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Howard Riley: Reinventing the Jazz Piano Trio
by Duncan Heining
Even allowing for journalistic hyperbole, the phrase “reinventing the jazz piano trio" was a doozy. It all seemed a bit “Emperor's new clothes" or, as my late mother used to put it, “new coat and no knickers." For a time in the noughties, British critics variously applied the phrase to Esbjorn Svensson, Brad Mehldau, The Necks, ...
Mark Sullivan’s Best Releases of 2015
by Mark Sullivan
This is my first year end list as an AAJ contributor, hopefully the first of many! I reviewed a lot of great music, major label and independent productions alike. Here's the ten that rose to the top of my list of favorites, in no particular order. Eberhard Weber Hommage à Eberhard ...
Ornette Coleman
by John Eyles
June 11th 2015 was one of those momentous days in jazz history that can truly be said to signal the end of an era--it was the day Ornette Coleman died. It is a mark of his stature that, on the day in question, when jazz fans told each other, “Ornette is dead" no-one ever asked, “Ornette ...
SLD Trio: Anfitrion
by Jakob Baekgaard
A piano trio without a leader? The concept is not unknown, but the norm in jazz is that a trio has a leader. Even pianist Bill Evans' trio with bassist Scott LaFaro and drummer Paul Motian, famous for dissolving the fixed hierarchy in a trio setting, was formally presented as the Bill Evans trio.
Just Because: Hampton Hawes With Scott LaFaro
Before Scott LaFaro joined the Bill Evans Trio in late 1959, the young bassist’s second west coast stint included work with Chet Baker, Barney Kessel, Victor Feldman, Cal Tjader, Stan Getz and Hampton Hawes, among others. In California, LaFaro’s tone, time and adventurous ideas put him—along with Gary Peacock and Charlie Haden—in the vanguard of a ...
Kuai Music: Moving Jazz Forward Collectively
by Jakob Baekgaard
The history of jazz is often told as an evolution propelled by great individuals whose singular sounds have helped to shape the aesthetic of the music. This is understandable since artists like Louis Armstrong, Duke Ellington, Charlie Parker, John Coltrane and Miles Davis really DID influence the development of jazz and this is confirmed every time ...
Gary Peacock Trio: Now This
by Mark Sullivan
On some level it must be daunting to play in a piano trio with bassist Gary Peacock. He's a longtime member of the Keith Jarrett Standards Trio (with drummer Jack DeJohnette), arguably the definitive contemporary piano trio. Before that, he worked with the great Bill Evans, and with iconoclast Paul Bley (often in the company of ...
Katie Thiroux: Walking a Classy and Swinging Line
by R.J. DeLuke
Katie Thiroux, a young musician out of Los Angeles, plays the bass and sings with equal conviction. Her musical experiences began with classical, but a career in jazz is what she eventually focused on and Thiroux--who received several accolades while climbing the tricky stairway of such a career--is making good strides. A sideman on ...
1959: The Most Creative Year in Jazz
by Nathan Holaway
1959 was arguably the most creative year in all of jazz history. Bird had already passed away, and this year would see the passings of Lester Young and Billie Holiday. Musically speaking, when we read jazz history texts or see the labels among the many diverse styles of jazz (i.e “Free Jazz," “Modal Jazz," “Third Stream," ...
Jazz Musician of the Day: Scott LaFaro
All About Jazz is celebrating Scott LaFaro's birthday today! Rocco Scott LaFaro (1936-1961) was a musician of the first order, who found his \'voice\' in jazz in the mid-1950s. His played the double bass violin, better known today as the acoustic bass to differentiate this instrument from the electric (or electronic) bass. His life was cut ...
