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657

Article: JazzLife UK

Am I "Jazz People?"

Read "Am I "Jazz People?"" reviewed by Bruce Lindsay


I rarely write anything too serious in a JazzLife UK article and, for the most part, this month's missive will be no different. However, the summer of 2010 started very sadly for UK jazz with the deaths of four popular, talented and influential musicians, and it seems appropriate to write a few words to remember each ...

618

Article: Interview

Kit Downes: You Have to Be What You Are

Read "Kit Downes: You Have to Be What You Are" reviewed by Bruce Lindsay


Kit Downes' career as a jazz musician has, indeed, taken off in a very short time. He's still in his mid-20s, but such is his talent and appetite for music that Downes has become one of the most sought-after keyboardist in Britain, and he's a key presence in a series of cutting-edge bands, with The Golden ...

316

Article: Album Review

Soft Machine: NDR Jazz Workshop –Hamburg, Germany 1973

Read "NDR Jazz Workshop –Hamburg, Germany 1973" reviewed by Nic Jones


By May, 1973, Soft Machine was well on its way from being a truly remarkable outfit to being a comparatively anonymous fusion band. This CD and DVD set goes to show this, but at least the music is played with the kind of fire that wasn't apparent on their studio albums of the time.

617

Article: JazzLife UK

"Dancing:" It's A Dirty Word

Read ""Dancing:" It's A Dirty Word" reviewed by Bruce Lindsay


JazzLife UK continued apace during May and June 2010, adding many more photographs to the project and hearing more great jazz in yet more odd and unusual venues. Early May brought more indications of summer to the British weather, and ushered in a General Election. JazzLife UK can now reveal--as promised in my previous article--that the ...

220

Article: Live Review

Aldeburgh Festival 2010: Jazz at the Pumphouse

Read "Aldeburgh Festival 2010: Jazz at the Pumphouse" reviewed by Bruce Lindsay


Aldeburgh Festival Aldeburgh, UK June 13, 2010 Aldeburgh Festival is now in its 63rd year and is a well-established event in the UK music calendar. Known primarily for classical music and opera, major events take place in the beautiful concert hall at Snape, a few miles inland from ...

1,349

Article: Interview

Howard Riley: Five Decades in Music

Read "Howard Riley: Five Decades in Music" reviewed by Maxim Micheliov


Howard Riley gave his performance in Vilnius, Lithuania in September, 2009. It was his first visit to the country in a five-decade career, and one of just a few eastern Europe destinations made at the time, by the British free jazz pianist. The concert was recorded and released in 2010 as the double-disc set, Solo in ...

502

Article: Multiple Reviews

British Jazz

Read "British Jazz" reviewed by Graham L. Flanagan


Stan TraceySenior MomentReSteamed2009 Stan TraceyThe Later WorksReSteamed2010 Various ArtistsThe Flamingo Connection: Great British Modern JazzEmber-Future Noise2009 The United Kingdom's recent political crisis ...

623

Article: Album Review

Jazz at Lincoln Center Orchestra: Vitoria Suite

Read "Vitoria Suite" reviewed by Chris May


Does anyone over there realise how good they are? That's to paraphrase what tenor saxophonist Sonny Rollins asked about British pianist Stan Tracey, who led the house band at Ronnie Scott's club in London during the 1960s. “Does anyone here realise how good he is?" was Rollins' actual question (and decades later, the endorsement is still ...

1,277

Article: Interview

Polar Bear: Raw and Spontaneous

Read "Polar Bear: Raw and Spontaneous" reviewed by Bruce Lindsay


During the six or seven years since its formation, British quintet Polar Bear has garnered extensive praise from critics, fans and fellow musicians. Most famously, perhaps, the band was described by music critic Paul Morley as “dream jazz"--high praise, indeed. The band's second album, Held On The Tips Of Fingers (Babel, 2005), was nominated for the ...

282

Article: Album Review

Splinters: Split the Difference

Read "Split the Difference" reviewed by Andrey Henkin


One imagines that there must be literally thousands of sessions like this, live gigs by groups that only a small handful of people got to enjoy. The record industry being what it is, only the smallest percentage of musical interactions are documented and released. Reel Recordings, focusing its efforts on a particularly fruitful period in British ...


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