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267

Article: Take Five With...

Take Five With Matt Slocum

Read "Take Five With Matt Slocum" reviewed by AAJ Staff


Meet Matt Slocum:“Matt Slocum's multicolored traps--at times forceful or delicate, creatively painting varied tempos with the essence of swing--define the drummer's debut, Portraits. Hailing from St. Paul, Minnesota, Slocum's introduction carries forward the torch of patriarchs Max Roach and Elvin Jones amongst others, but he also carves out his own rhythmic patterns with young ...

374

Article: Album Review

Ken Peplowski: Noir Blue

Read "Noir Blue" reviewed by C. Michael Bailey


Noir Blue is a slight coloring outside the lines for clarinetist/saxophonist Ken Peplowski. His most recent recordings (with Arbors and Nagel Heyer) have focused on older swing forms and repertoire. Presently, Peplowski is playing pure jazz quartet music with pianist Shelly Berg, bassist Jay Leonhart, and drummer Joe La Barbera. The song choice is anything but ...

225

Article: Album Review

Lorraine Feather: Ages

Read "Ages" reviewed by Nicholas F. Mondello


It is immediately evident listening to the work of lyricist-vocalist Lorraine Feather that she is a gracious, respectful lover of words. As a brilliant writer and performer, she revels in the power, dynamic intricacies, kooky parallels, and yin-yangs of words and funhouse-mirror entendres. And when she adds to that love a sensitive vocal style that is ...

322

Article: Album Review

Lorraine Feather: Ages

Read "Ages" reviewed by Dr. Judith Schlesinger


Lorraine Feather, daughter of famous jazz critic Leonard Feather, is a seven-time Emmy nominee who once sang backup for Petula Clark and Grand Funk Railroad and has released eight well-received recordings of her own, including Language, (Jazzed Media, 2008). It does not diminish her musicality, charm, or wit to say that, more often than not, Ages ...

468

Article: Album Review

Lorraine Feather: Ages

Read "Ages" reviewed by AAJ Staff


As the daughter of respected jazz critic, Leonard Feather, Lorraine Feather comes to her jazz pedigree honestly, but more from natural talent than dogged filial loyalty. In possession of a pure, rich voice, she tried acting--along with some discouraging stints in the food industry--before finding her multi-colored niche in singing and composing. Ages, about the epochs ...

Album

The Nearness Of You

Label: Arbors Records
Released: 2009
Track listing: My Fair Lady medley (Show me, I

1,356

Article: Interview

Tamir Hendelman: Living a Dream

Read "Tamir Hendelman: Living a Dream" reviewed by Dr. Judith Schlesinger


One of those “overnight sensations" who's been working steadily for years, Israeli-born pianist and composer Tamir Hendelman has finally caught a rocket. A member of the Clayton-Hamilton Jazz Orchestra and the Jeff Hamilton Trio, as well as leader of his own groups, Hendelman is also a first-call arranger and accompanist for some of the best vocalists ...

319

Article: Album Review

Gerald Clayton: Two-Shade

Read "Two-Shade" reviewed by Ken Dryden


Gerald Clayton isn't like the average young jazz musician. He was immersed in music studies for a long time (his teachers include Kenny Barron, Billy Childs and Shelly Berg), while gaining experience playing duo piano concerts with Barron, Benny Green and Mulgrew Miller and also performing as a sideman with the legendary Clark Terry. If that's ...

1,391

Article: Interview

Tierney Sutton: Not a Material Girl

Read "Tierney Sutton: Not a Material Girl" reviewed by Carl L. Hager


Vocalist Tierney Sutton discovered jazz while immersed in Russian language and literature studies at Wesleyan University. During her college years she also abandoned her earlier atheism and became engaged in a lifelong study of Man's spiritual nature. She has adopted no halfway measures in any of these pursuits. Though she hasn't yet written lyrics, she brings ...

287

Article: Album Review

Shelly Berg: The Nearness Of You

Read "The Nearness Of You" reviewed by Bruce Lindsay


Pianist Shelly Berg's career as a professional musician stretches back for 40 years. He began playing professionally in his early teens and has since been a solo performer, a bandleader, arranger and accompanist. In 2007 he became Dean of the Phillip and Patricia Frost School of Music, University of Miami. Despite this long and varied career, ...


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