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Article: Album Review

Jorrit Dijkstra: Music for Reeds and Electronics - Oakland

Read "Music for Reeds and Electronics - Oakland" reviewed by Neri Pollastri


Il sassofonista e compositore olandese Jorrit Dijkstra, classe 1966, da anni negli States e allievo di Steve Lacy, Misha Mengelberg e Bob Brookmeyer, presenta in questo lavoro una serie di composizioni per quintetto di sole ance, nelle quali però sperimenta anche l'uso dell'elettronica. Al suo fianco troviamo musicisti importanti, tra i quali spicca--specie ...

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News: Birthday

Jazz Musician of the Day: Steve Lacy

Jazz Musician of the Day: Steve Lacy

All About Jazz is celebrating Steve Lacy's birthday today! Steve Lacy, one of the greatest soprano saxophonists of all time and a New England Conservatory faculty member since fall 2002, died Friday [June 4th, 2004] at New England Baptist Hospital. The jazz master who once defined his profession as “combination orator, singer, dancer, diplomat, poet, dialectician, ...

1

News: Music Industry

The Changing Face Of Music Collaboration

The Changing Face Of Music Collaboration

While the landscape of recorded music is littered with countless famous instances of collaboration between artists it seems that, despite the connectivity of the modern world, many of the creative players in the music industry today are choosing to go solo. Here we look at why that might be, and what can be done to rectify the situation. ...

Article: Album Review

Kirk Knuffke: Arms & Hands

Read "Arms & Hands" reviewed by Vincenzo Roggero


Grande ammiratore di Mark Helias e di Bill Goodwin e collaboratore in alcuni dei loro progetti, il trombettista Kirk Knuffke, è riuscito nell'intento di farli suonare per la prima volta insieme in Arms & Hands, album al quale collabora un'altro eroe del leader come il sassofonista Daniel Carter. Knuffke è musicista atipico e trasversale, impossibile da ...

5

Article: Album Review

Sunny Kim and Ben Monder: The Shining Sea: Live at Olympus Hall

Read "The Shining Sea: Live at Olympus Hall" reviewed by Dave Wayne


People who know me know that I am not particularly interested in jazz vocals or straight-up renditions of jazz standards. One of my hobbies is playing the drums, and I am also not really motivated to listen to music without drums or some sort of percussion. So, I put off reviewing The Shining Sea: Live at ...

8

Article: Album Review

Jack Wright / Ben Wright: as if anything could be the same

Read "as if anything could be the same" reviewed by Dave Wayne


It's only apropos that I am writing this review on Father's Day. As if anything could be the same is a duet album by the father and son team of saxophonist Jack Wright and contrabassist Ben Wright. In the world of improvised music, or non-idiomatic improvised music if one must, Jack Wright is a seminal figure. ...

2

Article: Album Review

Joe McPhee: Solos : The Lost Tapes (1980 – 1981 – 1984)

Read "Solos : The Lost Tapes (1980 – 1981 – 1984)" reviewed by Mark Corroto


The young cats (players thirty years his junior) know Joe. Players who have immersed themselves in free improvisation, like Ken Vandermark, Mats Gustafsson, Peter Evans, Martin Kuchen, and Mikołaj Trzaska, learned the possibilities of creating a new music from, not thin air, but from listening. They model their approach after Joe McPhee. Born in ...

Article: Album Review

Gianni Lenoci, Kent Carter, Bill Elgart: Plaything

Read "Plaything" reviewed by Libero Farnè


Ancor più di altre incisioni più o meno recenti, Plaything conferma la dimensione “internazionale" della musica di Gianni Lenoci. Non solo perché il pianista barese, per quanto solitamente appartato e schivo, non esposto quanto si vorrebbe nel circuito concertistico, si relaziona e dialoga abitualmente con improvvisatori stranieri d'indiscussa levatura, ma soprattutto per la grana qualitativa e ...

Article: Album Review

Branford Marsalis: In My Solitude - Live at Grace Cathedral

Read "In My Solitude - Live at Grace Cathedral" reviewed by Angelo Leonardi


Il primo jazzman non pianista a incidere in piena solitudine fu il sassofonista Coleman Hawkins, con il celebre “Picasso" del 1947. Per molto tempo la solo performance è stata marginale nella musica afroamericana e solo negli anni settanta ha conosciuto ampia diffusione grazie a strumentisti come Steve Lacy, Anthony Braxton, Roscoe Mitchell, Bill Dixon o Albert ...

6

Article: Album Review

Irene Schweizer / Jurg Wickihalder: Spring

Read "Spring" reviewed by John Sharpe


On his only previous session in duet with piano -A Feeling For Someone (Intakt, 2008) -Swiss reedman Jurg Wickihalder's indebtedness to that master of the straight horn Steve Lacy was still evident. But on Spring, in the company of the iconoclastic pianist Irene Schweizer, Wickihalder sounds entirely his own man. Both principals boast serious avant-garde credentials, ...


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