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3

News: Obituary

Buddy De Franco (1923-2014)

Buddy De Franco (1923-2014)

Buddy De Franco, a highly accomplished and exquisite jazz clarinetist who began his career in several leading swing bands of the 1940s before pivoting to bebop in the late 1940s and early '50s and teaming with leading jazz artists throughout the LP era, died on Dec. 24. He was 91. Buddy's first recording in 1943 was ...

2

Article: Interview

Ricordiamo Gerald Wilson

Read "Ricordiamo Gerald Wilson" reviewed by Angelo Leonardi


Era rimasto l'unico grande bandleader della Swing Era, Gerald Wilson, e la sua recente scomparsa (l'8 settembre scorso, a 96 anni) è stata ricordata dai principali media statunitensi con ampi necrologi. Purtroppo in Italia è rimasta quasi inosservata. Superato il picco di popolarità dei primi anni sessanta, con un orchestra che vinse prestigiosi referendum, Wilson ebbe ...

11

Article: Album Review

The Bill McBirnie Trio: Find Your Place

Read "Find Your Place" reviewed by Edward Blanco


Canadian jazz flautist Bill McBirnie fronts a unique organ trio on Find Your Place, his sixth album as a leader. McBirnie lends his “Extreme" flute and award-winning chops to an array of swing, Latin-flavored, bossa nova, shuffle and ballads in one audacious outing. Joining forces with fellow Canadians Bernie Senensky on Hammond B3 organ and Anthony ...

10

Article: Under the Radar

Eddie Durham: Genius in the Shadows

Read "Eddie Durham: Genius in the Shadows" reviewed by Jim Gerard


On December 13, 1932, in the eye of the Great Depression that was devastating the record industry, the Bennie Moten Orchestra shuffled “on their uppers" into a converted church in Camden, N.J., and silently launched the Swing Era, three years before clarinetist Benny Goodman's formal inauguration as the “King of Swing" at the Palomar Ballroom in ...

72

Article: Extended Analysis

Louis Armstrong: Satchmo - Ambassador of Jazz

Read "Louis Armstrong: Satchmo - Ambassador of Jazz" reviewed by Chris May


Louis ArmstrongSatchmo: Ambassador Of JazzVerve/Universal2012 “You can't play anything on a horn that Louis hasn't played," trumpeter Miles Davis said. And while pianist Jelly Roll Morton may have claimed to have invented jazz, if any one artist could be said to have done that, it would be ...

190

Article: Big Band Report

"Modern Sounds," or: Running a Marathon in Full Body Armor

Read ""Modern Sounds," or: Running a Marathon in Full Body Armor" reviewed by Jack Bowers


From October 19-25 Betty and I were at the Los Angeles Marriott Airport Hotel to attend Modern Sounds, the L.A. Jazz Institute's four-day salute to West Coast jazz, followed by a day-long tribute to Stan Kenton on the hundredth anniversary of the legendary bandleader's birth. We arrived a day early to be primed and ready for ...

206

Article: Album Review

Jimmie Lunceford: The Complete Jimmie Lunceford Decca Sessions

Read "The Complete Jimmie Lunceford Decca Sessions" reviewed by David Rickert


When saxophonist Jimmie Lunceford signed to the Decca label in 1934 he was running one of the best orchestras in the US. He had signed a deal to appear at the Cotton Club (where bandleaders Duke Ellington and Cab Calloway had recently launched into stardom) and was frequently beating others in battles of the bands, all ...

546

Article: Take Five With...

Take Five With Andy Farber

Read "Take Five With Andy Farber" reviewed by AAJ Staff


Meet Andy Farber:Andy Farber is an award-winning jazz composer, arranger and saxophonist and has spent years performing with the likes of Jon Hendricks and Wynton Marsalis. Since 1994, Farber has been part of the Jazz @ Lincoln Center stable of writers and performers. Through J@LC, Farber has toured with the J@LC ...

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Article: Extended Analysis

Louis Armstrong: The Complete Louis Armstrong Decca Sessions (1935-1946)

Read "Louis Armstrong: The Complete Louis Armstrong Decca Sessions (1935-1946)" reviewed by David Rickert


Louis Armstrong The Complete Louis Armstrong Decca Sessions (1935-1946) Mosaic Records 2009 As far as recordings by trumpeter Louis Armstrong go, the Decca recordings don't generate much interest. Prior to them came the Hot Five and Hot Seven recordings, the most influential jazz recordings ever made and ...


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