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93

News: Recording

Dennis Rollins' Velocity Trio's "The 11th Gate" Digitally Released in the US on 11.11.11

Dennis Rollins' Velocity Trio's "The 11th Gate" Digitally Released in the US on 11.11.11

11.11.11. the date that is attributed by many to have metaphysical and mystical implications, will certainly prove to be an auspicious date for UK-based trombonist Dennis Rollins, whose CD with his Velocity Trio, The 11th Gate, will be released digitally in the US to coincide with its release in the UK and Europe. For 25 years ...

204

Article: JazzLife UK

It's Our Generations

Read "It's Our Generations" reviewed by Bruce Lindsay


It's been a strange summer here in the UK. To be fair, that description can be applied with no trace of irony to almost any British summer--and the summer of 2011 seems to have been a strange one for much of the world. But this is a JazzLife UK article, and parochial concerns are paramount, thus ...

157

Article: Live Review

Styx / Yes: Wantagh, NY, July 11, 2011

Read "Styx / Yes: Wantagh, NY, July 11, 2011" reviewed by Mike Perciaccante


Styx and Yes, with special guest Shane Alexander 2011 Nikon at Jones Beach Concert Series Wantagh, New York July 11, 2011The 2011 co-headlining Styx and Yes Progressive Tour rolled into Long Island, NY's Jones Beach Amphitheater on a windy July evening. Coming at the end of an exceedingly hot ...

513

Article: Live Review

Winter Jazzfest, New York City, Day 2: January 8, 2011

Read "Winter Jazzfest, New York City, Day 2: January 8, 2011" reviewed by Gordon Marshall


Day 1 | Day 2 Winter JazzfestNew York, NYJanuary 7-8, 2011 Vernon Reid's Artificial Afrika Slick and heavy electric forays characterize the work of veteran guitarist Vernon Reid. However far into space he goes, his instrument is always under control; usually, his music is ...

Album

Travelling

Label: HoweSound
Released: 2010
Track listing: Blue Bash; Dream River; Travelin'; The Haunted Melody; Tune Up; Siberian Khatru; Mood for a Day; He Ain't Heavy, He's My Brother; Momenta; Kenny's Sound; Laughing With Larry; Close to the Edge.

197

Article: Album Review

Glass Hammer: If

Read "If" reviewed by John Kelman


It's strange, perhaps, when a group actually transcends anything its biggest influence has done in decades, but that's exactly what the revamped Glass Hammer has done with If. With only keyboardist Fred Schendel and bassist/keyboardist Steve Babb (founding members, both) remaining after Culture of Ascent (Arion, 2007), If sounds the way Yes should sound four decades ...

338

Article: Multiple Reviews

Premiata Forneria Marconi (PFM): The Manticore Years

Read "Premiata Forneria Marconi (PFM): The Manticore Years" reviewed by John Kelman


While other important Italian bands emerged in the heyday of the 1970s, such as Le Orme and Banco, when it comes to progressive rock, none can hold a candle to Premiata Forneri Marconi, commonly known in the English language world as PFM. Whether PFM is better or worse than any of these other groups is fodder ...

260

Article: Live Review

Peter Frampton and Yes at the Nikon Theater at Jones Beach, Wantagh, NY

Read "Peter Frampton and Yes at the Nikon Theater at Jones Beach, Wantagh, NY" reviewed by Mike Perciaccante


Peter Frampton and Yes Nikon Theater at Jones Beach Wantagh, New York June 26, 2010 According to Yes bassist Chris Squire, his band and Peter Frampton hadn't played together since the early 70s. For many in attendance at Jones Beach on Saturday, June 26, 2010, the double-billed concert was the ...

254

Article: Album Review

Terry Pack: Palimpsest

Read "Palimpsest" reviewed by Bruce Lindsay


During a career that spans four decades, British bassist Terry Pack has been a member of prog rockers The Enid, worked as a session musician for a diverse array of musicians including Steve Howe and Candy Dulfer and played in bands across much of the world from Europe to South America and Australia. He played jazz ...

936

Article: JazzLife UK

There's No Such Thing as a British Jazz Scene

Read "There's No Such Thing as a British Jazz Scene" reviewed by Bruce Lindsay


March and April 2010 were eventful months for JazzLife UK--my photo-documentary project on the jazz scene in Britain. Spring finally emerged from winter's grasp, snowdrops replaced snow drifts and jazz life got busier. Debates about jazz and the media took center-stage, at least for some of us, politicians limbered up for a General Election (I know ...


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