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414

Article: Album Review

Sipho Gumede: African Sunrise

Read "African Sunrise" reviewed by Seton Hawkins


Listening to the hauntingly beautiful African Sunrise, released several months after Sipho Gumede's death, one can understand why Gumede is held up as one of South Africa's great musicians. His fat, warm bass sound, his compositional gifts, his genre-defying musical creativity, and his skills as a band leader are all in full bloom here.The ...

326

Article: Album Review

Musa Manzini: My Bass

Read "My Bass" reviewed by Seton Hawkins


My Bass, Musa Manzini's third solo outing, is an album by a bassist, for bassists. Manzini is not afraid to wear his influences on his sleeve--the solo bass overdubbing and slapping of Victor Wooten, the genre-hopping creativity of Gito Baloi, and much more can all be heard here. However, Manzini very much has his own voice. ...

347

Article: Album Review

Pat Matshikiza: Seasons, Masks And Keys

Read "Seasons, Masks And Keys" reviewed by Seton Hawkins


Seasons, Masks And Keys functions as a retrospective of pianist and composer Pat Matshikiza's career. It is a long-overdue attempt to bring more recognition to this highly influential, yet underrecorded figure in South African jazz. Although nobody questions his status as one of the genre's great figures, given his 1975 landmark recording Tshona!, Matshikiza recordings are ...

229

Article: Album Review

Andile Yenana: Who's Got the Map?

Read "Who's Got the Map?" reviewed by Seton Hawkins


The odd title of pianist Andile Yenana's second album as a leader, as he writes, “depicts the space I am in--call it my voice, expression, interpretation of a reality transformed into compositions." While that's a mouthful, the album succeeds in this respect. A disheartening trend in some South African jazz is a common desire ...

396

Article: Album Review

Kalamazoo: Kalamazoo 2

Read "Kalamazoo 2" reviewed by Seton Hawkins


Kalamazoo 2 is the second of four collaborations between the late bassist Sipho Gumede and multi-instrumentalist Pops Mohamed. Recorded in 1999, it features guest musicians Prince Kupi on guitar, Xoli Nkosi on keyboards and brass, and both Barney Rachabane and Mandla Masuku on alto saxophone.The album opens promisingly--a funky bass-and-keyboard-driven riff along with Mohamed's ...


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