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Karl Marsh
Born:
Karl Marsh is a Glendale, CA based jazz saxophonist coming out of the spirited tradition of Wayne Shorter, John Coltrane, Joe Henderson, Charles Lloyd and Pharaoh Sanders. As an artist Karl seeks to grow in his ability to communicate life's joy and spirituality. His live performances feature original and classic compositions that are engaging, packed with straight ahead improvisation and deliver a positive & uplifting message. Karl is working on a new project of all original compositions entitled 'Reflection & Appreciation'.
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Grant Koeller
Born:
Tenor Saxophone Soloist with the United States Air Force Band of Flight Wright-Patterson AFB , Dayton, OH
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Faruq Z. Bey

Musician interrupted
The story of Griot Galaxy & a renaissance for Faruq Z. Bey
by W. Kim Heron (June 2003)
He’d gone to see saxophonists John Coltrane and Pharoah Sanders the year before at a place on Dexter called the Drome Lounge, and their wail was like nothing he’d ever experienced before: magnificent, powerful, polyrhythmic, polytonal, polychromatic, emotional, form-shattering … the purest music he’d ever experienced before or since.
And when the word went out that Coltrane had died on a Monday in July - or gotten so heavy he’d fallen off the planet, as some wags would have it - it was only fitting to call for a memorial party. A dozen or so fans worshipfully played records and made music through Saturday night at the cramped apartment on Chicago Boulevard where he lived with his wife. Around daybreak came the sound of cars speeding away from Lord knew what, and being reckless guys, they went to check out the commotion and soon found themselves at the epicenter of the brewing Detroit rebellion of 1967. It was a revelation:
“The people who were rioting in the street, they moved like one mind. It was almost like a hive of insects moves. It was like a wave; it just moved, but that whole episode put me in a frame of mind of thinking about our position here as a - quote - subculture, and how to deal with that. And since music was always an interest of mine and seeing how our music defined itself and our relationship to the greater environment as well … ”
The issues all seemed intertwined.
A couple days later with the riot still raging he became the owner of his first saxophone, a Martin tenor, for the uncharacteristically low price of $80.
Asked whether, in the parlance of the time, the saxophone had been “liberated,” he laughs dryly. “I got it during the riot,” he repeats.
Asked whether this all seemed prophetic - Coltrane dying, the memorial, the riot, the saxophone - his eyes widen as if it’s obvious. He laughs again: “It was significant, I’ll put it that way.”
Life seemed to take on a new seriousness. “Before that I was just floating and having fun doing what was expected of me by the culture at large and the tradition and yadda yadda,” he says.
Within a few years, Jesse Davis would have new names. He would become Malik Z. Bey then Faruq Z. Bey. His marriage would dissolve, as would two more during the ’70s. He’d become part of an artistic, spiritualist, pan-African political milieu; he’d eventually become a sort of poster boy for that set. He’d read his poetry to rapt listeners, pontificate on the meaning of life and culture, play in more bands and jams than anyone can be expected to keep track of. He’d impress a lot of folks as brilliant and charismatic; he’d attract talent like a magnet. He’d garner a rep as a ladies’ man. He’d live wildly, nearly die, watch much of what he’d worked for unravel, and slowly recover.
And roughly two decades after its demise, one of his bands, arguably the best jazz band to never make it out of Detroit, just may be on the verge of getting its due...
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Tommy Morimoto
Born:
Tenor saxophonist Tommy Morimoto is originally from Matthews,NC, but moved to New York in 2003 in search of more playing opportunities. He has appeared in concert with Dave Brubeck, Les Paul, Anita O’Day, Clint Eastwood, Bob Cranshaw, Joe Wilder, Bill Cosby and Eddie Bert. Mr. Morimoto has played in concert halls, festivals (Playboy, Monterey, JVC), and nightclubs (Minton's Playhouse,Yoshis, Birdland, Iridium, Catalina’s, The Rainbow Room) and throughout the United States, France, Italy and Switzerland. Recent performances included Ronnie Scotts in London and New York’s famous Blue Note. He has been featured as a sideman on several recordings, including one with Anita O’ Day
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Josh Glum
Born:
Josh plays and composes. Josh is played and composed. Josh is playing and composing. Josh is plaid and composted.
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Mike Laatz

Born:
Mike Laatz hosts jazz programmes on Cape Town's Fine Music Radio (streaming on www.fmr.co.za ) and is a full-time musician based in Cape Town. He plays soprano,alto and tenor saxes, and drums. He has recorded with Jack van Poll, Andrew Ford, Eddie kirkwood, Basil Moses and others.
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Jeff Hackwoth
With his big tone and hard-swinging style, New York City based saxophonist, Jeff Hackworth possesses all the right ingredients to produce soulful, intelligent and passionate music. His honed his sound and feel while playing countless gigs in the smoky clubs of his hometown, Buffalo NY. “There was a lot of work in Buffalo, and I mean work in the blue collar sense.” Jeff says, “I played in many blues and R&B bands and on the jazz side there was an underground, yet thriving organ trio scene that I gravitated to. It was in those clubs where I met some great older musicians who had been out on the road and had come back home
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John Farnsworth

John Farnsworth has performed and toured with a diverse and impressive roster of influential musicians. Even an abbreviated list of his collaborators is evidence of the respect John has gained from some of the greatest musicians from commercial, jazz, and Latin genres. Whether touring with early jazz greats Illinois Jacquet or the Glenn Miller Orchestra, sharing a stage with jazz legends Cecil Payne, Slide Hampton or George Coleman in New York City's historic jazz venues, performing with legendary singer Aretha Franklin at the Radio City Music Hall, or appearing with pop sensations Alicia Keys and Rob Thomas on VH1, John Farnsworth is regarded as one of today's most exciting jazz artists.
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Bootsie Barnes

Born:
Premier jazz saxophonist Robert “Bootsie” Barnes has been proclaimed a Philadelphia treasure. “Bootsie” began his musical career at age 6 on piano switching to drums at 10. His grandmother gave him a saxophone at age 19 and he knew he had found his niche. In school, classmates included drummers, Lex Humphries, Bill Cosby, Al “Tootie” Heath; bassist “Spanky” DeBrest, trumpeter Lee Morgan, and a host of Philadelphia giants who went on to help shape the maturing sound of jazz music. Those who had the biggest influence on him were his father, who played trumpet with Bill Doggett’s 16 piece big band, and his cousin Jimmy Hamilton, saxophonist and star clarinetist of Duke Ellington’s band for 26 years. In the 60’s and early 70’s Bootsie played the renowned “Chitterling Circuit” which included clubs such as South Jersey’s Dreamland, Cotton Club, Laurettas’ Hi Hat, Pearl’s Celebrity Room and Over the Top
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