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Trumpetology: This Is Trumpetology
by Jack Bowers
Southern California-based Trumpetology is an octet comprised of five sure-handed trumpeters and rhythm. For comparison's sake, think SuperSax for trumpets. Even though leader / arranger Walter Simonsen doesn't transcribe solos by well-known horn players to unsettle his mates, several of his charts demand the same kind of snug digital dexterity employed by SuperSax, and the group ...
Exclusively For My Friends
Label: MPS
Released: 2015
Track listing: CD1: Action. At Long Last Love; Easy Walker; Tin Tin Daeo; I've Got A Crush On You; A Foggy Day.
CD2: Girl Talk. On A Clear Day; I'm In The Mood For Love; Girl Talk; Medley: I Concentrate On You/Moon River; Robbins Nest.
CD3: The Way I Really Play. Waltzing Is Hip; Satin Doll; Love Is Here To Stay; Sandy's Blues; Alice In Wonderland; Noreen's Nocturne.
CD4: My Favorite Instrument. Someone To Watch Over Me; Perdido; Body And Soul; Who Can I Turn To; Bye, Bye Blackbird; I Should Care; Lulu's Back In Town; Little Girl Blue; Take The A-Train.
CD5: Mellow Mood. In A Mellotone; Nica's Dream; Green Dolphin Street; Summertime; Sometimes I'm Happy; Who Can I Turn To.
CD6: Travelin' On. Travelin' On; Emily; Quiet Nights; Sax No End; When Lights Are Low.
CD7: The Lost Tapes 1. Gravy Waltz; Three O'Clock In The Morning; Squeaky's Blues; Tenderly; I Will Wait For You; Let's Fall In Love; Put On A Happy Face; Stella By Starlight; Moanin'; Never Say Yes; It's Impossible; My Romance.
CD8: The Lost Tapes 2. Autumn Leaves; The Folks Who Live On The Hill; Body And Soul; Misty; Hymn To Freedom; Goodbye; Li'l Darlin'; Satin Doll; All Of Me; A Lovely Way to Spend An Evening.
Tina Brooks: True Blue - 1960
by Marc Davis
I love finding little-known records by almost-unknown artists. There's nothing wrong with soaking in the comfortable pool of guys you know oh-so-well. I can listen to Art Blakey, Jimmy Smith and Kenny Burrell all day. But even the greats can wear you out. How many times can you listen to the Beatles' “Hey Jude" ...
Oscar Peterson: Exclusively For My Friends
by Bruce Lindsay
An 8-CD set of recordings from the great Oscar Peterson, beautifully recorded, sumptuously packaged and accompanied by a 60-page booklet full of informative writing: Exclusively For My Friends is a treat for ears and eyes. All of the recordings on this set were made between 1963 and 1971. The sessions took place in the home of ...
James Clay: Texas Tenor, Second Generation
by David Perrine
The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...
UNT Two O'Clock Lab Band: Two Music: It Don't Mean a Thing, If It...
by Jack Bowers
As has been pointed out a number of times before, there's no audible difference between the University of North Texas' One O'Clock and Two O'Clock Lab Bands, which are customarily named for rehearsal times but based on performance alone could well be designated One O'Clock and One-Fifteen. This is not meant to devalue the One O'Clock ...
Kenny Dorham: The Complete ‘Round About Midnight at the Café Bohemia – Blue Note 1524
by Marc Davis
I think I have a new favorite hard bop record. For many years, I considered Art Blakey and the Jazz Messengers the perfect hard bop band--the Beatles of the bop set. I still do. I don't know how Blakey managed to find the very best up-and-coming jazz musicians in America, year after year, but ...
Independence Day with Fischer and Cohn
Today, the United States of America is celebrating the 238th anniversary of its independence. Rifftides observes the 4th of July with two versions of the song that many Americans wish was the national anthem. Pianist Clare Fischer arranged the first for his 1967 album Songs For Rainy Day Lovers. The second version is by tenor saxophonist ...
Hot Tone Music: Creating Great Music of Today
by Jakob Baekgaard
There was a time when the only possibility for an artist was to record for a major label, but nowadays things have changed. While major labels are struggling to make the money they used to do, many of them have also stopped being innovators. Instead, they churn out repackaged product and focus on new music that ...
Etienne Charles and Creole Soul at SubCulture
by DanMichael Reyes
Etienne Charles and Creole Soul SubCulture New York, NY November 8, 2013 Fresh from his three-week residency at Doha's Jazz At Lincoln Center, Etienne Charles along with his band, Creole Soul, took to NYC's SubCulture on a chilly autumn evening. Charles and the band played to a packed audience at ...
