Results for "Teddy Charles"
Teddy Charles
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Teddy Charles, along with Milt Jackson and Terry Gibbs, extended the legacies of Lionel Hampton and Red Norvo and established the gold standard for modern jazz vibraphonists. Charles was also an innovative composer and arranger whose recordings were some of the most forward looking and highly regarded of the 1950s, especially his Tentet sessions for the Atlantic label in 1956. His versatility is demonstrated by the broad spectrum of musicians with whom he worked during his career ranging from jazz luminaries such as Charles Mingus, Miles Davis, and Gunther Schuller to rhythm and blues stars including Aretha Franklin, Chuck Willis, and Earl Bostic
Teddy Charles and Two Bookers
Teddy Charles was a heavy hitter. A vibraphonist, composer, arranger and a producer, Teddy could swing as easily as he could explore modal territory with his groups. When I started this blog back in 2007, there were a number of musicians I wanted to interview first. Among them were Danny Bank, Hal McKusick, Sol Schlinger and ...
Wayne Escoffery, Art Blakey, Gunhild Carling and More
by Joe Dimino
As this COVID-19 pandemic has silenced the world of live music, jazz musicians continue releasing more and more great albums. This week we focus on some of them, Wayne Escoffery, Warren Wolf, Gunhild Carling and Ran Blake. Enjoy the music. Playlist Wayne Escoffery “Benedictus" The Humble Warrior (Smoke Sessions Records) 00:00 Host talks 5:23 ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
My Early Years with Bill Evans, Part 2
by Chuck Israels
Bassist and composer Chuck Israels was raised in a musical family. He studied the cello and played guitar in junior high school. Later musical training took place at Indian Hill, a summer workshop in the arts directed by his parents, and at the High School of Performing Arts in New York City. A year at Massachusetts ...
Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
Big Bands of the 1950s (1950 - 1957)
by Russell Perry
Woody Herman disbanded the Second Herd in 1949 and, while Stan Kenton and Duke Ellington managed to keep a big band on the road through the 1950s, Count Basie disbanded his band at the start of the decade but assembled a new one in a few years. Generally this was a tough period for large ensembles. ...
XY Quartet: Orbite
by Giuseppe Segala
La musica apparecchiata in questo Orbite, ultimo lavoro dell'XY Quartet pubblicato dalla raffinata etichetta autogestita nusica.org, si ispira all'epopea dei viaggi nello spazio. Ne sono evidente conferma i titoli dei brani, che propongono il nome di mitici cosmonauti protagonisti di storiche imprese spaziali, come i sovietici “Titov," “Gagarin," “Valentina Tereškova," “Vladimir Komarov," gli statunitensi “John Glenn," ...
Charles Mingus and Miles Davis: Changing Moods
by Mark Werlin
The recordings of Charles Mingus in the mid-1950s document a musical voice so distinctive that they are immediately recognizable today. But Mingus' obsessive commitment to the primacy of the composition was not always shared by his peers, nor understood by his critics. A public feud between Mingus, who was struggling unsuccessfully to win critical ...
Teddy Charles: New Directions
Vibraphonist Teddy Charles was playing free jazz nearly as early as Lee Konitz, Lennie Tristano, Billy Bauer and Gil Melle. In 1951, '52 and '53, Teddy recorded a series of three 10-inch LPs for Prestige in the trio, quartet and quintet formats. I was thinking of Teddy yesterday and gave them a listen, finding the material ...
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