Home » Search Center » Results: Tadd Dameron
Results for "Tadd Dameron"
Swingin' on a Riff . . . Hangin' by a Thread?
by Jack Bowers
Betty and I returned to Albuquerque on Memorial Day after attending Swingin' on a Riff, the latest in a series of marvelous semi-annual events presented by Ken Poston and the Los Angeles Jazz Institute for more than twenty years at venues in and around L.A. This one was held May 23-26 at the Los Angeles Marriott ...
Rivorecords: Blue Notes from Buenos Aires
by Jakob Baekgaard
In the New Grove Dictionary of Jazz, a blue note is defined as: “A microtonally lowered third, seventh, or (less commonly) fifth degree of the diatonic scale, common in blues, jazz and related musics." Moving beyond musical theory, the term is most commonly associated with the groundbreaking jazz label Blue Note, founded in 1939 ...
Art Blakey and the Jazz Messengers: Moanin'
by Mike Oppenheim
Throughout its history, jazz has constantly evolved, developing from and reacting against its earlier incarnations. The mid-1940s saw bebop reinvent jazz as an artist's genre, distinct from the swing style that was the popular music throughout the 1930s and '40s. Bebop was music for listening, not dancing, and the emphasis became virtuosic improvised solos instead of ...
"Lone Wolf" Finds Plenty to Chew On
by Jack Bowers
With Betty sidelined by a bad cough, it was up to me to seek out local jazz events in February, and I managed to find a couple of pretty good ones, starting February 7 at the University of New Mexico's Keller Hall where SuperSax New Mexico performed for the third time in Albuquerque. As you may ...
Antonio Adolfo - "Finas Misturas/ Fine Mixtures" (AAM 0705)
The immortal composer/arranger/ pianist Tadd Dameron was once overheard telling his ensemble “It has to swing, sure, but it has to be beautiful.” That quote could be a sub-title for composer/arranger/pianist Antonio Adolfo's brilliant new CD, Finas Misturas (fine mixtures) on AAM Music (AAM 0705). Drawing heavily on a musical history that combines his Brazilian heritage ...
Mort Weiss: I'll Be Seeing You
by C. Michael Bailey
Clarinetist Mort Weiss is a character. That much is readily evident by reading his All About Jazz column, The Mort Report. He is opinionated and passionate, both driving forces that easily season his playing in such a way that when Weiss plays, he's readily recognizable. Since returning to recording in 2001 after nearly 30 years away, ...
Gareth Lockrane: Doing That Grooveyard Thing
by Duncan Heining
Few musicians have developed successful careers in jazz playing just flute. You might think of Herbie Mann, Hubert Laws and Bobbi Humphrey, but only Jeremy Steig, Paul Horn and James Newton spring immediately to mind as artists who have achieved credibility with both fans and critics in their work. We can now add 36 year-old British ...
Jazz Middelheim: Antwerp, Belgium, August 16-19, 2012
by Martin Longley
Jazz Middelheim 2012 Park Den Brandt Antwerp Belgium August 16-19, 2012 The Jazz Middelheim festival is a weekender that hasn't relinquished its fondness for adventure over the last four decades. Nuzzling up against stellar bookings are acts, Belgian and otherwise, who seek to jolt the expectations ...
From Charlie Christian to Charlie Parker
by Jack Bowers
It's not often one has a chance to see and hear a dozen of New Mexico's premier jazz musicians together onstage (or almost so) for a single concert, but that is what took place August 11 as an overflow audience welcomed the Charlie Christian Project and SuperSax New Mexico to the Albuquerque Museum of Art and ...
Peter Appleyard: Sophisticated Ladies
by Edward Blanco
Celebrated Canadian vibraphonist Peter Appleyard made some waves on his last instrumental album, revisiting the past in a previously unreleased recording that captured a select group of jazz giants on the historic The Lost 1974 Session (Linus, 2011). Now, this 84 year-old jazz legend focuses on the present and surrounds himself with a phenomenal group of ...
