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Sunny Kim and Ben Monder: The Shining Sea: Live at Olympus Hall
by Dave Wayne
People who know me know that I am not particularly interested in jazz vocals or straight-up renditions of jazz standards. One of my hobbies is playing the drums, and I am also not really motivated to listen to music without drums or some sort of percussion. So, I put off reviewing The Shining Sea: Live at ...
Jack Wright / Ben Wright: as if anything could be the same
by Dave Wayne
It's only apropos that I am writing this review on Father's Day. As if anything could be the same is a duet album by the father and son team of saxophonist Jack Wright and contrabassist Ben Wright. In the world of improvised music, or non-idiomatic improvised music if one must, Jack Wright is a seminal figure. ...
Joe McPhee: Solos : The Lost Tapes (1980 – 1981 – 1984)
by Mark Corroto
The young cats (players thirty years his junior) know Joe. Players who have immersed themselves in free improvisation, like Ken Vandermark, Mats Gustafsson, Peter Evans, Martin Kuchen, and Mikołaj Trzaska, learned the possibilities of creating a new music from, not thin air, but from listening. They model their approach after Joe McPhee. Born in ...
Gianni Lenoci, Kent Carter, Bill Elgart: Plaything
by Libero Farnè
Ancor più di altre incisioni più o meno recenti, Plaything conferma la dimensione “internazionale" della musica di Gianni Lenoci. Non solo perché il pianista barese, per quanto solitamente appartato e schivo, non esposto quanto si vorrebbe nel circuito concertistico, si relaziona e dialoga abitualmente con improvvisatori stranieri d'indiscussa levatura, ma soprattutto per la grana qualitativa e ...
Branford Marsalis: In My Solitude - Live at Grace Cathedral
by Angelo Leonardi
Il primo jazzman non pianista a incidere in piena solitudine fu il sassofonista Coleman Hawkins, con il celebre “Picasso" del 1947. Per molto tempo la solo performance è stata marginale nella musica afroamericana e solo negli anni settanta ha conosciuto ampia diffusione grazie a strumentisti come Steve Lacy, Anthony Braxton, Roscoe Mitchell, Bill Dixon o Albert ...
Irene Schweizer / Jurg Wickihalder: Spring
by John Sharpe
On his only previous session in duet with piano -A Feeling For Someone (Intakt, 2008) -Swiss reedman Jurg Wickihalder's indebtedness to that master of the straight horn Steve Lacy was still evident. But on Spring, in the company of the iconoclastic pianist Irene Schweizer, Wickihalder sounds entirely his own man. Both principals boast serious avant-garde credentials, ...
Gianni Lenoci / Kent Carter / Bill Elgart: Plaything
by John Sharpe
Italian pianist Gianni Lenoci forms one apex of a trio with almost unlimited collective nous on Plaything. There are main two reasons for that: Kent Carter on bass and Bill Elgart on drums, both veterans of the 1964 October Revolution in Jazz, who have since carved niches for themselves in Europe. Carter 's early exposure arrived ...
Kirk Knuffke: Arms & Hands
by Mark Corroto
Sometime, watch children as they eat the M&Ms. They will separate the colors into several piles--green, red, brown, yellow, orange, and blue. It's not that each color tastes different, except for maybe blue--I don't remember ever seeing that color before. Nonetheless, they go about savoring each color batch as an independent experience. Those little candies come ...
Roberto Ottaviano: Forgotten Matches. The Worlds Of Steve Lacy (1934-2004)
by Neri Pollastri
Il 4 giugno del 2004 veniva a mancare Steve Lacy, uno dei giganti della storia del jazz che, per molteplici motivi, non ha ricevuto l'attenzione e il successo di pubblico di altre figure del suo calibro. Tra le possibili spiegazioni sta probabilmente la scelta di dedicarsi interamente a uno strumento un po' particolare qual è il ...
Roberto Ottaviano: su Lacy e non solo
by Libero Farnè
Il 4 giugno 2004 Steve Lacy moriva a Boston. Non mi pare che la comunità del jazz abbia celebrato adeguatamente il decennale. Eppure il grande compositore, sopranista, leader e pensatore americano, uno dei personaggi unici nella storia del jazz, non solo non può essere dimenticato, ma dovrebbe essere continuamente riscoperto e rianalizzato, in quanto potrebbe fornire ...
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