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40

Article: Interview

Ron Aprea: Passion Supreme

Read "Ron Aprea: Passion Supreme" reviewed by Nicholas F. Mondello


Ron Aprea is a saxophonist's saxophonist. After all, none less than the late, great Frank Foster called him friend, confidant, section mate and leader. And Foster wasn't alone in this regard. Aprea has been a mainstay and graced the sax section in the bands of Lionel Hampton, Woody Herman and many others. A multi-faceted musician with ...

6

Article: Big Band Report

After 15 Years, a "Caravan" Ends Its Journey

Read "After 15 Years, a "Caravan" Ends Its Journey" reviewed by Jack Bowers


For nearly fifteen years now, I've been writing two monthly columns here at All About Jazz: this one (Big Band Report) and Big Band Caravan. That is about to change. Starting next month, the two will be pared down to one inclusive column using as its title Big Band Report. So rather than searching the AAJ ...

13

Article: Interview

Christian McBride: Knocking on the Door

Read "Christian McBride:  Knocking on the Door" reviewed by Bob Kenselaar


Christian McBride was talking about the Grammy he received in October, 2011 for his big band album, The Good Feeling (Mack Avenue, 2011)--his first Grammy as a leader and third overall. While the bassist certainly appreciated getting the nod from his peers and from the Recording Academy, he said he gets just as much of a ...

49

Article: Live Review

Terell Stafford Quintet: Philadelphia, PA, February 25, 2012

Read "Terell Stafford Quintet: Philadelphia, PA, February 25, 2012" reviewed by Victor L. Schermer


Terell Stafford QuintetJazz Up Close Celebrates Lee MorganPerelman TheaterThe Kimmel Center for the Performing ArtsPhiladelphia, PAFebruary 25, 2012This concert was one in a highly successful series which has been curated, coordinated, and choreographed by Danilo Perez for nearly a decade, so far in the 2011-12 season honoring ...

73

Article: Reassessing

Ella and Basie!

Read "Ella and Basie!" reviewed by Thomas Carroll


In July 1963, singer Ella Fitzgerald and pianist Count Basie's orchestra entered the studio for their first full-length recording session as a collective. They produced a gem for both veteran jazz fans and novices. The album features both artists in top swinging form and it is concise enough to serve as an introduction to those just ...

124

Article: Album Review

Christian McBride Big Band: The Good Feeling

Read "The Good Feeling" reviewed by Dan Bilawsky


The Good Feeling marks the debut of the Christian McBride Big Band, but the seeds for this album were sown in the mid-'90s. Jazz at Lincoln Center commissioned McBride to write and arrange his first major big band work--"Bluesin' In Alphabet City"--in 1995, and that experience really sparked his interest in composing for large groups. Now, ...

173

Article: Album Review

John Burnett Orchestra: Down For Double

Read "Down For Double" reviewed by Nic Jones


The John Burnett Orchestra is a formidable swing band because, while there's undoubted reverence in their evocations of the era, that reverence is tempered by sparks of originality. Indeed, the tight-but-loose thing which summarizes its collective sound is now pretty hard to come by, which makes this release a cause for celebration. When ...

925

Article: Extended Analysis

Ray Charles: Genius + Soul = Jazz

Read "Ray Charles: Genius + Soul = Jazz" reviewed by C. Michael Bailey


Ray Charles Genius + Soul = Jazz Concord Music 2010 Ray Charles spent the 1950s and 1960s transforming the atomic American musics of gospel, the blues, R&B and country into what has been tagged “soul." Should jazz have been immune to his considerable charms? No, of course not. During the ...

841

Article: Big Band Caravan

Mike Vax Big Band / Dave Siebels / Phil Woods / London Horn Sound

Read "Mike Vax Big Band / Dave Siebels / Phil Woods / London Horn Sound" reviewed by Jack Bowers


Mike Vax Big Band Sounds from the Road Summit Records 2009 As Bob Hope and Bing Crosby entertained millions with their “road" movies in the 1940s, so the Mike Vax Big Band has its own “road show," arguably as entertaining but playing to much smaller audiences than Hope ...


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