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Ray Vega & Thomas Marriott East West Trumpet Summit: Coast to Coast
by Paul Rauch
For some people, the whole notion of an east-west summit of anything in jazz brings up the perceived differences over time between American west coast jazz and its east coast counterpart. The basic premise is that jazz on the American west coast is a cousin to the cool jazz movement, a calmer, less soulful part of ...
3x3: Jazz Trios Playful and Pensive
by John Chacona
Can we finally retire the assertion that we are living in a Golden Age of the jazz piano trio? It seems like every month brings trio dates of such imagination and accomplishment as to render superlatives beside the point. These three recordings released in an eight-week period in Spring 2023 are a reminder that one of ...
The Jazz Doctors: Intensive Care / Prescriptions Filled
by Chris May
Beyond its initiates, the so-called New Thing which emerged in mainly, but not exclusively, Black US jazz in the 1960s/70s, was perceived so amorphously that prairie-wide distinctions between its practitioners went unregarded. Among the general jazz audience, the musicians were lumped together as a horde of crazed zombies who lacked all technique, and who had replaced ...
Tom Ollendorff: Open House
by Chris May
There is technical excellence, there is pretty, there is a well-honed trio, there is an in-sync guest saxophonist, and yet, and yet.... Open House is London-based guitarist Tom Ollendorff's follow-up to A Song For You (Fresh Sound New Talent, 2021), his debut, which also featured bassist Conor Chaplin and drummer Marc Michel. The ...
Tomas Janzon: Nomadic
by Jack Bowers
Nomadic, Tomas Janzon's sixth album as leader, is a pleasant, easy-going session that benefits greatly from the presence, on half a dozen tracks, of the superb vibraphonist Steve Nelson who adds substance and color to what is essentially a quartet or trio session wherein Janzon's mellow guitar carries much of the weight. There ...
Miles Davis: Workin' With the Miles Davis Quintet
by Mark Corroto
1955/56 was an inflection point in the career of Miles Davis. The trumpeter and bandleader went from a promising talent to the high profile face of jazz and popular music. The two marathon sessions, May 11 and October 26, 1956, that created Workin' With the Miles Davis Quintet along with Cookin', Relaxin' and Steamin' might have ...
Tom Ollendorff Trio At Magy's Farm
by Ian Patterson
Tom Ollendorff Trio Magy's Farm Dromara, N. Ireland May 11, 2023 There is no crowd like an expectant crowd. Hailed by Gilad Hekselman as “one of the world's finest guitarists," Tom Ollendorff certainly had some billing to live up to as he kicked off the Irish leg of an ...
Rich Thompson: Who Do You Have to Know?
by Jack Bowers
Veteran drummer Rich Thompson ushers a lithe and swinging quartet through its paces on his latest album, Who Do You Have to Know? (the answer to which, alas, is not forthcoming). This is basically late-night jazz, the kind often reserved for after-hours jam sessions whose participants are fully engaged in the task at hand and hold ...
Stan Tracey Quartet: Jazz Suite Inspired By Dylan Thomas' Under Milk Wood
by Chris May
Pianist and composer Stan Tracey's Under Milk Wood, released in 1966, was among the first albums to prove that British jazz could, on a good day, stand as tall as its American parent. Over a decade would pass, however, before that fact was widely accepted by jazz lovers in either America or Britain. Indeed, it is ...
Backgrounder: Sonny Rollins Plays for Bird, 1957
Sonny Rollins idolized Charlie Parker, as did all saxophonists in the late 1940s. But for Sonny, Parker was more of a mentor, someone to impress and seek his approval. Sonny achieved that in 1953, when he recorded with Parker and Miles Davis for Prestige. At the time, Parker was under contract to Norman Granz's Norgran label, ...
