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Frank Carlberg: The American Dream
by Eyal Hareuveni
The poetry of Robert Creeley (1926-2005) has been arranged a few times in jazz settings and acknowledges the music's strong influence on his work. The late saxophonist Steve Lacy arranged the introspective and laconic verses of Creeley into an almost operatic setting in Futurities (Hat Hut, 1985) and later on The Beat Suite (Universal, 2003). In ...
Bohuslan Big Band with Steve Swallow: Swallow Songs
by Edward Blanco
In 2007, veteran bassist Steve Swallow accepted an invitation to record his music from Goran Levin, Manager of the Bohuslan Big Band, one of the finest jazz orchestras in Sweden. Swallow Songs, with Steve Swallow and The Bohuslan Big Band, is the result of that auspicious invitation, spurred from a prior professional encounter with mutual friend, ...
Lola Danza: Free To Sing Free
by AAJ Staff
Free jazz has wound its way through many permutations since arriving in the early '60s. An important custodian of its new directions is vocalist and composer Lola Danza, of Brooklyn. Danza is a graduate of Berklee College of Music, Boston, and stayed in Boston for a few years after graduating, developing her ...
Steve Swallow: Swallow Songs & Dedicated to Steve
by Fred Bouchard
Mellow, majestic, mischievous--smooth mnemonics come to mind when listening (or even thinking) about bassist Steve Swallow's music. The estimable (nay, venerable) progenitor of jazz electric bass (or is it Monk Montgomery?) has more basslines up his sleeve than Svengali had pigeons, and his sinuous sleight-of-hand with chord progressions dazzles with its deceptive "ease" of ...
Bassist Steve Swallow Interviewed at AAJ
For 50 years, Steve Swallow has represented the pinnacle of jazz bass playing. First on acoustic, then exclusively on electric bass, the versatile Swallow approaches every musical situation with grace and understated virtuosity. His discography reads like a Who's Who of the important improvisers of the 20th and early 21st Century. Swallow continues to tour extensively ...
Steve Swallow: Embracing Music and Greater Awareness
by Matthew Miller
For 50 years, Steve Swallow has represented the pinnacle of jazz bass playing. First on acoustic, then exclusively on electric bass, the versatile Swallow approaches every musical situation with grace and understated virtuosity. His discography reads like a Who's Who of the important improvisers of the 20th and early 21st Century. Swallow continues to tour extensively ...
So There
Label: XtraWATT/ECM
Released: 2007
Track listing: Oh No; Names; Here Again; Ambition; Indians; from Histoire De Florida; Sufi Sam Christian; Later; from Wellington, New Zealand / from Eight Plus; Miles; Just in Time; Return; Echo; Sad Advice; Riddle; Blue Moon; I Know a Man; A Valentine for Pen.
Steve Swallow with Robert Creeley: So There
by Nenad Georgievski
Steve Swallow goes for a varied approach on So There, combining string quartets, piano and bass, all of this inspired by the poetry of Robert Creeley, one of the most important American poets. This is his second release inspired by Creeley's poetry; in 1980 Swallow and Kuhn (and vocalist Sheila Jordan) released Home on ECM.
Steve Swallow: The Poetry Of Music
by Jason Crane
Bassist Steve Swallow and poet Robert Creeley were friends for 30 years. Swallow first read Creeley's work in the 1950s, and instantly fell in love with what Creeley had to say and the way he said it. Twenty years later, a chance meeting with Creeley led to a personal and professional relationship. Creeley's work inspired two ...




