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Joe Lovano: Cleveland's Ultimate Jazz Titan
by Matthew Alec
Friday, June 24th, 2022, saxophonist Joe Lovano's group Sound Prints (alongside trumpeter and co-leader Dave Douglas) delivered a tour de force performance to spellbound audience members at the historic Mimi Ohio Theatre in Playhouse Square as a part of Cleveland's annual Tri-C JazzFest. Seasoned group interplay between drummer Rudy Royston, bassist Matt Penman, and pianist Leo ...
The Optimal Evolution of Amersfoort World Jazz
by Phillip Woolever
A multitude of festivals recently returned from the pandemic wasteland as the world of live music played catch-up from over two years of interruptions, but few comebacks in the busy summer of 2022 were as uniformly strong as the full reopening of the Amersfoort World Jazz Festival. During what is likely now a permanent switch from ...
Henry Franklin: Jazz Is Dead 14
by Chris May
Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label is a moveable feast when it comes to consistency. In its fourteen albums date, there have been some great ones, some not so great ones and a couple of duds. With bassist Henry Franklin, however, the label has come up with a blinder, its most satisfying ...
Herbie Hancock: An Essential Top Ten Albums
by Chris May
The title of Herbie Hancock's 1973 hit single “Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...
Ramsey Lewis: Life is Good
by Jacob Blickenstaff
Some jazz aficionados might characterize pianist Ramsey Lewis' music as a gateway into more serious jazz, as if popular Lewis albums like The In Crowd (Verve, 1965) were meant to lead novice listeners to saxophonist Ornette Coleman's The Shape of Jazz to Come (Atlantic, 1959). But Lewis' commercial successes should not be viewed as a liability ...
Electric Fusions: Worldly and Wild
by Geno Thackara
As always, there are as many kinds of fusion as there are people to fuse things. This electrifying half-dozen from around the globe all bring a lot of electricity to jazz and rock and other things, though all in very different ways. Oli Astral From the Astral Multiple Chord Music 2022 ...
Antonio Adolfo: Octet And Originals
by Pierre Giroux
Antonio Adolfo is a pianist, composer, arranger and bandleader in the Latin jazz tradition, but his music is informed by Brazilian musical styles of the samba, bossa, quadrilha and toada. This latest Adolfo release entitled Octet And Originals features all his original compositions and are played by a stellar band of musicians who have been connected ...
Udin&Jazz 2022
by Neri Pollastri
Udin&Jazz 2022 Teatro Palamostre Udine 12-16.7.2022 Dopo tre anni di “esilio" a Grado, a seguito della (anche coraggiosa) decisione di non collaborare con l'amministrazione cittadina, per la sua trentaduesima edizione Udin&Jazz è tornato nella sua sede originaria con un programma giustamente diversificato, articolato su cinque giorni: nei primi tre una bella ...
Greg Duncan: Sound Duality
by Troy Dostert
Trumpeter Greg Duncan moved from Chicago to Philadelphia in 2020, and the change of environment brought about more than an altered geography. It gave Duncan the chance to forge some creative partnerships with two new ensembles, both of which are found on Sound Duality. The first, a conventional quartet, utilizes the talents of pianist Tim Brey, ...
Take Five with Monday Michiru
by AAJ Staff
Meet Monday Michiru Since her solo album debut in 1991, songstress-flutist Monday Michiru has released albums on an annual basis both as a soloist and collaborator. Known as one of the pioneers of the Japanese acid jazz movement and boasting countless dance floor and radio hits worldwide, Monday's compositional style and repertoire has evolved to that ...
