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Michael Leonhart: The Painted Lady Suite
by Angelo Leonardi
A trent'anni esatti dalla scomparsa di Gil Evans, la sua lezione orchestrale rivive e si alimenta di nuove suggestioni. Il sorprendente e straordinario debutto della Michael Leonhart Orchestra rinnova un'estetica che in questi decenni ha ispirato Maria Schneider, in parte Darcy James Argue e alimentato la ricerca filologica e la rielaborazione di Ryan Truesdell.
Doobie Brothers/Steely Dan at Blossom Music Center
by C. Andrew Hovan
The Doobie Brothers & Steely Dan-The Summer of Living Dangerously Tour Blossom Music Center Cuyahoga Falls, Ohio June 23, 2018 If there is one tried and true adage that is applicable to the arts, it is the one that goes “everything old is new again." Be it a need for monetary ...
TD Ottawa Jazz Festival 2018
by John Kelman
2018 TD Ottawa Jazz Festival Multiple Venues Ottawa, Canada June 21-June 26, 2018 For its 2018 edition, the 39th annual TD Ottawa Jazz Festival faced a number of significant logistical challenges. First, Confederation Park, which has traditionally been the location of its large, outdoor venue, a food court and ...
Kollega: EP 1
by Karl Ackermann
The self-titled debut from UK-based Kollega is a brief and eclectic collection merging multiple technologies with acoustic and electric instrumentation. Bassist Dave Shooter--the de-facto spokesperson for the quartet--explains that the group sound is influenced by the likes of the electo-acoustic Nerve and Aphex Twin, and while there may be a trace of the Richard D. James ...
Jeff Berlin: Joe Frazier Round 3 (CD Single)
by John Kelman
In the world of music, there are plenty of “could have beens," but far fewer “should have beens." Count Jeff Berlin amongst the latter. The American electric bassist first made a number of marks in the second half of the musically innovative 1970s on a series of '76 recordings by singers Patti Austin and Esther Phillips, ...
Randy Brecker Quintet: Live at Sweet Basil 1988
by John Kelman
Randy Brecker Quintet Live at Sweet Basil 1988 MVDvisual2018 Culled from direct-to-two-track digital recordings made on three of Randy Brecker's potent six-night 1988 run at New York City's Sweet Basil, and featuring a particularly top-drawer quintet of musical friends old and new, the original 1989 LP/CD release of Live at Sweet ...
Scott Reeves Jazz Orchestra: Without A Trace
by Jack Bowers
Grudging good wishes to New Yorkers who are able to see and hear the world-class Scott Reeves Jazz Orchestra on a fairly regular basis. Everyone else must make do with the occasional recording (Without a Trace is only the second by the ten-year-old ensemble which made its debut in 2008). That's not nearly enough, of course, ...
Jason Vitelli: Head Above Tide
by Paul Naser
New York-based artist Jason Vitelli should be highly commended for his efforts at blending songwriting with interesting musical forms and arrangements (think Steely Dan), a sound that is too often avoided. Rooted in his experience as a composer for film, Vitelli's music often has a theatrical sound. His baritone voice set against the sparse production recalls ...
Tommy Igoe and the Birdland All Stars at the Sandler Center for the Arts
by Mark Robbins
In 2014 Tommy Igoe was voted the Worlds #1 Jazz Drummer in a Modern Drummers Readers Poll. Once you see him in action, you'll know why. Backed by his nine piece Birdland All-Star Band Igoe more than lives up to his reputation. Think of Buddy Rich on steroids. Steely Dan, the Beatles, Snarky Puppy, Latin, David ...
Jay Leonhart: Don't You Wish?
by Patrick Burnette
Jay Leonhart has been active as a jazz bassist from the 1960s, and since 1983's Salamander Pie (Digital Music Productions, 1990), he has, from time to time, headlined records as that rara avis, the singer-songwriter who plays acoustic bass rather than acoustic guitar. (one example: “Goodbye, Miami" from the debut--it sounds more prescient day by day.) ...
