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Pharoah Sanders: Love Is Here The Complete Paris 1975 ORTF Recordings
by Jack Kenny
The saxophonist Pharoah Sanders was often described as an enigma of jazz, once famously characterized as “a mad wind screeching through the root-cellars of Hell." That “mad wind" is absent on Love Is Here: The Complete Paris 1975 ORTF Recordings, but the enigma remains. This pivotal album captures Sanders stretching out, away from his Impulse! Records ...
Idris Ackamoor & The Pyramids at Miner Auditorium
by Steven Roby
Idris Ackamoor & The Pyramids Miner Auditorium Night Of The Exotictress San Francisco, CA October 2, 2025 This show burned hot and without apology--no coasting, no filler, no easy out. The room hinted at it before the first note: Miner's seats pulled back for a dance floor, a ...
Idris Ackamoor’s Afrofuturist Theater of Sound
by Steven Roby
The plan is not a recital. It is a happening--part theater, part ritual, part dance-floor communion--led by a saxophonist who has spent five decades making music that refuses to sit still. “I call myself an artistic being," Idris Ackamoor says, describing the continuum that stretches from his horn and piano to the page and back again. ...
DC Jazz Fest + Homework Music
by David Brown
The show opens with a celebration of Sonny Rollins on his 95th birthday, featuring a classic 1954 recording with Thelonious Monk. With students across Philadelphia settling into a new school year, the next set offers a “homework-inspired" segment features selection from Dizzy Gillespie, Johnnie Taylor, Ornette Coleman, Matthew Muñeses, Marian McPartland, and Thelonious Monk. Over Labor ...
Deconstructing Free Jazz
by Robert J. Lewis
In the continuously evolving history of artistic expression, certain movements emerge that challenge the very foundations of our aesthetic sensibilities. In the early and mid-20th century, Expressionism and free jazz were two audacious musics that not only broke all the rules but broke the spirit of many well-intentioned listeners. If the terms are not ...
Paolo Angeli: Lema
by Ian Patterson
Paolo Angeli has charted a singular course since Dove Dormono Gli Autobus (Erosha, 1995) introduced the Sardinian guitarist to the wider world. Back then, he juggled Sardinian guitar, classical guitar, electric bass and percussion. He soon transitioned to prepared guitar--a hybrid of guitar, cello and harp. Besides this triple threat, a typical Angeli guitar has more ...
Out from the Vaults
by Patrick Burnette
The most recent Record Store Day episode is barely in the rear-view, but the boys decide to take on four more vault finds dug up by jazz detective Zev Feldman. Which ones are keepers and which ones get the dreaded label “redundant" and an invite off the island (or, at least, out of the record collection)? ...
Paolo Angeli: Su "Lema" E Molto Altro
by Libero Farnè
Non avevo intervistato Paolo Angeli dal febbraio 2007, quando il musicista sardo aveva già abbandonato la scena bolognese dove aveva maturato esperienze importanti e formative, di sicuro propedeutiche al raggiungimento della sua pienezza artistica. Da allora Angeli ha affrontato tante situazioni e collaborazioni musicali diverse, vedendo crescere la sua fama internazionale, grazie anche alla ...
Jimmy Lyons: Live From Studio Rivbea (Jimmy Lyons)
by John Sharpe
Alto saxophonist Jimmy Lyons was underappreciated even at the height of his powers, but to those with ears attuned to the radical innovations of the loft jazz era, he was a galvanizing presence. That his legacy remains under-lit is due in part to his long-standing tenure in Cecil Taylor's incandescent orbit. Lyons was more than a ...
Marshall Allen's Ghost Horizons: Live in Philadelphia
by Mark Corroto
In 2025, the Collegium Cardinalium, or College of Cardinals--a body formed in the Middle Ages--convened a conclave in Rome to elect a new Pope for the Catholic Church. Nearly five centuries before the inception of such conclaves, Tibetan Buddhists established their own process of succession by searching for the reincarnation of the Dalai Lama, often discovered ...
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