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Tarbaby: The End Of Fear
by Bruce Lindsay
A band name that some might see as confrontational--although the band denies this--an album title that could be wildly optimistic, a statement of faith or simply ironic; some of the fieriest jazz players on the scene and a scary Hieronymus Bosch-style cover design. What kind of music might emanate from such a combination? Free form, loud, ...
James Zollar: Zollar System
by Raul d'Gama Rose
It is an unfortunate fact that trumpeter James Zollar is nowhere near as well-known as he should be. But that may be about to change. Zollar Systems may be about to put Zollar in an orbit all his own. A genuine renaissance man of the horn, Zollar is a singular voice on the instrument that is ...
Tobias Gebb & Unit 7: free at last
by Terrell Kent Holmes
On free at last, drummer Tobias Gebb shows great depth and maturity as a composer and arranger. This recording is a balanced mix of originals and standards, from various musical genres, combined to produce rich sounds and vibrant colors. Veteran altoist Bobby Watson and young tenor lion Stacy Dillard take star turns on ...
Fat Cat Big Band: Face
by Karla Cornejo Villavicencio
Face is an album with layers. Each of the ten tracks offers a nuanced explication of anticipation, heartbreak and spirituality. The glistening veneer of giddiness and celebration is attractive and reviving. But if you listen closely, there's also yearning and loneliness and a grasping for spiritual fulfillment. The entire album is soulful in the way some ...
Tobias Gebb and Unit 7: free at last
by Woodrow Wilkins
Like a bird uncaged, drummer Tobias Gebb expresses himself without restraint on free at last, recorded with Unit 7. The collection is a mix of original songs and covers. Gebb is a freelance musician on the New York scene. Having appeared on recordings with Lenny Kravitz and Donald Fagen, Gebb has also served as ...
Antonio Ciacca: Lagos Blues (with Steve Grossman)
by George Kanzler
There's a good reason most “real" jazz radio stations tend to favor the modern mainstream jazz of the post-bop era codified by such record labels from the mid-20th Century as Blue Note, Columbia's jazz division, Prestige, Riverside and Impulse. It's creative jazz with a comfortingly substantial physicality, clean lines and rhythmic heft still anchored to a ...
James Zoller: Zollar System
by C. Michael Bailey
James Zollar is a musical treasure hidden in plain sight. He has played and recorded as a sideman for a variety of artists, including Cecil McBee, Tom Harrell, Weldon Irving and Sam Rivers, as a member of Wynton Marsalis' brass section in the Lincoln Center Jazz Orchestra, The Duke Ellington Orchestra and several of Don Byron's ...
Creators of "Chaography," a New Kind of Jazz Film, Interviewed at AAJ
Who wants to see a movie about jazz musicians that tells a good story, accurately portrays the lives of musicians and contains good, happening music? Show of hands not necessary. Skepticism understood, based on past history. Yet that's exactly the lofty goal of young filmmaker Doug Chang, a jazz fan who is hoping to start filming ...
"Chaography": A New Kind of Jazz Film To Be Made
by R.J. DeLuke
Who wants to see a movie about jazz musicians that tells a good story, accurately portrays the lives of musicians and contains good, happening music? Show of hands not necessary. Skepticism understood, based on past history. Yet that's exactly the lofty goal of young filmmaker Doug Chang, a jazz fan who is ...
Tobias Gebb & Unit 7: free at last
by Dan Bilawsky
New York-based drummer Tobias Gebb assembled a stellar cast for free at last. The format of Unit 7 follows the instrumentation tradition of Art Blakey's Jazz Messengers. The three-horn frontline and three-man rhythm section allows this group to sound bigger than it is at times, while also having the flexibility to make things more intimate. Gebb ...
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