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Will The Real Joe Harriott Please Stand Up?
by Duncan Heining
The Jamaican saxophhonist Joe Harriott was, without doubt, one of the most important and innovative jazz musicians to emerge in Britain in the fifties and early sixties. He arrived in Britain in 1951 with Ozzie Da Costa's band, which was en route for an engagement in Germany playing US army bases. Much to his erstwhile boss's ...
Umbria Jazz Winter, Days 3-5: December 30, 2011-January 1, 2012
by Sara Villa
Days 1-2 | Days 3-5 Umbria Jazz Winter #19 Perugia, Italy December 28, 2011-January 1, 2012 Stan Tracey Trio Stan Tracey started the morning of his 85th birthday in the best possible way: playing jazz for an audience which was enthusiastic to share his music in such an iconic ...
It's Our Generations
by Bruce Lindsay
It's been a strange summer here in the UK. To be fair, that description can be applied with no trace of irony to almost any British summer--and the summer of 2011 seems to have been a strange one for much of the world. But this is a JazzLife UK article, and parochial concerns are paramount, thus ...
Phil Seamen: Seamen's Mission
by Bruce Lindsay
British jazz has produced many great players whose fame never came close to matching their talent. One such was the mercurial drummer Phil Seamen. Seamen's Mission a splendid 4-CD box set in the Proper Box series, is a great reminder of Seamen's skills across a range of ensembles from big bands to trios, from swing to ...
Storyville Records: A Treasure Trove of Swinging Jazz
by Chris May
Since its foundation during the European revivalist movement of the early 1950s, Copenhagen-based Storyville Records has grown into a major repository of New Orleans, big band and mainstream recordings. With something approaching 600 releases in its back catalogue, the label is a treasure trove of jazz that swings. Founded in 1952 by Danish jazz ...
Am I "Jazz People?"
by Bruce Lindsay
I rarely write anything too serious in a JazzLife UK article and, for the most part, this month's missive will be no different. However, the summer of 2010 started very sadly for UK jazz with the deaths of four popular, talented and influential musicians, and it seems appropriate to write a few words to remember each ...
Kit Downes: You Have to Be What You Are
by Bruce Lindsay
Kit Downes' career as a jazz musician has, indeed, taken off in a very short time. He's still in his mid-20s, but such is his talent and appetite for music that Downes has become one of the most sought-after keyboardist in Britain, and he's a key presence in a series of cutting-edge bands, with The Golden ...
Soft Machine: NDR Jazz Workshop –Hamburg, Germany 1973
by Nic Jones
By May, 1973, Soft Machine was well on its way from being a truly remarkable outfit to being a comparatively anonymous fusion band. This CD and DVD set goes to show this, but at least the music is played with the kind of fire that wasn't apparent on their studio albums of the time.
"Dancing:" It's A Dirty Word
by Bruce Lindsay
JazzLife UK continued apace during May and June 2010, adding many more photographs to the project and hearing more great jazz in yet more odd and unusual venues. Early May brought more indications of summer to the British weather, and ushered in a General Election. JazzLife UK can now reveal--as promised in my previous article--that the ...
Aldeburgh Festival 2010: Jazz at the Pumphouse
by Bruce Lindsay
Aldeburgh Festival Aldeburgh, UK June 13, 2010 Aldeburgh Festival is now in its 63rd year and is a well-established event in the UK music calendar. Known primarily for classical music and opera, major events take place in the beautiful concert hall at Snape, a few miles inland from ...
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