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Magnus Ostrom: Searching For Jupiter
by Bruce Lindsay
For fifteen years Magnus Öström was the drummer with the Esbjörn Svensson Trio, known to many as e.s.t. For much of that time e.s.t. was one of the most successful jazz bands in the world, an innovative yet accessible group that seemed poised for ever greater success. When Svensson died in a diving accident in June ...
David's Angels: What It Seems
by Hrayr Attarian
David's Angels creates stimulating sonic landscapes out of a unique fusion of various genres. Although electric bassist David Carlsson is the nominal leader of this innovative Danish-Swedish quartet and the producer of its second release, What It Seems, the album's signature sound is built around singer Sofie Norling's haunting delivery and incandescent tone. Norling not only ...
Alberto Pinton: Nascent
by Glenn Astarita
Italian multi-woodwind specialist Alberto Pinton earns his living in Stockholm. Spanning the past several years, and via the level of band support he receives, it reaffirms that there's no shortage of world-class talent in Sweden. Pinton's muscular and hard-driving presence on clarinet and baritone saxophone signals a program that largely smokes, other than when he tempers ...
Take Five With Cecilia Wennerstrom
by AAJ Staff
Meet Cecilia Wennerstrom:Cecilia Wennerstrom is a Swedish saxophonist who has received several awards by the Swedish Arts Grants Committee. During the '80s, she led the band Salamander and released several albums on Dragon Records. During the '90s, she led her own quartet and released records through Four Leaf Clover. Recently she formed Wela Records/Plugged. ...
Vibes and Bass: Frantelunia
by Ian Patterson
Other than vibraphonist Gary Burton's periodic duo collaborations with pianist Chick Corea, bassist Steve Swallow, and guitarist Ralph Towner, it's difficult to think of many examples of the vibraphones in a duo setting. Vibraphonist Walt Dickerson and pianist Sun Ra's overlooked album, Visions (Steeple Chase Records, 1978), is one exception, but they aren't too thick on ...
Trespass Trio + Joe McPhee: Human Encore
by Glenn Astarita
Sweden-based Trespass Trio aligns with American improvising legend Joe McPhee for a live set, recorded 2012 at Salao Brazil. The artists' camaraderie, gamesmanship, and intuitive synergy become quite evident from the onset. From a holistic perspective, the band's rugged approach balances a prevalent degree of experimentation with familiar modern jazz terrain. Indeed, an audience-pleaser; even by ...
Emil Strandberg / Sten Sandell / Patric Thorman: It Is Night And I Am Lost
by Eyal Hareuveni
The Swedish improvising trio of trumpeter Emil Strandberg, pianist Sten Sandell and bassist Patric Thorman has played together since 2006. Its first recording, Stockholm Sweden Polyphony (Found You Recording, 2009), signaled the many directions that these experienced and resourceful improvisers were beginning to explore. The trio kept performing while Strandberg and Thorman also collaborated with American ...
Gunnar Siljabloo Nilson: Gunnar Siljabloo Nilson
by Chris Mosey
Two sounds fought for the musical soul of Gunnar “Siljabloo" Nilson: one, Artie Shaw's smoothly swinging clarinet; the other, Slim Gaillard's crazed, frenetic vocals. When the battle grew too intense and he could stand it no longer, Nilson took to drink. Born in 1925 in the desolate far north of Sweden, young Gunnar ...
Fredrik Ljungkvist / Yun Kan 10: Ten
by Eyal Hareuveni
Acclaimed Swedish reed player Fredrik Ljungkvist's key solo outfit is the Yun Kan band. This band, in its incarnation as a quintet, released two remarkable albums, Yun Kan 12345 and Badaling (Caprice, 2004 and 2007) and in recent years operated in a slimmed down version as Yun Kan 3 and as an ambitious outgrowth of the ...
Pierre Sward Organ Jazz 'n' Soul Group: Slow But Fast
by Chris Mosey
This album poses two problems. First: the electric organ. Even when played by a master like Jimmy Smith, monotony can easily set in. It's something to do with the way the instrument dominates so completely, leaving no space. Problem No.2: funk, the dominant genre on Slow But Fast. The idea is to hit ...
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