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Franklin Kiermyer: Joy And Consequence
by Ian Patterson
The tradition. It's common jazz terminology. What does it mean, though, to be “in the tradition"? The term usually confers on the musician a stamp of authenticity and infers working knowledge of the dominant idiom, as typified by the jazz cannon. It also perhaps implies a certain orthodoxy. It's strange to think, however, that a music ...
The Cosmosamatics: Jazz-Maalika
by Ian Patterson
The Cosmosamatics--an ever-evolving ensemble co-led by multi-reedists Sonny Simmons and Michael Marcus--was founded in 2000, though the seeds were arguably planted many years earlier. Half a century ago, Simmons was cutting his teeth with multi-reedists Prince Lasha, Eric Dolphy and others of the so-called free jazz movement. Marcus made his name in the avant/free circles of ...
February 28 WRTI Panel Discussion Anticipates Celebration Of Ornette Coleman, Cecil Taylor, And Sun Ra
On the evening of Thursday, February 21, as a prelude to an upcoming concert series, J. Michael Harrison, host of the long-running multi-genre program “The Bridge” on radio station WRTI-FM, taped a rich and provocative discussion of the innovative contributions of jazz icons Ornette Coleman, Cecil Taylor, and Sun Ra. These three key figures in the ...
Ståhls Trio: Jag Skulle Bara Gå Ut
by Eyal Hareuveni
Swedish vibes player Mattias Ståhl is the prominent Scandinavian mallet explorer in recent years. He is a wise composer and articulate improviser, well versed in jazz history on both sides of the Atlantic with a distinct melodic and rhythmic approach and sound. The sounds of Ståhl's vibes are integral to some of the most exciting bands ...
Afro Horn at Zinc Bar
by Tomas Pena
Francisco Mora-Catlett and Afro Horn Zinc Bar Greenwich Village, NY January 8, 2014 There was a moment during Afro-Horn's performance at the Zinc Bar where the lines between reality and fiction became a blur. It occurred when Sam Newsome, an imposing figure of a man and a consummate reed player, appeared ...
E. Taylor Atkins: Let's Call This... Our Jazz?
by Ian Patterson
African-American vernacular or universal language? Symbol of freedom and equality, or one of nationalist ideals and bourgeois elitism? Folk music or high art? Jazz, since its earliest days, has represented many things to many people. For Professor E. Taylor Atkins, such binary ways of thinking rather over-simplify the arguments. Whereas an either or way of thinking ...
Take Five With Charlie Peacock
by AAJ Staff
Meet Charlie Peacock: Charlie Peacock is an American multi-genre Grammy Award-winning record producer, composer, and recording artist. He has award-winning and chart-topping credits in jazz, gospel, country, folk, Americana, rock, and pop. Lemonade (Twenty Ten Music, 2014) is Peacock's third recording in the jazz genre. His first release, Love Press Ex-Curio (Thirty Tigers, ...
Sun Ra: Jazz in Silhouette
By Sun Ra
Label: Evidence Music
Released: 2013
Track listing: Enlightenment; Saturn; Velvet; Ancient Aiethopia; Hours After;
Horoscope; Images; Blues at Midnight.
Noah Rosen / Alan Siva: O.I.L. (Orchestrated Improvised Lives)
by Eyal Hareuveni
Alan Silva is one of the last true heroes of free jazz and improvised music. He was at the right place, at the right time with his own powerful sound. He played, while still playing the double bass, on some of the formative recordings of the forefathers of the sixties free jazz as Albert Ayler, Sun ...
Jacob Duncan: Invisible House
by Nicholas F. Mondello
Since the politically and culturally turbulent 60s, the word liberation has been incorporated into titles of collectives--remember the radical “Symbionese Liberation Army" and the certainly less violent, but still highly influential “Liberation Orchestra" of bassist Charlie Haden? Even song and album titles from groups as diverse as The Pet Shop Boys and Earth, Wind and Fire ...
