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Julian Pressley: From The Duke To Ornette In His Own Way
by Victor L. Schermer
Julian Pressley isn't exactly a household name, but it's a name every jazz aficionado should know. When he plays his alto saxophone, ears perk up because he's playing what they came to hear: music that embodies the legacy. Passionate, quick-witted, and full of new ideas, Pressley stands out in the crowd, a genuine original. Yet you ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Formats – Solo Through Nonet
by C. Michael Bailey
One plus Two, equals three, and so on. What arbitrary combo size constitutes a big band? None of these. Solo: Jamie Saft Solo a Genova RareNoise Records 2018 That musical provocateur Jamie Saft, he is a prankster. After making all kinds of noise with the likes of Metallic Taste ...
Walter Smith III: Twio
by Roger Farbey
The unashamedly retro cover art of Twio accurately signposts the content of this imaginative album's track selection of jazz classics and standards. The only exception to this programme is Walter Smith III's original composition “Contrafact," chordally based on “Like Someone In Love" but given a 5/4 makeover. This involves the twin tenors of Smith and guest ...
Jazz Musician of the Day: Stan Getz
All About Jazz is celebrating Stan Getz's birthday today! Beginnings... Stan Getz was born at St. Vincent\'s Hospital in Philadelphia, Pennsylvania on Feb. 2, 1927. He had one brother, Robert, who was born on October 30, 1932. His parents had come from the Kiev area in the Ukraine in 1903, tired and fearful of the Pogroms. ...
Peter Madsen: Satin Doll – A Tribute to Billy Strayhorn
by Angelo Leonardi
A dispetto di una carriera ricca di incisioni e collaborazioni, iniziata nel 1987 con Stan Getz, il pianista Peter Madsen è un tipico esempio di musician's musician, molto apprezzato dai colleghi ma poco noto al grande pubblico. Quest'incisione europea (Liechtenstein, novembre 2015) è nata per commemorare i cento anni della nascita di Billy Strayhorn, ...
Mica Bethea: Quintessential Band Geek
by Barbara Salter Nelson
It's Sunday afternoon. Mica Bethea rolls into the Cue Note Billiard Room in Palm Coast, Florida. The 34-year old arranger, composer, bandleader and entrepreneur has arrived for Cue Notes weekly Sunday Afternoon Jazz Rendevous. Bethea (sounds like 'buffet') is the “Note" part of Cue Note, which he co-owns with partner and pool guru John ...
Julian Siegel Quartet: Vista
by Roger Farbey
Julian Siegel is an in-demand and award-winning British saxophonist who teaches saxophone in the jazz department of London's Royal Academy of Music. This is his Quartet's follow-up to their London Jazz award-winning album Urban Theme Park (Basho Records). Although Siegel is no stranger to Whirlwind Recordings in his role as a member of Partisans who released ...
The Gift of Music (Part 1)
by Ludovico Granvassu
Holidays are the season of gift-giving and music makes the perfect gift. So here's the first of a two part series featuring some of my favorite tunes as my holiday gift to end the year on a positive note. Happy Listening! Playlist Donald Fagen “The Nightfly" from The ...
Three Videos of Stan Getz
When Stan Getz is playing, I can't stop listening. No really, I can't stop him mid-track. His sound is so potent and hypnotic that I have to leave him on. Yesterday, the phone was ringing while I was listening to Stan Getz at Storyville. I let the call go to voicemail when I should have answered ...
