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Article: Album Review

Peter Madsen: Satin Doll – A Tribute to Billy Strayhorn

Read "Satin Doll – A Tribute to Billy Strayhorn" reviewed by Angelo Leonardi


A dispetto di una carriera ricca di incisioni e collaborazioni, iniziata nel 1987 con Stan Getz, il pianista Peter Madsen è un tipico esempio di musician's musician, molto apprezzato dai colleghi ma poco noto al grande pubblico. Quest'incisione europea (Liechtenstein, novembre 2015) è nata per commemorare i cento anni della nascita di Billy Strayhorn, ...

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Article: Interview

Mica Bethea: Quintessential Band Geek

Read "Mica Bethea: Quintessential Band Geek" reviewed by Barbara Salter Nelson


It's Sunday afternoon. Mica Bethea rolls into the Cue Note Billiard Room in Palm Coast, Florida. The 34-year old arranger, composer, bandleader and entrepreneur has arrived for Cue Notes weekly Sunday Afternoon Jazz Rendevous. Bethea (sounds like 'buffet') is the “Note" part of Cue Note, which he co-owns with partner and pool guru John ...

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Article: Album Review

Julian Siegel Quartet: Vista

Read "Vista" reviewed by Roger Farbey


Julian Siegel is an in-demand and award-winning British saxophonist who teaches saxophone in the jazz department of London's Royal Academy of Music. This is his Quartet's follow-up to their London Jazz award-winning album Urban Theme Park (Basho Records). Although Siegel is no stranger to Whirlwind Recordings in his role as a member of Partisans who released ...

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Article: Radio & Podcasts

The Gift of Music (Part 1)

Read "The Gift of Music (Part 1)" reviewed by Ludovico Granvassu


Holidays are the season of gift-giving and music makes the perfect gift. So here's the first of a two part series featuring some of my favorite tunes as my holiday gift to end the year on a positive note. Happy Listening! Playlist Donald Fagen “The Nightfly" from The ...

News: Video / DVD

Three Videos of Stan Getz

Three Videos of Stan Getz

When Stan Getz is playing, I can't stop listening. No really, I can't stop him mid-track. His sound is so potent and hypnotic that I have to leave him on. Yesterday, the phone was ringing while I was listening to Stan Getz at Storyville. I let the call go to voicemail when I should have answered ...

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Article: Album Review

Rufus Reid: Terrestrial Dance

Read "Terrestrial Dance" reviewed by Karl Ackermann


Rufus Reid is one of a handful of true renaissance figures in the arts. The bassist and composer has been an active presence in the jazz world since the 1970s and has recorded more than a dozen albums as a leader and in groups with Dexter Gordon, Andrew Hill, The Thad Jones / Mel Lewis Quartet, ...

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Article: Interview

Aaron Goldberg: Exploring the Now

Read "Aaron Goldberg: Exploring the Now" reviewed by Luke Seabright


Aaron Goldberg is a jazz pianist and composer based in New York City. He's released five albums with his trio, featuring Reuben Rogers on bass and Eric Harland on drums. His album The Now, recorded with that same rhythm section and featuring Kurt Rosenwinkel on guitar, was released in 2015 to critical acclaim. As well as ...

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Article: Album Review

Seal: Standards

Read "Standards" reviewed by Karl Ackermann


It shouldn't be a surprise that Seal would take on the American songbook, with a baritone that was made for classics like “Autumn Leaves" and “Love for Sale." Born Henry Olusegun Adeola Samuel in Paddington, England, the singer, guitarist and composer rose to fame with his global hits, and Grammy-winning songs, “Crazy" and “Kiss From a ...

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Article: Album Review

Àine O'Dwyer: Gallarais

Read "Gallarais" reviewed by Karl Ackermann


Places of worship are hardly new venues for jazz or other forms of non-sectarian music. As far back as 1927, Fats Waller had recorded two pipe organ solos in a church in Camden, New Jersey. Stan Getz and Charlie Byrd recorded Jazz Samba (Barclay-Verve, 1962) at the Washington, D.C. All Souls Church on the corner of ...

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Article: Under the Radar

Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York" reviewed by Karl Ackermann


Jazz didn't abandon Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York they ...


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