Home » Search Center » Results: Russell Perry
Results for "Russell Perry"
Art Blakey and the Young Lions - The Marsalis Bros., Donald Harrison Jr, Bobby Watson (1981 - 1991)
by Russell Perry
As the 1970s came to a close, many musicians searching for alternatives to jazz-rock fusion or free jazz found a home in straight-ahead acoustic jazz. Art Blakey and the Jazz Messengers, whose Blue Note contract was not renewed in 1964, had spent a decade in relative obscurity, when he came roaring back with a series of ...
Highlights of Jazz in the Early 2000s (1999 - 2003)
by Russell Perry
This is the 97th of 100 programs in the Jazz at 100 series. We move now into the 21st century, presenting music from less than twenty years ago. Which of these performances will have lasting value? What players will be remembered for their contributions to advancing the music? What trends will turn into dominant themes? The ...
The Second Acts of Art Pepper, Dexter Gordon, & Johnny Griffin (1975 - 1985)
by Russell Perry
Perfectly timed to reinforce the value of acoustic mainstream jazz and provide an alternative to both fusion and free jazz, Art Pepper, Dexter Gordon and Johnny Griffin reappeared and reestablished themselves as key players at the end of the 1970s. Their excellent late career work paved the way for the resurgence of mainstream bebop and hard ...
Acoustic Jazz in the 70’s - McCoy Tyner, Woody Shaw, Sonny Rollins, VSOP, Scott Hamilton (1972 - 1978)
by Russell Perry
Jazz-rock fusion was a powerful force in the music in the early seventies, but noticeably began to run out of steam mid-decade. European influences began to gain traction as the decade progressed as represented by the rise of ECM. American acoustic jazz musicians, who seemed to be taken for granted, continued to produce fine music and ...
Weather Report - Zawinul, Shorter, Pastorius (1971 - 1976)
by Russell Perry
By 1970, Wayne Shorter and Joe Zawinul were recognized as two of the finest hard bop composers and players having contributed the full range of their talents to The Jazz Messengers and Miles Davis Quintet (in Shorter's case) and the Cannonball Adderley Quintet (in Zawinul's). Both contributed to Davis' Bitches Brew sessions and in 1971 formed ...
Jazz from Europe on ECM (1972 - 1976)
by Russell Perry
Previously in this series we have surveyed record labels as representative of the jazz trends in their times—for example bebop on Dial in the 40s, mainstream jazz on Verve in the 50s, and hard bop on Blue Note in the 60s. The German label ECM can be seen as representative of a major trend of the ...
John McLaughlin & The Mahavishnu Orchestra (1969 - 1972)
by Russell Perry
British guitarist John McLaughlin contributed to creating the bold new sound of Miles Davis's great proto-fusion works, In a Silent Way and Bitches Brew. He was a member of what could be the first great fusion band, Tony Williams' Lifetime, and then founded what Ben Ratliff describes as “the ideal band for the time," the Mahavishnu ...
Chick Corea in the Fusion Era - Acoustic and Electric (1966 - 1973)
by Russell Perry
Chick Corea began recording as a sideman for artists like Mongo Santamaria, Blue Mitchell, Herbie Mann and Cal Tjader in 1962. In 1966, he started his career as a leader, while still touring with Stan Getz. Like many others, his studio work and touring with Miles Davis from 1968--1970 raised his profile, leading him to a ...
Jazz From South Africa - Hugh Masakela, Abdullah Ibrahim, Johnny Dyani (1960 - 1978)
by Russell Perry
The brutal repression of the subversive mixed-race jazz subculture in South Africa led to the emigration of several important musicians whose work in the United States and Europe helped focus the world's attention on the apartheid regime in the 1960s and 1970's. Prominent among the emigres are pianist Abdullah Ibrahim, who originally recorded as Dollar Brand, ...
The Road to Fusion - Lloyd, Burton, Williams, Zawinul and Miles (1967 - 1972)
by Russell Perry
Jazz-rock fusion or, often, simply “fusion" emerged in the late '60s as the child of many mothers. Characterized by electric instruments and rock rhythms, it could be loud and fast, but just as likely, could be melodic or lyrical or funky. The Charles Lloyd Quartet, the Gary Burton Quartet, Tony Williams Lifetime and the Joe Zawinul ...
