Results for "Sidney Bechet"
About Sidney Bechet
Instrument: Saxophone, soprano
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Sidney Bechet
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Along with his fellow New Orleanian, Louis Armstrong, Bechet was one of the first great soloists in jazz. His throaty, powerful clarinet and his throbbing soprano are among the most thrilling sounds in early jazz. He went from being a pioneer of jazz in the 1920s to a national hero in France, where he spent the final decade of his life. In his teens he made his name playing in some of New Orleans's up-and- coming bands, and he played there and in Chicago with King Oliver. Sidney Bechet was born in New Orleans in May 1897, of Creole ancestry, grew up in a middle class environment. His father, Omar, who was a shoemaker, played the flute as a hobby
An American in France: A Travelogue, Part II
by David Brown
For this week's show, we again visit Europe with a variety of American artists performing and recording in France, living in France and collaborating with French artists. We'll also check out a few recent French Jazz releases all along the way. Etes-vous prêt?PlaylistThelonious Monk “Esistrophy (Theme)" from Live at the It Club-Complete (Columbia) 01:50 ...
Our Man in Paris: An American Travelogue
by David Brown
For this week's show, let's travel to Europe with a variety of American artists performing in France, recording for French film soundtracks, and collaborating with French artists. Etes-vous prêt? Co-hosted by Lisa Jo Epstein. Playlist Thelonious Monk “Esistrophy (Theme)" from Live at the It Club-Complete (Columbia) 06:10 Sidney Bechet “Ooh Boogie!" from Sidney Bechet ...
Dorothy Ashby: With Strings Attached, 1957-1965
by John Chacona
Imagine if Sidney Bechet, Charlie Christian and Jimmy Smith were barely remembered and recordings of their music were long unavailable and known only on the geekiest corners of Discogs. That is essentially the status of harpist Dorothy Ashby. Like the three figures cited above, Ashby essentially created a language for her chosen instrument, the harp, where ...
Duets From Strangers And Old Friends
by Jerome Wilson
The first of these duo recordings is from two musicians meeting for the first time. The second comes from long-time acquaintances. The compatibility of the playing on both is so high you would be hard-pressed to tell which was which. Pierrick Pedron & Gonzalo Rubalcaba Pedron Rubalcaba Gazebo 2023
Dr. John: The Montreux Years
by Dave Linn
New Orleans is considered the birthplace of jazz. In the late 1800s, the city was a melting pot of different cultures, including African, European, and Caribbean. This cultural diversity had a profound impact on the music of the city. The new sounds of Dixieland and ragtime became the foundation in the evolution of jazz. Artists such ...
Jazz Musician of the Day: Sidney Bechet
All About Jazz is celebrating Sidney Bechet's birthday today! Along with his fellow New Orleanian, Louis Armstrong, Bechet was one of the first great soloists in jazz. His throaty, powerful clarinet and his throbbing soprano are among the most thrilling sounds in early jazz. He went from being a pioneer of jazz in the 1920s to ...
Jazz À La Creole: French Creole Music and the Birth of Jazz
by Richard J Salvucci
Jazz À La Creole: French Creole Music and the Birth of Jazz Caroline Vézina 236 Pages ISBN: #9781496842428 University Press of Mississippi 2022 The term “creole" is one of those protean things whose meaning hinges on the context in which it is used. At the very least, it ...
2022: The Year in Jazz
by Ken Franckling
Current events impacted the jazz world in significant ways throughout 2022. In its third year, the coronavirus pandemic continued to lurk in some settings, while others recovered in robust fashion. Russia's war on Ukraine was felt by musicians and triggered an outpouring of support for its victims. Initiatives to ensure greater equity in jazz advanced. The ...
Giovanni Benvenuti e il Questionario di Proust
by Paolo Peviani
Il tratto principale della mia musica Credo che la caratteristica principale della musica che scrivo sia la centralità della melodia: anche nelle strutture armoniche e ritmiche più complesse ricerco sempre l'immediatezza del lirismo. In questo modo si crea una connessione istintuale e non razionale con l'ascoltatore che mi permette di essere accessibile senza rinunciare a nulla, ...
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