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Always Outnumbered
Label: pfMentum
Released: 2008
Track listing: 07-04-00; Serenade; Wrong How Long; Stutterstep; Fearless; Clean, Shaved and Sober; Bobtail; Cooked and Chopped; Chucktown; Mercy Kitchen; Sunshine Candy; Barrelfoot Grind; Lonewolf.
Steuart Liebig Tee-Tot Quartet: Always Outnumbered
by Troy Collins
A Post-Modern Renaissance Man, West Coast bassist Steuart Liebig is a classically trained composer with numerous pieces to his credit, from orchestral scores to works for unaccompanied contrabassguitar. Liebig calls upon myriad sources as inspiration for his varied projects, from his formative experiences in blues and rock bands to early sideman gigs with soul jazz pianist ...
Steuart Liebig: Mentone Mentor Merges into the Fast Lane
by Rex Butters
On July 27th, LA new music mainstay Steuart Liebig curated a Cryptonight in Culver City dedicated to showcasing several of his many diverse compositional creations under the rubric, Steuart Liebig Concerto Night/ 50th Birthday Megalomania. Co-celebrants and performers included the southland A-List: woodwind multi-instrumentalists Vinny Golia and Andrew Pask, guitarist Nels Cline, trumpeter Jeff Kaiser, bassoonist ...
Quicksilver
Label: pfMentum
Released: 2005
Track listing: Mosaic/ Chrysanthemum/ A Single Rosehip Bursts in Praise
Steuart Liebig / Stigtette: Delta
by John Kelman
While he's experimented with larger ensembles on albums like Pomegranate (Cryptogramophone, 2001), contrabassguitarist Steuart Liebig tends to favour the more intimate context of the quartet. But his groups have been anything but conventional, with his three Quartetto Stig albums featuring violin, trumpet, contrabassguitar, and drums, and last year's Quicksilver (pfMentum) a combination of flute, violin, contrabassguitar, ...
Steuart Liebig/Minim: Quicksilver
by John Kelman
Finding a meeting place between contemporary chamber composition and improvisation can be a challenge. All too often artists who spend their time in the more rigid confines of the classical world fail as improvisers, because they work most commonly with formal structure, where expression is defined in terms of subtle nuances in dynamics and phrasing. Pure ...
Steuart Liebig: Quicksilver
by Robert R. Calder
On this set bass guitarist Steuart Liebig shows none of his rock credentials and nearly no jazz affiliation. It's a set of European concert chamber music, thoroughly organised. It's hard to determine how much is improvised, how much written, how much just a filling in of sketches. Is this a compilation of recordings of various improvisations, ...
