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Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays
by Arthur R George
Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.
Blue Note 50th Anniversaries: January 1969 & More
by Marc Cohn
We celebrate Blue Note 50th anniversary recordings from Frank Foster (material never formally released until a CD reissue of Manhattan Fever), Lonnie Smith and Horace Silver. Certamente, there's more--including a 75th anniversary salute to sides by clarinetist Edmond Hall with Red Norvo and Teddy Wilson, and a 78 rpm recording of Blue Note 5 by Earl ...
Classic Brunswick & Columbia Teddy Wilson Sessions 1934-42
By Teddy Wilson
Label: Mosaic Records
Released: 2018
Classic vinyl remasterings from Storyville
by Chris Mosey
In time for the festive season, the Copenhagen label Storyville is reissuing three classic albums from its archives remastered on 180-gram vinyl: Charlie Parker In Sweden, 1950; Ben Webster Plays Ballads; and Sahib Shihab's “lost" minor masterpiece Sentiments. The Charlie Parker album was recorded on November 24, 1950 at a concert in the ...
Jazz Musician of the Day: Teddy Wilson
All About Jazz is celebrating Teddy Wilson's birthday today! His airy, effortless style, with its emphasis on lightly accompanied right-hand melody, was a key element in the transition from swing to bebop, and many modern jazz pianists took Wilson\'s approach as their starting point. His early recordings were percussive and forceful, but as he matured his ...
Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1
by Karl Ackermann
Part 1 | Part 2The music market in Japan--second only to the U.S. in terms of revenue--generates more than two-billion dollars in sales annually. Enthusiasts and collectors of jazz recordings had long ago discovered that Japan's robust music scene, and the now virtual accessibility to products have made the country a go-to resource for ...
The Bach's Beach Vision Of Jazz Heaven
by Arthur R George
Heaven for some is a baseball diamond in an Iowa cornfield. For Pete Douglas, it was a house on a beach with a jazz club in his living room, a would-be heaven also for anyone who dropped in. Douglas passed on, in 2014 at age 85, sitting at his desk overlooking the Pacific Ocean. But his ...
State and Mainstream: The Jazz Ambassadors and the U.S. State Department
by Karl Ackermann
The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...
Roberta Piket: West Coast Trio
by Victor L. Schermer
This album brings together New York-based pianist Roberta Piket with two outstanding musicians from the Los Angeles area: bassist Darek Oleszkiewicz and drummer Joe La Barbera. Hence the title “Roberta Piket: West Coast Trio." To spice things up, Piket brought along her long-time cohort Billy Mintz on percussion on one track, and special guest guitarist Larry ...
Teddy Wilson: Jan. 1, 1955
Sixty-three years ago, on New Year's Day in 1955, pianist Teddy Wilson, bassist Milt Hinton and drummer Jo Jones went into a studio for Norgran Records and recorded The Creative Teddy Wilson, a 7-inch 45-rpm set. The tracks were soon reissued on Verve as a 12-inch LP called Teddy Wilson: For Quiet Lovers. You'll find it ...
