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Results for "Steve Swell"
Alon Nechushtan: Dark Forces
by Dan Bilawsky
The idea of placing a variety of daring instrumental personalities within different electronic-based sound collage nightmares is bold but, ultimately, hard to classify or grab onto. Dark Forces can't truly be called electronic music since the whole point of the music surrounds the integration of electronic and human elements, and it's hard to view it as ...
Rozanne Levine & Chakra Tuning at CSV Cultural Center, NYC
ROZANNE LEVINE & CHAKRA TUNING AT CSV CULTURAL CENTER, LOWER MANHATTAN ON MONDAY, DECEMBER 12 PROGRAM: Evolving Music Mondays presents Creative Sounds of Dissension featuring ROZANNE LEVINE & CHAKRA TUNING: Rozanne Levine: clarinets/bamboo flute; Perry Robinson: clarinets; Mark Whitecage: clarinet/saxophones; Rosi Hertlein: violin/voice. VENUE: CSV Cultural Center: LES Galleryקst floor; 107 Suffolk Street (between Rivington & ...
Thirsty Ear at Stone Curated by Peter Gordon: October 1-15
In 1990, Thirsty Ear made its emergence as a record label of its own, quickly accelerating its position and becoming one of the top alternative independent labels within the U.S. music industry. Since its beginning in 2000, the story of the Blue Series has been one of focused, organic evolution. From free jazz masters, legends in ...
Roswell Rudd: The Musical Magus Turns 75
by Raul d'Gama Rose
"Years ago it would have seemed an impossible dream to get to record with this musical magus, but here we are... and what a thrill!" class="f-right">--Charlie Kohlhase, From liner notes to Eventuality: The Charlie Kohlhase Quintet Plays the Music of Roswell Rudd (Nada, 2001) I see him suddenly as if in a ...
Thirsty Ear at The Stone (NYC) October 1st to the 15th
Tapping into the vast resources of Thirsty Ear's much-heralded Blue Series, President Peter Gordon will be curating two weeks at The Stone, from October 1st to October 15th. From free jazz masters, legends in their own time, to some of the most innovative hip-hop and electronic music producers, to individuals whose music defies any such labeling, ...
The Resonance Ensemble: Kafka In Flight
by John Sharpe
It may subvert expectations to note that the “resonance" in this group's name is with the big bands of the 1940s and '50s, rather than any forbidding improv austerity. Kafka In Flight, the third release by Chicago reedman/composer Ken Vandermark's multinational aggregation, follows the Live In Lviv (Not Two, 2008) LP and eponymous ten-CD set (Not ...
CrossCurrent 3: A Cry for Cultural Development
by Gian Paolo Galasi
CrossCurrent Festival 3: Press Conference Piazza Loggia, Café Aquarium Brescia, Italy June 21, 2011 This space may not be the most fitting for an extended cultural/sociological analysis of how artistic expression and economical acknowledgment feeds each other, but there are events that can be taken as a good starting point for ...
Outpost 186 leans in to a piano laden summer for Inman Square, Cambridge
Piano players are coming out of the woodwork at Outpost 186. Mothers Day saw an astonishing turnout for Matthew Shipp, who followed a solo set with a long awaited Jim Hobbs duet, sponsored in part by All About Jazz. A snippet of the night awaits below. After a respite from Memorial Day, Hans Poppel has a ...
The Resonance Ensemble: Kafka in Flight
by Mark Corroto
Until the formation of The Resonance Ensemble in 2007, Ken Vandermark's writing for large ensembles had been limited to his electro-acoustic Territory Band and Peter Brötzmann's sprawling free jazz Chicago Tentet. With this 10-man group, he succeeds in what he works so very hard at with the Vandermark 5. Like V5, his working band, he is ...
The Lou Grassi Po Band with Marshall Allen: Live At The Knitting Factory Volume 1
by Glenn Astarita
Drummer Lou Grassi, with his progressive jazz and improvisational luminaries, slams matters into high gear during this gutsy 2000 recording, captured at New York City's Knitting Factory. Historically, Grassi is known for his driving passion and prominent leadership, while almost always engaging with superior musicians. Here, the frontline musicians lock horns, via intervallic spikes and scorching ...
