Results for "Teddy Edwards"
Teddy Edwards
Born:
A pioneer hard bopper on the tenor and recognized as one of the masters in the L.A. Central Avenue scene, Edwards leaves a huge legacy of recorded music, stretching from the Forties right through to his death in 2003. Born in Jackson, Mississippi, on 26th April 1924, Edwards moved to Los Angeles in 1945, first coming to attention the following year when, with trumpeter Howard McGhee's group, he recorded the groundbreaking bebop tune, “Up In Dodo's Room.” By the end of that decade Edwards was sufficiently well known to front his own bands. In 1949 he was also one of the first members of the Lighthouse All Stars, the group based at the famous Lighthouse Club in Hermosa Beach. Five years later, in 1954, Edwards was invited to join the Max Roach Quintet, a group that also featured legendary trumpeter Clifford Brown
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
Jeff Chambers' Chosen Alternative: The Therapies of Tijuana
by Arthur R George
Jeff Chambers, long a go-to jny: San Francisco Bay Area bassist, looked at death closely and decided it was not yet his time. In 2017 his medical chart revealed Stage IV prostate cancer, commonly and fearfully an endgame diagnosis. Prostate cancer affects African-American men with almost twice the frequency as other races, and is almost twice ...
Wes Montgomery with the Wynton Kelly Trio: Smokin’ in Seattle: Live at the Penthouse (1966)
by C. Michael Bailey
In his superb contribution to Bloomsbury Press' 33 & 1/3 series, Bitches Brew (2015), George Grella notes (emphasis mine): “No style of art can remain static: irrelevance is just as much a risk as the inevitable decadence that comes from a style developing to its last measure. But fans, including critics, of particular movements ...
Monty Alexander: Looking Back
by Peter Jurew
Monty AlexanderJazz Standard jny: New York, NYFebruary 1, 2017 A lot has changed since I started covering the New York beat for All About Jazz in mid-2016. In that time, we have witnessed epic changes in our city, our country, our world--changes that are already affecting our culture, including and ...
Tornano i tesori della Xanadu
by Angelo Leonardi
Proseguono le riedizioni dei dischi della Xanadu grazie all'accordo tra Zev Feldman e Jordi Soley di Elemental Music e la società The Orchard, attuale proprietaria dell'etichetta fondata da Don Schlitten. Dopo un primo assaggio di sei dischi uscito qualche mese fa, il nuovo capitolo della Master Edition Series è corposo e ci dà l'occasione per rievocare ...
Four Classic Albums
Label: Avid Records UK
Released: 2016
Track listing: Disc 1: Teddy’s Ready: Blues in G; Scrapple From the Apple; What’s New?; You
Name It; Take the ‘A’ Train; The Sermon; Higgins’ Hideaway. Sunset Eyes: Tempo
de Blues; Vintage; I Hear A Rhapsody; Up in Teddy’s New Flat; Sunset Eyes;
Teddy’s Tune; Takin’ Off. Disc 2: Together Again: Together Again; You Stepped
Out of a Dream; Up There; Perhaps; Misty; Sandy. God Gravy: Good Gravy; Could
You Forget; A Stairway to the Stars; A Little Later; On Green Dolphin Street; Just
Friends; Laura; Yes I’ll Be Ready; Not So Strange.
The Inimitable Teddy Edwards
As part of its reissue of select albums on the Xanadu label, Resonance Records has just released The Inimitable Teddy Edwards, which was recorded in June 1976. The album is important because it features tenor saxophonist Edwards in spectacular form accompanied by a sterling trio—Duke Jordan (p), Larry Ridley (b) and Freddie Waits (d). By '76, ...
Teddy Edwards: Four Classic Albums
by David Rickert
Teddy Edwards was a formidable tenor player on the '50s and '60s West Coast scene with a warm and congenial tone reflected the laid-back thoughtfulness of the West Coast scene with enough soul to indicate he was listening some Coleman Hawkins in the midst of the Lester Young platters. His own recordings were a typical mix ...
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