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Article: Album Review

Terje Rypdal: Crime Scene

Read "Crime Scene" reviewed by AAJ Italy Staff


Che bella sorpresa. A differenza del solito prodotto ECM dal suono immacolato e dalle atmosfere rarefatte, questo Crime Scene irrompe con il suo miscuglio di free jazz, rock & roll, funky, drum & bass, musica orchestrale e orizzonti nordici. La voce profonda di Clint Eastwood ci introduce ad una immaginaria colonna sonora nella quale le atmosfere ...

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Article: Album Review

Terje Rypdal: Crime Scene

Read "Crime Scene" reviewed by Karl Ackermann


Norwegian guitarist and ECM principal, Terje Rypdal has defied narrow and expedient labels throughout his long career. Originally a rocker, he joined Jan Garbarek's quartet (and ECM) in 1969. In the course of his career, he has composed a number of symphonies, two operas, a violin concerto and many modern works that, as often as not, ...

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Article: Album Review

Ketil Bjornstad: Remembrance

Read "Remembrance" reviewed by John Kelman


In a career spanning four decades that only began reaching a wider international audience with the release of his first album for ECM, Water Stories (1993), Norwegian pianist Ketil Bjørnstad has collaborated with many fellow Scandinavians, including guitarists Terje Rypdal and Eivind Aarset, bassist Arild Andersen, drummer Jon Christensen and live sampler Jan Bang. Surprisingly, he ...

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Article: Live Review

Norwegian Jazz 101b: JazzNorway in a Nutshell 2010

Read "Norwegian Jazz 101b: JazzNorway in a Nutshell 2010" reviewed by John Kelman


2008 | 2009 | 2010 | 2011 Norway may be a country that, more than most, aims to expose people from around the world to its culture through annual events like JazzNorway in a Nutshell, but as rich an experience as attending that junket is, returning to it on a regular basis is an ...

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Article: Extended Analysis

Arild Andersen: Green Into Blue - Early Quartets

Read "Arild Andersen: Green Into Blue - Early Quartets" reviewed by John Kelman


He's one of Norway's “Big Four"—a group of artists who, with the assistance of the emerging ECM label in the early 1970s, kick-started international focus on the music from a country that, despite its relatively small population, has become a truly vital force in the evolution of jazz over the past 40 years. Alongside saxophonist Jan ...

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Article: Record Label Profile

Rune Grammofon: Mutation and Reevaluation

Read "Rune Grammofon: Mutation and Reevaluation" reviewed by David McLean


Since its inception in 1998, Rune Grammofon has been at the forefront of ground breaking new music, heralding a new unprecedented interest in Scandinavian music. Whereas ECM's focus on the region has largely been based around the folk/traditional music explorations of its most prolific artists, including Jan Garbarek, Arild Andersen, Terje Rypdal and Jon Christensen, and ...

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Article: Album Review

douBt: Never Pet a Burning Dog

Read "Never Pet a Burning Dog" reviewed by John Kelman


Sometimes bringing two musicians together for the first time can yield some real magic. That was the case when British keyboardist Alex Maguire joined up with Michel Delville and members of the Belgian guitarist's flagship group, The Wrong Object, for Brewed in Belgium (MoonJune, 2008). Never Pet a Burning Dog largely pares things down to a ...

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Article: Album Review

Jan Gunnar Hoff: Magma

Read "Magma" reviewed by John Kelman


Keyboardist Jan Gunnar Hoff may not have the international visibility of fellow keyboardist Bugge Wesseltoft, but with a growing discography dating back to the mid-1990s and including, most recently, the powerfully fusion-esque Jungle City (Alessa, 2009), with fellow countryman/bassist Per Mathisen and ex-Weather Report percussionist/drummer Alex Acuna, that deserves to change. At the core of the ...

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Article: Interview

Chris Jentsch: Cycles and Reflecting on the Journey

Read "Chris Jentsch: Cycles and Reflecting on the Journey" reviewed by Ludwig vanTrikt


John Coltrane once said, “Let the music speak for itself." The guitarist/composer and band leader Christopher Jentsch adds an interesting twist on that subject by opting to describe himself when asked about the broader subject of how to capture his music in his own words. “I think of myself as a composer/guitarist working with contemporary improvisational ...

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Article: Extended Analysis

Eberhard Weber: Colours

Read "Eberhard Weber: Colours" reviewed by John Kelman


As the jazz-rock fusion movement gained ground from its early years in the late 1960s through its glory days in the early-to-mid-1970s—blending the more sophisticated harmonies of jazz with rock music's rhythmic power and high volume—all too often it was about muscular chops and complex writing for the sake of it. Little attention was paid to ...


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