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Chick Corea: In The Present Tense
by Jim Worsley
This article was originally published at All About Jazz on November 12, 2020. RIP, Chick. What can you say about music icon Chick Corea that hasn't already been said? His past, his career has been honored, dissected, and revered. As it should be. A composer and pianist of unparalleled skills and accomplishments, Corea's place ...
Brian Jackson: Winter In America Pt. 2
by Chris May
As Gil Scott-Heron's songwriting and performing partner during the 1970s, keyboardist, composer and arranger Brian Jackson was co-author of some of the most galvanising liberation music of the era. Inhabiting the intersection of jazz, soul and spoken word, Jackson and Scott-Heron, who met while they were both students at Lincoln University, were a team from Pieces ...
Chris Nordman Trio: High Wire
by Jack Bowers
Time was when people retired to Florida to bask in the sunshine, play some golf and tend their backyard gardens. That was then; this is now. Pianist and organist Chris Nordman, who has roamed the world for more than half a century as a working musician and now calls Florida home, has no plans to rest ...
Stefan Braun & Mateusz Smoczynski: Keep On Turnin'
by Ian Patterson
A violin and cello duo might spark thoughts of chamber music, but Polish violinist Mateusz Smoczynski and German cellist Stefan Braun, classically trained though they are, are improvising musicians at heart; with Keep on Turnin' they revisit the jazz, fusion and funk songs that provided the soundtrack in their formative years. Though this is Smoczynski and ...
Jon Cleary: The New Orleans Collection: So Swell
by Pierre Giroux
Newvelle Records, which was established in 2015, believes that in the digital age there is an opportunity to build a new model for the creating and distributing music. Each year, Newvelle releases a series of six albums, exclusively on vinyl, that pairs musicians with celebrated artists, writers and poets. The New Orleans Collection contains four single ...
Clifton Anderson: Knowing the Road
by Barbara Ina Frenz
New York trombonist Clifton Anderson has mastered his instrument from the 1970s on in jazz programs of his home town outside the conservatory (which he also attended), that were initiated by leading spirits of the music such as Barry Harris, Sam Rivers, and Reggie Workman; these informal, professional jazz circles gave him information, insights and inspiration ...
Meet Jonathan Glass
by Tessa Souter and Andrea Wolper
New York, New York, we can't imagine our latest jazz Super Fan thriving anywhere else, inspired as he is by the sports teams, the museums, the art galleries, the theater, and the jazz clubs—-perhaps most of all, the jazz clubs. You might have spotted him, sketchbook in hand, capturing the spirit of the night's performance for ...
Emma Swift's Multitudes
by Eric Gudas
As its title suggests, Blonde on the Tracks, Australian-born, Nashville-based singer-songwriter Emma Swift's first full-length album, re-interprets songs from the heart of Bob Dylan 1960s and '70s catalog, although its span covers his most recent work. Swift belongs to the generations of listeners who grew up on the songs of Gram Parsons}], Dylan, {{m: Joni Mitchell, ...
Artemis: Artemis
by Mike Jurkovic
It's truly exhilarating yet sadly mundane and reductive that a recording as vital and victorious as Artemis will be universally hailed as a first from an all-female supergroup. That it cuts across all generational, cultural, international, and ethnic planes. That Blue Note Records has expanded its ever legendary ranks to include, well, you know, a female ...
Kenny Washington: What's The Hurry
by Dan Bilawsky
Despite what many may think, there's no prescribed timeline for firsts and career milestones. Some artists decide to initially take the reins to record when they're 18. Others only get around to doing it when they're 80. The bottom line: The right time is the right time, and nobody should worry about getting there before they're ...
