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Teddy Charles

Teddy Charles, along with Milt Jackson and Terry Gibbs, extended the legacies of Lionel Hampton and Red Norvo and established the gold standard for modern jazz vibraphonists. Charles was also an innovative composer and arranger whose recordings were some of the most forward looking and highly regarded of the 1950s, especially his Tentet sessions for the Atlantic label in 1956. His versatility is demonstrated by the broad spectrum of musicians with whom he worked during his career ranging from jazz luminaries such as Charles Mingus, Miles Davis, and Gunther Schuller to rhythm and blues stars including Aretha Franklin, Chuck Willis, and Earl Bostic

ARTICLE: RADIO

Wayne Escoffery, Art Blakey, Gunhild Carling and More

Read "Wayne Escoffery, Art Blakey, Gunhild Carling and More" reviewed by Joe Dimino

As this COVID-19 pandemic has silenced the world of live music, jazz musicians continue releasing more and more great albums. This week we focus on some of them, Wayne Escoffery, Warren Wolf, Gunhild Carling and Ran Blake. Enjoy the music. Playlist Wayne Escoffery “Benedictus" The Humble Warrior (Smoke Sessions Records) 00:00 Host talks 5:23 ...

Atlantic Records: More Giant Steps: An Alternative Top 20 Albums

Read "Atlantic Records: More Giant Steps: An Alternative Top 20 Albums" reviewed by Chris May

Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...

ARTICLE: THE JAZZ LIFE

My Early Years with Bill Evans, Part 2

Read "My Early Years with Bill Evans, Part 2" reviewed by Chuck Israels

Bassist and composer Chuck Israels was raised in a musical family. He studied the cello and played guitar in junior high school. Later musical training took place at Indian Hill, a summer workshop in the arts directed by his parents, and at the High School of Performing Arts in New York City. A year at Massachusetts ...

Prestige Records: An Alternative Top 20 Albums

Read "Prestige Records: An Alternative Top 20 Albums" reviewed by Chris May

Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...

ARTICLE: RADIO

Big Bands of the 1950s (1950 - 1957)

Read "Big Bands of the 1950s (1950 - 1957)" reviewed by Russell Perry

Woody Herman disbanded the Second Herd in 1949 and, while Stan Kenton and Duke Ellington managed to keep a big band on the road through the 1950s, Count Basie disbanded his band at the start of the decade but assembled a new one in a few years. Generally this was a tough period for large ensembles. ...

ARTICLE: ALBUM REVIEW

XY Quartet: Orbite

Read "Orbite" reviewed by Giuseppe Segala

La musica apparecchiata in questo Orbite, ultimo lavoro dell'XY Quartet pubblicato dalla raffinata etichetta autogestita nusica.org, si ispira all'epopea dei viaggi nello spazio. Ne sono evidente conferma i titoli dei brani, che propongono il nome di mitici cosmonauti protagonisti di storiche imprese spaziali, come i sovietici “Titov," “Gagarin," “Valentina Tereškova," “Vladimir Komarov," gli statunitensi “John Glenn," ...

ARTICLE: HI-RES JAZZ

Charles Mingus and Miles Davis: Changing Moods

Read "Charles Mingus and Miles Davis: Changing Moods" reviewed by Mark Werlin

The recordings of Charles Mingus in the mid-1950s document a musical voice so distinctive that they are immediately recognizable today. But Mingus' obsessive commitment to the primacy of the composition was not always shared by his peers, nor understood by his critics. A public feud between Mingus, who was struggling unsuccessfully to win critical ...

NEWS: RECORDING

Teddy Charles: New Directions

Teddy Charles: New Directions

Vibraphonist Teddy Charles was playing free jazz nearly as early as Lee Konitz, Lennie Tristano, Billy Bauer and Gil Melle. In 1951, '52 and '53, Teddy recorded a series of three 10-inch LPs for Prestige in the trio, quartet and quintet formats. I was thinking of Teddy yesterday and gave them a listen, finding the material ...

ARTICLE: CATCHING UP WITH

Phil Woods: 1931-2015

Read "Phil Woods: 1931-2015" reviewed by AAJ Staff

In memory of NEA Jazz Master, Phil Woods. This article was previously published in November 2002. All About Jazz: Looking back on the almost three decade history of your Quintet, one question springs immediately to mind. You've had the same rhythm section of Steve Gilmore on bass and Bill Goodwin on drums ever since ...


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