidden Journey" Aug. 27
Imer Santiago’s musical journey, which began in his native Ohio with stops in New Orleans and Austin, took an important turn in 2007 when he relocated to Nashville. There the accomplished young trumpeter forged a close bond with saxophonist Rahsaan Barber, one of the local jazz scene’s key players as well as the owner of Jazz ...
BoB: a Palindrome
by Chris M. Slawecki
The roll call of great bass players from Detroit includes Ron Carter, Paul Chambers and Doug Watkins. Robert Hurst, another Motor City musician, has for the past several years made a compelling case for his name on that list.Hurst picked up the bass at age 14 and was soon performing with Detroit trumpeter Marcus ...
Boston Jazz Vocalist Agachiko Debuts On CD July 9 With "Yes!"
Agachiko has been turning heads since 2008, when the septet led by Kenyan-born, Boston-based vocalist Gabrielle Agachiko was formed. On her debut album Yes!, to be released July 9 by Accurate Records, she brings an international sensibility to the incantatory spirit of Nina Simone and Abbey Lincoln. Whether gracefully delivering a pointed political message on “Words,” ...
The Rosenthals: Fly Away
by Dan Bilawsky
In many ways, trumpeter Daniel Rosenthal has always been the odd man out in the Rosenthal clan. The members of this tight-knit, literal-cum-musical family have long been known as a folk and bluegrass breed, but Daniel took a turn toward jazz and never looked back; that is, until recently. After leaving the New ...
"San Francisco," 2nd CD By Bay Area Drummer Brian Andres & The Afro-Cuban Jazz Cartel, Due July 16
Drummer Brian Andres’s new album with the Afro-Cuban Jazz Cartel, San Francisco, not only takes its title from the band’s home base. The CD, to be released July 16 by the leader’s Bacalao Records imprint, also makes a persuasive case for the assertion that San Francisco has its own distinctive Latin jazz sound (the classic “San ...
The Rosenthals: Fly Away
by C. Michael Bailey
The continuing atomization and commingling of musical styles leads both to new styles and vibrant recapitulations of old ones. Either path, an evolution of the music. Father and son duo, Phil And Daniel Rosenthal, prove both directions of this observation on Fly Away, an assembly of fourteen mostly original compositions that is at once beautifully strange ...
Eugenie Jones: Black Lace Blue Tears
by C. Michael Bailey
Seattle-based vocalist/composer/arranger Eugenie Jones didn't start out as such. A business and marketing major in college, Jones graduated and went on to be a business owner, consultant and all-around marketing roustabout. But life is never so simple and after her mother's death, Jones decided that it was time to pursue music as a vocation. On her ...
Composer Steve Lindeman's Modern Big Band Debut, "the Day After Yesterday," Due June 11
Steve Lindeman’s distinctive approach to modern big band composing is on ample display on his impressive debut CD, The Day After Yesterday, to be released by Jazz Hang Records on June 11. The Brigham Young University professor’s originals are performed by BYU’s Synthesis under the direction of Ray Smith, who also produced the album. Nearly all ...
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