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The Ginger Baker Jazz Confusion at the Musical Instrument Museum
by Patricia Myers
The Ginger Baker Jazz Confusion Musical Instrument Museum Phoenix, AZ October 18, 2013 The Ginger Baker Jazz Confusion was promoted as a tribute to jazz icons Wayne Shorter, Sonny Rollins and Thelonious Monk. When just two of those artists were musically referenced and Monk was not, it likely was noticed only ...
Randy Brecker: A Fusion Legacy
by R.J. DeLuke
On stage at the North Sea Jazz Festival in Holland last July, the ubiquitous trumpeter Randy Brecker lowered his horn after playing two joyous and funky numbers on the stage that is one of the festivals largest venues, serving as a hockey arena during the appropriate season. There were throngs of people, sitting and standing, gleefully ...
Tom Artwick: Jazz Scenes: Music from the Movies
by Jack Bowers
A pleasant album of themes from various movies, seamlessly performed for an appreciative audience by five able musicians whose earnest labors affirm that there is an abundance of talented artists in this country whose endeavors pass largely unnoticed unless concerts such as this one are recorded and released so that a wider audience is able to ...
David Sills: Blue's the New Green
by Dan McClenaghan
Saxophonist David Sills opens his Blue's the New Green with tenor sax titan Sonny Rollins' tune, “No Moe." But Sills doesn't use Rollins' musculature or his burly tone. He rolls more in the mode of sax men Joe Henderson or Stan Getz--or, to take it back further, Coleman Hawkins or Ben Webster, with a smooth, vibrato-less ...
Jerome Harris: Guitar and Bass Doubler
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Jerome Harris is a highly underrated musician. He's proficient doubler on bass and guitar; he's been a regular on the former with Jack DeJohnette and the latter with Sonny Rollins. Add to that he's got a wonderful singing voice, and has also ...
George Cables: The Pianist’s Dedication to the Group
by Victor L. Schermer
Anyone who is serious about jazz will tell you that George Cables belongs in the pantheon of the greatest jazz pianists. Everyone, that is, except George Cables. Exceptional in every way, he is yet a team player. He sees himself as part of the rhythm section, and has always emphasized the group over the soloist. He ...
The Amazing Bud Powell: Black Genius, Jazz History And The Challenge of Bebop
by Ian Patterson
The Amazing Bud Powell: Black Genius, Jazz History And The Challenge of Bebop Guthrie P. Ramsey Jr. 240 pages ISBN: 978-0-520-24391-0 University of California Press 2013 A new book on pianist Bud Powell is something of an event. The first full length book on one of jazz's most dazzling ...
2013 Thelonious Monk Institute Competition
by Franz A. Matzner
The saxophone is the most iconic of jazz instruments. Its image is all that is needed to invoke the music's essence, its history intimately entangled with the cultural arc of American music and urban culture. Its masters are the most recognized outside jazz circles and its sound most closely identified with the art form. To many, ...
Take Five With Cheryl Pyle
by AAJ Staff
Meet Cheryl Pyle:The versatile flutist Cheryl Pyle received her BA in Music from the University of California at Berkeley in 1976, having received her Associates Degree from Mesa College in 1974. Her teachers included Merrill Jordan, Janet Maestre, Francis Watson, and Jayn Rosenfeld. She took Master classes with Jean-Pierre Rampal, Julius Baker, and James ...
University of Toronto Jazz Ensemble: Reflections
by Jack Bowers
Wherever Gordon Foote goes, you may rest assured that pleasurable music is sure to follow. After twenty-six years at McGill University in Montreal, Canada, where he led the school's superlative Jazz Ensemble, Foote moved eastward to Toronto a year or so ago to oversee the splendid University of Toronto Jazz Orchestra, which recorded its most recent ...
