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Dominic Duval: Follow Your Melody
by Maxim Micheliov
In memory of Dominic Duval: 1945-2016. This article was first published in October 2010. Bassist Dominic Duval is a mystery to many—even to those interested in free music. Seemingly emerging out of nowhere in the mid-1990s, over the course of 15 years he has built a formidable discography, firmly establishing him as one of ...
Ron Thomas: Duo
by Victor L. Schermer
The poet John Keats famously wrote: “A thing of beauty is a joy forever." That's the kind of album this is. It's one stretch of beautiful playing from beginning to end. It's not a “statement," it's not a “thing," it's not a “groove." It's just music that, taken as a whole becomes an “objet d'art," something ...
Bill Evans with Eddie Gomez and Jack DeJohnette: Some Other Time: The Lost Session From the Black Forest
by Karl Ackermann
It plays out like a tale of espionage. In Bremen, Germany, more than five-thousand miles from his Los Angeles home, American producer Zev Feldman, has a chance meeting with the son of a late German jazz producer. In a parking lot, the German plays a single track of music on his car stereo; a forgotten recording ...
Jazz Musician of the Day: Scott LaFaro
All About Jazz is celebrating Scott LaFaro's birthday today! Rocco Scott LaFaro (1936-1961) was a musician of the first order, who found his \'voice\' in jazz in the mid-1950s. His played the double bass violin, better known today as the acoustic bass to differentiate this instrument from the electric (or electronic) bass. His life was cut ...
Matt Ridley: Mettã
by Roger Farbey
A graduate of London's Trinity College of Music, this is in-demand bassist Matt Ridley's second album as leader. On “Music To Drive Home To" Jason Yarde plays a repeated plangent melody on soprano saxophone followed by John Turville elegantly soloing on piano. As its name implies “Lachrymose" is something of a tear-jerking exercise with Yarde squeezing ...
2015: The Year in Jazz
by Ken Franckling
The year 2015 was a curious blend of ups and downs, with glimmers of optimism offset by its losses. Venues opened to great fanfare, but others closed for a variety of reasons. UNESCO's International Jazz Day became firmly entrenched as the exclamation point on Jazz Appreciation Month activities in April. Daily arts journalism took a hit ...
Howard Riley: Reinventing the Jazz Piano Trio
by Duncan Heining
Even allowing for journalistic hyperbole, the phrase “reinventing the jazz piano trio" was a doozy. It all seemed a bit “Emperor's new clothes" or, as my late mother used to put it, “new coat and no knickers." For a time in the noughties, British critics variously applied the phrase to Esbjorn Svensson, Brad Mehldau, The Necks, ...
Mark Sullivan’s Best Releases of 2015
by Mark Sullivan
This is my first year end list as an AAJ contributor, hopefully the first of many! I reviewed a lot of great music, major label and independent productions alike. Here's the ten that rose to the top of my list of favorites, in no particular order. Eberhard Weber Hommage à Eberhard ...
Ornette Coleman
by John Eyles
June 11th 2015 was one of those momentous days in jazz history that can truly be said to signal the end of an era--it was the day Ornette Coleman died. It is a mark of his stature that, on the day in question, when jazz fans told each other, “Ornette is dead" no-one ever asked, “Ornette ...
SLD Trio: Anfitrion
by Jakob Baekgaard
A piano trio without a leader? The concept is not unknown, but the norm in jazz is that a trio has a leader. Even pianist Bill Evans' trio with bassist Scott LaFaro and drummer Paul Motian, famous for dissolving the fixed hierarchy in a trio setting, was formally presented as the Bill Evans trio.
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